HomeMy WebLinkAboutFile #4 - Legal Documents/Review Sheets (1982) INTEROFFICE MEMO
TO: Larry Warren • DATE: 1/4/83
•
FROM: Dave Clemens
SUBJECT: Forbes
•
• Attached is the film data for those pictures exhibited between
November 4th and December 23rd. The remaining two films being
shown this week will, be viewed tomorrow, and a revised summary
table will be prepared and sent to you.
•
•
•
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0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIES
1 SPECIFIED ANATOMICAL AREAS
2 HETEROSEXUAL INTERCOURSE q,
` 3 HOMOSEXUAL INTERCOURSE
�
4 MASTURBATION ' '
�
5 PUNNILINGUG !!
CARNAL OLYMPICS 6 FELLATIO
5CENES IN SEQUENTIAL 7 ANAL INTERCOURSE ' ^ ^
ORDER � 8 MORE THAN TWO SEX PARTNERS ,
. 9 SADO MASOCHISM
SCENE E. T. 10 RAPE/VIOLENCE
/ ' ' '
ELAPSE TIME 11 COMBINATIONS OF ABOVE�' /
FILM .ITLE START STOP� TIME TYPE % � DESCRIPTION .' ���' �
' ` .
� ~ _ .'_ __.-_�____-________________ _
' ------�7---�--�'_� ------�--�- -- -- . '
CARNAL OLyMPICS '��� i 25 27 2 0 2 5
- . �,��. .
CARNAL OLYMPICS 27 34 7 8 8, 9 SIX WOMEN ON COUCHES ' .` ' .
CARNAL OLYMPICS 34 47 13 R 16 6 WOMEN & 4 MEN
|Y\[<NAL OLYM|`lCS 47 50 3 0 3. 8
QARNAL OLYMPICS 50 62 12 8 15 COP & TWO GIRLS
CARNAL OLYMPJCG 4)4 2 0 2. 5
CARNAL OLYMPlC�--] 64 14 10 Q 13 COP & 2 WOMEN
'
CARNAL OLYMPICG 74 76 2 0 25 �
�
CARNAL OLYMPICS 76 79 3 1 3. 8 30 MEN AROUND POOL
CARNAL OLYMPICS 79 102 23 8 29 4 WOMEN & 30 MEN
CARNAL OLYMPICS 102 104 2 1 2. 5 4 WOMEN & GROUP OF MEN
' .
CARNAL OLYMPICS 79 100 %
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OR SPECIFIED SEXUAL ACTIVITIE6
1 SPECIFIED ANATOMICAL AREAS
2 HETEROSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOU |SE
4 MASTURBATION
5 CUNNILINGUS '
CARNAL OLYMPICS 6 FELLATIO
SCENES SORTED BY 7 ANAL INTERCOURSE ' `
ACTIVITY TYPE 8 MORE THAN TWO SEX PARTNERS
' . 9 SADO MASOCHISM
SCENE E. T. 10 RAPE/VIOLENCE
ABQV ELAPSE TIME 11 COMBINATIONS OF ` ^��
/ ,� ` ���'�
FILM TITLE ' � ,/� START STOP TIME TYPE % DESCRIpTION`
` `
_~_ _---------------------77---7---77_- ` -------
"
CARNAL OLYMPICS-.- . � 25 27 2 0 2. 5
CARNAL OLYMPICq ` .. ` 47 50 3 0 3. g
CARNAL OLYMPICS 62 61. 2 0 2. 5
KARNAL OLYMPICS 74 76 2 0 2. 5
11 %
' . .�
CARNAL OLYMPICS 76 79 3 1 . 3. 8 30 MEN AROUND POOL , '
CARNAL OLYMPICS 102 104 2 1 2. 5 4 WOMEN & GROUP OF MEN
3 l�
6. %
CARNAL OLYMPICS 27 34 7 8 8. 9 SIX WOMEN ON COUCHES ^
CARNAL OLYMPICS 34 47 13 8 16 6 WOMEN & 4 MEN
CARNAL OLYMPICG 50 62 12 8 15 COP & TWO GIRLS
CARNAL OLYMPICS 64 74 10 8 13 COP & 2 WOMEN '
CARNAL OLYMPICS 79 102 23 8 29 4 WOMEN & 30 MEN
82 %
CARNAL OLYMPICS ' 79 100 %
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0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIES
1 SPECIFIED ANATOMICAL AREAS
2 HETEROSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE I vAl
4 MASTURBATION
� ^
5 CUNNILINGUS
LUST INFERNO 6 FELLATIO
SCENES IN SEQUENTIAL 7 ANAL INTERCOURSE
ORDr--,R 8 MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM �
SCENE E. T. 10 RAPE/VIOLENCE
� '
ELAPSE TIME 11 COMBINATIONS OF ABOVE
FILM TITLE � ` ' START STOP TIME TYPE % DESCRIPTION
N
�� . ` .� '
~ __ _ ' _ _ _-_�____________ -----�_____-_______________
--------- � �-- ���------r' - - �- _ _ ' _, _
LUST INFIRNO' 54 6l 7 ' 0 8, 8
LUST INFERNO 61 65 4 4 5 WOMAN ON BED
|.UST INFERNQ 65 10 3.8 PREACHER & GIRL
LUST INFERNO 68 69 J. 4 1 . 3 WOMAN ON BED
LUST INFERNO 69 70 1 10 1 , 3 PREACHER & GIRL _
LUST INFERNO 70 74 4 4 . 5 WOMAN ON BED
^ `
LUST INFERNO 74 76 2 0 2. 5
�
LUST INFERNO 76 78 2 � 4 2.5 TEEN GIRL USING VIBRATOR
LUST INFERNO 78 81 3 0 3" 8 ` 7 .
LUST INFERNO R1 83 2 3 2. 5 WOMEN BY POOL
�
LUST INFERNO 83 84 1 � 8 1 " 3 2 WOMEN & 3 MEN BY POOL
LUST INFERNO 84 86 2 6 2.5 PREACHER AND WIFE
LUST INFERNO 86 88 2 0 2. 1
LUST INFERNO 88 90 2 8 2. 5 3 WOMEN IN GROUP THERAPY
LUST INFERNO 90 qi v. ` 0 1 , 3
LUST INFERNO 91 93 2 8 2. 5 ORGY BY POOL '
LUST INFERNO 93 95 2 _ a2. 5 ORGY IN PSYCHIATRISTS OFFIC'
` �
LUST INFERNO 195 97 2 10 2" 5 PREACHER & PROTITUTE
LUST INFERNO 97 ' 99 2 8 -1. 8 ORGY IN PSYCHIATRISTS OFFIC
LUST INFERNO 99 102 3 10 3. 8 PREACHER & pRnTITUTE '
LUST INFERNO 102 111 9 10 11 ORGY BY POOL/PSCHYS OFFICE
LUST INFERNO 111 113 2 10 2. 5 PREACHER & 9ROTITUTE
LUST INFERNO 113 125 12 n 15
LUST INFERNO 125 134 9 10 11 PREACHER & TEEN DAUGHTER
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LUST INFERNO 80 100 %
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OR SPECIFIED SEXUAL AC:T3:V:[•r:IJES
J. SPECIFIED ANATOMICAL AREAS `_ , `'-
HETEROSEXUAL:XL.JA1... INTERCOURSE
F•Iui IClSLXUAL... IN"I•LRCUL.JFti:iL
4 MASTURBATION
i CUNINIL...I 'IGUS .
NIGHT HUNGER 6 FELLATIO
l':,(::'I NES IN. ;i:il'_:OLJL':i:N"I7:(11..•. 7 ANAL_.. 1:N"1-I:- LULJC={' F:::
(:1R17ER 0 MORE THAN `TWO SEX PARTNERS
.; - a�
SCENE :I C., `I'!. :L0 RAPT /VIOL_ENCE
t:i:L..Al=';iiil:.: "C' II:: :L J. C(::1I''1r I NA r I(JNE OF (\i ABOVE •' '
FILM TITLE '. START s1or TIME TYPE '% DE aCf I P'T I ON '
I'I:I:Gala1" HUNGER 1 ';' %:a 0 10
NIGHT HUNGER 9 1.1 3 1 3. 8 SATYRS IN BLACK &' WHITE
NIGHT HUNGER R 12 17 5 4 6.3 FEET ET CARESSED
NIGHT HUNGER 17 21 4 G 1 . 3 I N BED ;.;
NIGHT iI(.Jhl('il:'l:i 21 ''6 `''i "' 6. 3 FLASHBACKS OF SATYR
NIGHT HUNGER 26 29 c:> 3.8 i,
NIGHT HUNGER 29 3:I. 2 0 2. 5 SPEAKEASY
N I(:GHT HUNGER :I. 36 5 2 6. 3 LILY BL-A I R FLASHBACKS
Ni:I G:iHT HUNGER 36 40 4 6 5. 1 VIRGIN SAILOR -
NIGHT HUNGER 40 43 5 3. 8 SECOND SAILOR
NIGHT HUNGER 43 47 4 0 5.4
NIGHT HUNGER 47 49 2 0 2. 5 MUSIC E HOUSE
NIGHT HUNGER 449 51 2 2 2. 5 MUSIC:: fC? HOUSE
NIGHT HUNGER 51 '56 3. 0 6. 3
NIGHT HUNGER 56 61 5 C. 2 6. 3 FROM BEHIND
NIGHT HUNGER 61 65 4 ' 6 •5.. 1 SLUT PIG .& MAN
NIGHT HUNGER 65 66 1 . 2 1.:" SLUT PIG & MAN
NIGHT HUNGER 66 68 2 0 2. 5
NIGHT HUNGER 68 71 3 6 3. 8 FLASHBACK '
NIGHT HUNGER 71 74 3 10 3. 8 URINATING ON ALTER EGO
NIGHT HUNGER 74 76 2 0 2.5
NIGHT HUNGER 76 80 4 0 3. 1 PORN MOVIE GET
NIGHT HUNGER 79 '. 100
.
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0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED' SEXUAL AL1":CV1:l":[Es
1 SPECIFIED ANATOMICAL AREAS
' 2 HETEROSEXUAL INTERCOURSE
' ]:HOMOSEXUAL N IEkC.;OURSE: ;'.:',`
' 4 MASTURBATION
S C;I.JI\II\I I L-.I NGUG
NIGHT HUNGER 6 FELLATIO
:::i(:I:::;NL'. SORTED By. 7 ANAL INTERC(.JLJRSE:
AC'•I •I:V 1:TY TYPE ' `r 8 MORE THAN iAN TWO SEX F'AIZTNEr S
9 SAI)O MASOCHISM
SCENE E. T. Ii:► .ISAPf"/VIf L_IrNC E
ELAPSE TIME 11 COMBINATIONS I-]:ONS OF ABOVE.:'".,': '
FILM TITLE,: START fiS1UI '•r':Ci`'II:: ' ..I"VpE % DESCRIPTION ' , .
i'I].G(ii HUNGER I. S7 0 c) 10
NIGHT HUNGER 26 29 .. 0 3. 8 •
NIGHT HUNGER 29 31 0 2. 5 SPEAKEASY
NIGHT hiIl\IC:;1-R II w, 47 4 U 5. 1 '
H:C(;;lII- HUNGER 47 49 2 0 2. 5 MUSIC 0 HOUSE
NIGHT HUNGER 5 J ;:a t{:, 5 �, 4. 3
NIGHT HUNGER 66 • 68 ( 2. 5
NIGHT. HUNGER 74 76., ':' 0• 2. 5 -
NIGHT HUNGER 76 80 4 0 5. 1 PORN MIC)V I E SET
41
NIGHT HUNGER • '1 12 .. 1 3. 8 SATYRS IN BLACK & WHITE
3. 8 "7.
NIGHT HUNGER 21 26 5 . . 6. 3 FLASHBACKS CJF SATYR
NIGHT HUNGER 31 36 5 2 6.3 LILY IBA I R FLASHBACKS
Ni(_,HT HUNGER 49 51 `.�' ^ . . 5 MUSIC to HOUSE '
NIGHT HUNGER 56 61 5 , '} 2. 6. 3 FROM BEHIND '
NIGHT HUNGER - 65 66 . :1 2 1 . 3 SLUT FIG & NIAN
2', 9 y
.
NIGHT HUNGER 12 47 5 - 4 6. 3 FEET CARESSED
6.3 % .
NIGHT HUNGER '..0 . 43 .- 5 :3.8 SECOND SAILOR
3. 8
NIGHT HUNGER 36 40 4 6 5. J. VIRGIN SAILOR
NIGHT HUNGER 61. 65 46 5. 1 SLUT PIG &
MAN
NIGHT HUNGER 68 71 3 6 3. 8 FL_ASHBACK
14
NIGHT HUNGER...' 17 21 lI 8 5. 1 ;' IN BED
•5. 1
NIGHT HIJNGER 71 74 3 10 • :. 0 UR I NAl-I NG ON ALTER EGC) ,
NIGHT HUNGER 79 100 r / ., .
4
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0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL
! �
1 SPECIFIED ANATOMICAL AREAS '
2 HETEROSEXUAL INTERCOURSE t its
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUS -~
SAME TIME EVERY YEAR 6 FELLATIO
SCENES IN SE TIAL 1ANAL INTERCOURSE� .
ORDER �` ' ^(��r '� ' 8 MORE THAN TWO SEX PARTNERS
` . . . `` '
9 SADO MASOCHISM .�
F, T. 10 RAPE/VIOLENCE
ELAPSE TIME 11 COMBINATIONS OF ABOVE
FILM TITLE. ' START STOP TIME TYPE� % DESCRIPTION ,
^ '
-----------r---------��-----------------'--------------------------------+--
'
SAME TIME EVERY YEAR 21 27 6 2 7. 9 MICHEAL & NICHOL
SAME TIME EVERY YEAR 27 29 2 7 2. 6 ROBERT & WOMAN
SAME TIME EVERY YEAR 29 31 2 2 2. 6 JOSEPH & WOMAN
SAME TIME EVERY YEAR 31 33 r 0 2" 6
SAME TIME EVERY YEAR 33 36 3 l 3. 9 NICHOL & GARDENER
SAME TIME EVERY YEAR 36 37 1 2 1 " 3 NICHOL & GARDENER
�
SAME TIME EVERY YEAR 37 43 6 6 7. 9 NICHOL & GARDENER
. ^ �' ^
SAME TIME EVERY YEAR 43 49 6 8 7.9 2 WOMAN & MAN BY POOL
SAME TIME EVERY YEAR 49 51 2 2: 6
SAME TIME EVERY YEAR 51 54 3 1 3 9 BLONDE STRIP TEASE
SAME TIME EVERY YEAR 54 56 2 5 2.6 BLONDE & ROBBIN
SAME TIME EVERY YEAR 56 60 4 11 5. 3 BLONDE & ROBBIN
DAME TIME EVERY YEAR 60 63 3 0 3Z�
SAME TIME EVERY YEAR 63 67 ' 4 3 5 . 3 GIRLS IN MEADOW
SAME TIME EVERY YEAR 67 68 1 ` 0 1 . 3
SAME TIME EVERY YEAR 68 73 5 ' 8 6. 6 WOMAN & 2 MECHANICS-
SAME TIME EVERY YEAR 73 76 3 '73~ 9 WOMAN & 2 MECHANICS
SAME TIME EVERY YEAR 76 70 2 8 2. 6 WOMAN & 2 MECHANICS '
SAME TIME EVERY YEAR ' 78 44 6 11 7. 9 JOSEPH & WOMAN @ DINNER
SAME TIME EVERY YEAR 84 88 4 0 5. 3
SAME TIME EVERY YEAR 88 91 3 7 319 MALE STRIPPER & 2 WOMEN
SAME TIME EVERY YEAR 91 94 3 8 3. 9 MALE STRIPPER & 2 WOMEN
SAME TIME EVERY YEAR 94 97 3 11 3. 9 FLASHBACKS,UNTIL NEXT YEAR
SAME TIME EVERY YEAR 76 100 % n
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0 NO SPECIFIED ANATOMICAL- AREAS
OR SPECIFIED SEXUAL ACTIVITIES `
1 SPECIFIED ANATOMICAL AREAS -
2 HETEROSEXUAL INTERCOURSE `
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUG `
GOLDEN GIRLS 1 FELLATIO
SCENES IN ,' IAL 7 ANAL INTERCOURSE `
ORDER ^ � �/�- ,� 8 MORE THAN TWO SEX PARTNER�� �` '' �
'
9 SADO MASOCHISM
/ .
10 RAPE/VIOLENCE
RLAPSE TIME It COMBINATIONS OF ABOVE ' .
FILM TITLE START STOP TIME TYPE % DESCRIPTION �
'GOLDEN GIRKS 29 35 6 0 7. g
QDLUEN O1RLS 41 6 2 7, 8 COUPLE
GOLDEN GIRLS 41 43 2 0, 2" 6
GOLDEN GIRLS 43 44 1 1 1 . 3 GIRLS W/PHOTOGRAPHER
'
GOLDEN GIRLS 44 46 2 0 2. 6
6OLDEN GIRLS 46 47 1 1 1 , 3 GIRLS W/PHOTOGRAPHER
GOLDEN GIRLS 47 49 2 0 2" 6
GOLDEN GIRLS 49 52 3 5 3" 9 PHOTOGAPHER W/ MODEL
GOLDEN GIRLS 52 54 2 . 2. 6 PHOTOGAPHER | / MODEL
GOLDEN GIRLS 54 61 7 0 9.
GOLDEN GIRLS 6i 65 4 2' 5. 2 MAN & WOMAN
GOLDEN GIRLS 65 69 4 1 5, 2 TWO WOMEN7N BED
GOLDEN GIRLS 69 70 1 F1 , 3TRANSEXUAL & WOMAN
GOLDEN GIRLS 70 76 6 7. 8 `
GOLDEN GIRLG 76 81 5 ` ' 2 4- 5 MAN & WOMAN
GOLDEN GIRLS 81 81 0 0 0 '
GOLDEN GIRLS 81 82 1 '1 1 . 3 WOMAN IN BATHROOM
GOLDEN GIRLS 82 85 3 A 3,9 '
`
GOLDEN GIRLS 85 92 7 8 9. 1 WOMAN & 2 MEN
GOLDEN GIRLS 92 92 0 0 0
GOLDEN GIRLS 92 93 1 | 1 . 3 WOMAN IN BED
GOLDEN GIRLS 91 96 3 6 3. 9 MAN & WOMAN ON STAIRS
GOLDEN GIRLS 96 97 1 2 �1 . 3 MAN & WOMAN
GOLDEN GIRLS 97 100 3 2 3. 9 MAN & WOMAN ON COUCH
GOLDEN GIRLS 10h 101 1 2 1 . 3 INDENTIST CHAIR
GOLDEN GIRLS 101 10s 2 2 2. 6 MAN & WOMAN ON FLOOR
GOLDEN sI � iO3 106 3 0 3 9
^
~
GOLDEN 8IRL8 77 100 %
'
'
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.
' .
'
`
'
'
0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIES �r
1 SPECIFIED ANATOMICAL AREAS
2 METE�RO�EXUALINTERCOURGE
.
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUS
GOLUEN GIRLS 6 FELLATIO
SCENES SORTED By 7 ANAL INTERCOURSE
ACTIVITv`TYPF� � � ' 8 MORE THAN TWO SEX PARTNERS �^� `
. . ' ' ` .� � . .
9 SADO MASOCHISM
SCFNE E. T. 10 RAPE/VIOLENCE
ELAPSE TIME 11 COMBINATIONS OF ABOVE`'
'
FILM TITLE", ' START STOP TIME TYPE' % DESCRIPTION
......... ............. ............... _____-------_________-__-______________________
GOLDEN GIRLS 29 35 6 0 7. 8 `
GOLDEN GIRLS 41 43 2 0 2, 6 � .
�
. �
GOLDEN GIRLS 44 46 2 0 2.6
GOLDEN GIRLS 47 49 2 0 2"6
GOLDEN GIRLS 54 61 7 0 9 :1.
. ,
GOLDEN GIRLS 70 76 6 0 7. 8
GOLDEN GIRLS 81 81 0 0 0
GOLDEN GIRLS 82 05 3 . 0 3. 9,'
GOLDEN GIRLS 92 92 0 A 0.
GOLDEN GIRLS 103 106 3 0 3. 9 '
GOLDEN GIRLS 43 44 1 1 1 ,3 GIRLSW/PHOTOGRAPHER
bOLDEN GIRLS 46 47 1 ` 1 1 , 30IRLS W/PHOTOG HER
GOL{}EN GIRLS 65 69 4 1 5.2 TWO WOMEN IN BED
GOLDEN GIRLS 81 82 1 ! 1 1. 3 WOMAN IN BATHROOM
GOLDEN GIRLS ' 92 93 1 1 .1 . 3 WOMAN IN BED
`
10 V.
GOLDEN GIRLS 35 41 6 2 7. 8 COUPLE
GOLDEN GIRLS 61 65 4 '25. 2 MAN & WOMAN
GOLDEN GIRLS 69 70 1 ^ �2 1' 3 TRANSEXUAL & WOMAN
GOLDEN GIRLS 76 81 5 '2 6. 5 MAN & WOMAN
GOLDEN GIRLS 96 97 V 2 1. 3 MAN & WOMAN
GOLDEN GIRLS 97 100 3 2 3. 9 MAN & WOMAN ON COUCH
GOLDEN 'GIRLS 100 101 1 2 1 . 3 INDENTIST CHAIR
GOLDEN GIRLS 101 103 2 2 2. 6 MAN & WOMAN ON FLOOR
30 7.
�� � `
GOLDEN �gI '�� ` 49 52 3 5 3, 9 pHOTOGAPHER W/ MODEL ` �
3 9 % ``
^
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GOLDEN GI S�> ' - 52 54 2 6 2 6 PHOTOGAPHER W/ MODEL
'�� `' �\~ '/' r ' '� -
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GOLDEN GI �� '� � '^ ' '� q3 96 3 6 3'9 MAN & WOMAN ON STAIRS� �
` '| `j � ` ^ . ' '`
GOLDEN GIRLS 85 92 7 E} 9. 1 WOMAN & 2 MEN
9. 1 % ,
. `
GOLDEN GIRLS 77 100 % ^
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0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIES �'. '.'../
. 1 GPICIFIED ANATOMICAL AREAS
2 HETEROSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
�
4 MASTURBATION
5 CUNNILINGUS
ALL ABOUT ANNE | | E 6 FELLATIO
�CEHE5 GORTED BY 7 ANAL INTERCOURSE
ACTIVITY TYp& ' 8 MORE THAN TWO SEX PARTNERS
� SADO MASOCHISM
''. �
SCENE E. T. 10 RAPE/VIOLENCE
` ' ' ^
ELAPSE TIME 11 COMBINATIONS OF ABOVE ' '
FILMTITLE START STOP TIME TYPE� % DESCRIPTION.
' '
_______.______...._------------- --------------__--------_---------
�_________
�
ALL ABOUT ANNETTE 49 50 1 0 1 . 4
ALL ABOUT ANNETTE 57 59 2 0 2. 9
ALL ABOUT ANNETTE 70 72 2 0 2. 9
- . . �
ALL ADOUT ANNETTE 80 81 1 0 1 , 4
ALL ABOUT ANNETTE 93 94 1 0 , 1 . 4 ,
ALL ABOUT ANNETTE 102 108 6 0 8. 6
- . �
ALL ABOUT ANNETTE 117 118 1 0 1 ,4
� 20
ALL ABOUT ANNETTE 50 53 3 1 4. 3 COUPLE IN BED
ALL ABOUT ANNETTE 59 65 6 1 8. 6 NUDITY
13 %
ALL ABOUT ANNETTE 55 57 2 2 2" 9 MAN & WOMAN IN BED
ALL ABOUT ANNETTE 65 70 5 2 7. 1
MAN & WOMAN
ALL ABOUT ANNETTE 111 113 2 2 2. 9 MAN & WOMAN
ALL ABOUT ANNETTE 81 91 10 3 14 TWO WOMEN
14 %
ALL ABOUT ANNETTE 72 80 8 4 11 WOMAN IN FRON OF MAN '
11 %
ALL ABOUT ANNETTE 108 111 3 5 4. 3 MAN- & WOMAN
` 4. 3 %
ALL ABOUT ANNETTE 53 55 2 6 2. 9 MAN & WOMAN
AL ABOUT ANNETTE 91 93 2 6 2" 9 WOMAN & CASTING DIRECTOR
ALL ABOUT ANNETTE 118 119 1 6 1 " 4 MAN & WOMAN'
ALL ABOUT ANNETTE 94 96 2 8 2. 9 6 WOMEN
��
ALL ABOUT �NNETTE/t 96 102 6 8 8. 6 3 WOMEN
ALL ABO 'ANNETTE � 113 117 4 8 5. 7 WOMAN & 2 MEN ^ `
17
ALL ABOU NETTE 70 100 %
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: V:::1?:iV 14:J3INOJ.VINV u i.C.JIJ Ids OI\I 0
0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITI
I SPECIFIED ANATOMICAL AREAS
- `
2 HETEROSEXUAL INTERCOURSE ' r
3 HOMOSEXUAL INTERCOURSE ' '
4 MASTURBATION � ` �
5 CUNNIiINGU8
FEELS LIKE SILK 6 FELLATIO
SCENES SORTED BY 7 ANAL INTERCOURSE
` M TWO X PARTNERG
ACTIVITY TYP� 8 ORE THAN SE ` � 4'
�
i ` � 9 GADO MASOCHISM
SCENE E. T. 10 RAPE/VIOLENCE
�FLAPSE TIME 11 COMBINATIONS OF ABOVE
FILM TITLE - ' START STOP TIME TYPE '% ` DESCRIPTION
`
_________~_____________-__________________�_ _�-------_________�_--____�_�_
FEELS LIKE SILK 52 57 5 0 6. 7 '
F2EL� L11(E iX �9 6(�.' 7 0
FEELS LIKE SILK 70 80 10 0 13
^ ~ ' �
FEELS LIKE SILK ' 92 104 16
' ^'i^
FEELS LIKE SILK 108 113 5 0 6. 7 ` � ' ry7�
52 %
FEELS LIKE SILK 49 52 3 2 4 COUPLE IN CHAIR
FEELG. LIKE SILK 57 59 2 2 2" 7. COOK & WAITRESS
FEELS LIKE SILK 66 70 4 2 5. 3 WAITRESS & CUSTOMER
FEELS LIKE SILK 80 87 7 2 9. 3 COUPLE USING ROOM
FEELS LIKE SILK 87 92 5 2 6" 7 ON COUCH '
FEELS LIKE SILK 104 108 4 2 5.3 YOUNG BbY,GIRL & MOTHER
FEELS LIKE SILK 118 124 6' 2 8 SON & BLONDE ROOMMATE
41 %
FEELS LIKE SILK 113 116 3 4 MAJOR & GIRL
4 %
FEELS LIKE GILK 116 118 2 6 4. 7 MAJOR & GIRL
2.7 % '
`
____ ,
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FEELS LIKE SILK 75 100 %
`
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0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIES"
1 SPECIFIED ANATOMICAL AREAS
2 HETEROSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUS
AMERICAN PIE 6 WELLATIO
SCENES IN SEQUENTIAL 7 ANAL INTERCOURSE �
/
ORDER ` 8 MORE THAN TWO SEX PARTNERG'
' ,
9 GADO MASOCHISM
/
' � SCENE E. T. 10 RAPE/VIOLENCE ' .
ELAPSE TIME 11 COMBINATIONS OF ABOVE �
FILM TITLE � �� START STOP TIME TYPE � % DESCRIPTION`.
........---_----�------------------ _____-______
`
AMFRICAN PTF 19 J� 6 U 7. 8
AMERICAN PIE 25 33 10 6 13 SISTERS & GUY IN BED
AMERICAN PIE 35 40 3 2 6. 5 FRED & WIFE
/
AMERICAN PIE 40 42 2 2 2, HUSBAND & MAID
AMERICAN PIE 42 46 �.j 0 5. 2 r '
AMERICAN PIE 46 49 6 319 KIDNAPPER & WAITRESS
4/
AMERICAN PIE 49 52 3 2 3. 9 KIDNAPPER & WAITRESS
AMERICAN PIE 52 53 1 V 1 . 3
AMERICAN PIE 53 54 1 ' � 1 . 3 GIRL WITH KIDNAPPER .
AMERICAN PIE 54 55 1 0 1 . 3
AMERICAN PIE 55 57 2 6 2. 6 GIRL WITH KIDNAPPER
AMERICAN PIE 57 59 2 0 2. 6
AMERICAN PIE 59 60 J. 9 1 . 3 KIDNAPPED GIRL PHOTOS
AMERICAN PIE 60 64 4 6 512 YOUNG GIRL AND UNCLE
AMERICAN PIE 64 76 6 /^ 7. 0 KIDNAPPER & GIRL
AMERICAN PIE 70 75 5 8-6. 5 KIDNAPPER & GIRLS
AMERICAN PIE 75 80 5 2 6. 5 ON COUCH W/KIDNAPPER
AMERICAN PIE 80 02 2 0 '?, 6 ` `
AMERICAN PIE ' 82 84 2 1 2. 6 GIRL & KDINAPPER
AMERICAN PIE 84 96 12 0 16 �
.
AMERICAN PIE 77 1A0 %
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`
0 NO SPECIFIED ANATOMICAL AREAS
� OR. GPErIFIED SEXUAL ACTIVITIES `
1IGPECIFIED ANATOMICAL AREAS
2 HETEROSEXUAL INTERCOURSE
' !
3 HOMOSEXUAL INTERCOURSE ' v
. � `
A. MASTURBATION � � ` ` n�'i
5 CUNNILINGU8
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qCENES SORTED BY 7 ANAL INTERCOURGE
;
ACTIVITYTYpE . 8 MORE THAN TWO SEX PARTNERS �
. '
9 SADO MASOCHISM
SCENE E. T. 10 RAPE/VIOLENCE
ELAPSE TIME 11 COMBINATIONS OF ABOVE �
FInM TITLE START STOP TIME TYPE % DESCRIPTION . �
' ` ' -~------''--��----------------'------------�-----_-----_-------~-r^-�-�-�-
�
MARATHON 0 3 3 03, 5
MARATHON 40 45 5 0 5. 9
MARATHON 83 85 2 0 2� 4
`
12 %
MARATHON 3 11 8 8 9. 4 16 COUPLES IN HOME PARTY ^
MARATHON 11 17 6 � 8 7. 1 BLACK GIRL & HOST �^ '
MARATHON 17 26 9 8 � 11 PARTY MOVES TO BEDROOM
. | '
MARATHON 26 40 14 8 16 FIRST EJACULATION ' _ � ��`
MARATHON 45 53 8 8 q. 4 PARTY MOVE6 TO .OSpITAL
MARATHON 53 83 30 8 35 GUYS JOIN GIRLS.
MARATHON ' 85 � 100 %
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�' ` �
1 SPECIFIED ANATOMICAL AREAS ^ �
2 HETEROSEXUAL INTERCOURSE
�
3 HOMOSEXUAL INTERCOURSE / '
4 MASTURBATION '
5 CUNNILINGUS
ORIENTAL HAWAII 6 FELLATIO
SCENES IN GEQUENTIAL 7 ANAL INTERCOURSE
ORDER 8 MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM
SCENE E. T. 10 RAPE/VIOLENCE
B-APbE TIME 11 COMBINATIONS OF ABOVE
FTLM TITLE START 9TOP TIME TYPE % DESCRIPTION
-- ..._.............._�____ � __-_-_-_-_.....--....... _................. _________________
ORIENTAL HAWAII 30 37 7 0 9. 1
V|<IENTAL HAWAII 37 45 O 3 10 DAUGHTERS AND DILDOS
URIENTAL HAWAII 45 50 5 2 6. 5 FATHER AND LADY FRIEND
ORIENTAL HAWAII 50 61 11 0 14 '
�
ORIENTAL HAWAII 61 73 12 8 16 DAUGHTERS & FEMALE BOARDERS '
ORIENTAL HAWAII 73 82 9 8 12 FEMALE BORDERS & SONS �� � `
ORIENTAL HAWAII 82 84 2 0 2.8
ORIENTAL HAWAII 84 90 6 8 7. 8 FATHERS EROTIC DREAM
ORIENTAL HAWAII 90 95 5 8 6. 5 FATHER-BOARDER/MOTHER-SON
ORIENTAL HAWAII 95 97 2 11 2. 6 MOTHER & SON
ORIENTAL HAWAII 97 99 2 11 2. 6 MOTHERS EROTIC DREAM
ORIENTAL HAWAII 99 106 7 2 9. 1 FATHER & MOTHER FLASHBACK
ORIENTAL HAWAII 106 107 1 0 1 . 3
ORIENTAL HAWAII 77 . 100 %
�
'
` ^ .
` '
^
0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL-. ACTIVITIES"
1 SPECIFIED ANATOMICAL AREAS
HETL_RO'3EXUAL. INTERCOURSE
E RC,fll.JRSI
I.Iflmonr xuAL 1:W'IIia:FtC'(::1!,1R;::,E
1 MASTURBATION
5 CHNNl 1 L..I NC3LJ6
+::iP:CI ►41"r'AL HAWAI1: 6 FELLATIO
SCENES SORTED BY 7 ANAL.. INTERCOURSE
AC"I1:V:CTV ' TYPI:: 0 MORE THAN TWO tIIX PARTNERS
9 SADO MASOCHISM
Y-'I' I'I1:;: F:: "I ,L o RAPE/VIOLENCE
►:: l...,r ti t::,;:.,►.: r:r.Lu:: a. a. I::rarll: 1:Hr-1T:r.OIuS OF ABOVE -
rum TITLE fe,TART I lii' Timr TYPE ° DLGCR:EPTIOi\I
C:l►'1:►:FWI"AL... P If1WA I T. 70 :','7 7 0 9. 1
o k I.h1' I A L... I A W A I. I ;L; , , I .I. J, u J.f
CH islNTAI.. I•IAWA:r E 02 01 0 2. 6
C,:ir.;:I:EIV.,I..AI.... IiAWA1: 1: :1i , 1.0;y :I. 0 1 . :;
27
L:31 C I::N"I"F`ii.... I•iAW,=1:I: E 45 50 5 6. 5 FATHER HL-f AND LADY r I :L INII)
Uk 1:i .N-1'•AL.. I IAWA 1I: 99 106 7 2 9. 1 FATHER & MOTHER FLASHPACK
16
ORIENTAL I IAWA:C E 37 I::", i:a 3 10 DAUGHTERS AND 1):C LULL
Ok:r,EN'T•AL. HAWA I .I. 6:1 73 .1.2 0 :1.6 DAUGHTERS & FEMALE BOARDERS
OI"CI E NTAL.. I-'IAWA 1: I 73 02 9 0 12 FEMALE BORDERS & SONS
ORIENTAL HAWA 1: I Ol 90 6 8 7. 8 FATHERS EROTIC DREAM
ORIENTA►... HAWA 11: 90 95 b 0 6. 5 FATHER - SON
1
ORIENTAL I'-IAWA I I 95 97 2 11 2. 6 MOTHER & SON
OR:C ENTAL, HAWA I I 97 99 2 11 2. 6 MOTHERS EROTIC DREAM
M
ORIENTAL HAWA I I 77 100 %
0 NO SPECIFIED ANATOMICAL AREAS
` OR SPECIFIED SEXUAL ACTIVITIES
1 SPECIFIED ANATOMICAL. AREAS ` '
2 HETEROSEXUAL INTERCOURSE
3HOMOSEXUAL INTERCOURSE
4 MASTURBATION A
5 CUNNILINGUS
8lRL FROM S. E. X. 6 FELLATIO
SCENES IN SPQUENTIAL 7 ANAL INTERCOURSE
ORDER ' ..� '� � 8 MORE THAN TWO SEX PARTNERS � 1 `
� 9 SADO MASOCHISM - `
` SCENE V. T. 10 RAPE/VIOLENCE
t 11 COMBINATIONS OF ABOVE
FILM TITL�E '� ` START STOP TIME TYPE '% � DESCRIPTION
- ------��-+��_-`r------��--�--------.........-...................----------.........--------- __-7`--._-���
GIRL FROM G. E. X. 1 6 5 0 el. 3
4lHL FROM G. E. X. 2 7. 5 AGENT 38DD AND GUY
GIRL FROM S. E. X. In 22 10 0 13
GIRL FROM ,S E X 22 25 3 3 3 8 38DD AND ADRIAN. . .
GIRL FROM S. E. X. 25 28 3 4 3. 8 ADRIAN IN SHOWER
GIRL FROM S. E. X. 28 36 8 2 10 ADRIAN & HITMAN-
GIRL FROM S. E. X. 36 el 4 6 5 38DD AND XAVIER
GIRL FROM G. E. X. 40 43 3 2 3. 8 38DD AND XAVIER
GIRL FROM S. E. X. 43 45 2 0 2. 5 '
GIRL^FROM S.E. X. 45 52 7 2 8. 8 38DD AND MASSEUR
GIRL FROM S. E, X. 52 53 1 1 1 . 3 IN STERN ROOM
'
GIRL FROM S. E. X. 53 59 6 6 7. 5 SECRETARY & BOSS
GIRL FROM S. E. X. 59 63 4 1 5 WHOREHOUSE SCENE
GIRL FROM S. E. X. 63 67 4 9 5 38DD & JOHN
GIRL FROM S. E. X. 67 70 3 0 3. 8
GIRL FROM S. E, X., 70 74 4 1 5 38DD & INTEROGATOR
GIRL FROM S, E. X. 74 76 2 02" 5
GIRL FROM S. E. X. 76 80 4 5 AGENT & 38DD '
GIRL FROM S. E. X. 80 21 1 0 In
GIRL FROM S. E. X. 100 %
ANT
' .
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�
;�
�� �
^�/�a
'
..
is NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIES,
1. SPECIFIED ANATOMICAL AREAS , ,.
HETEROSEXUAL INTERCOURSE
HOMOSEXUAL INTERCOURSE.
4 MASTURBATION
5 CUNN]:L_I NOUS ",
(AR'F` 1,.. FF'•1'inM S?i, F: , X. 6 FELLATIO
;A'i.:I IL::t., soIF•tTi.::D DY 'I ANAL_ INITI:::RCF::#LJRSE
Ar."F' I 'l F.'T'Y TYPE ' 8 MORE THAN TWO SEX PARTNERS
9 C,ADO MASOCHISM
5CF:::I'ii 1,. '1". 10 ,RAi-r/VIOL_FNCE
k I._AFFF'Sii#I::i: 'HMI'MI:: :I. :I. COMBINATIONS OF (WOVE
FILM L..I I TITLE ,.'• : START STOP OP T:I:MF: TYPE i. DESCRIPTION
IFi1.. FROM s. F., X. .1. ra ".':I 0 6.
0IRI. 1=Ri:jI/i S:3. Fig. X. :I.'-' 2"..' :I1:1 . 0 1
i.':I:pl.... FROM S.F.X. 13 4,1:i 2 0 2.5
i::i 1 RL., 1 'k5:''H Sy. I.c:. X, 17 70 ._ t:' 3. 8
GIRL 1:::'ROI.I S . F . X. 74 76 2 0 2,n ,J 6. ,,;
J..
1 . 3
S.:5
I::,.I.l L. FROM t..JI°I ;:,. I:-.. X. 00_1 .I• 1. 0 [y
2
GIRL FROM S. E. X. 52 `13 I 1. 1. . 3 IN STERN ROOM
is:IRL. FROM S. F::. X. 1.'i9 t.:>:::ii. RF 1. 5 WHOREHOUSE SCENE
GIRL FROM S. E. X. 70 74 4 1 5 38DD ?< I NTEROGATOR ,
11 %
GIRL FROM 8. I::::. X. 6 :L'S 6 2 7. 5 AGENT 38DD AND GUY
OLI L, F RC::' 'I S.E. X. 28 :.e, 0 2 10 ADRIAN & 1H]:'FMAN
GIRL FROM S. E. X. 4o ' :% 3 2 3. 8 3:SDD AND XAVIER
GIRL FROM S. E. X. 15 52 . 7 i 2 S. 8. 30DD AND MASSEUR
GIRL. FROM S.E.X. 7F 00 1 2 5 AGENT &. 38DD
3` %
GIRL FROM , 3. I::. X. w;:i 3 3 8 38DD AND ADRIAN •
3. 8 %
GIRL. FROM S.E. X. 25 2.Q .. 4 3. 8 ADRIAN IN SHOWER
3. 8 %
GIRL_ FROM S. E. X. 36 10 4 6 5 8DI) AND XAVIER
GIRL FROM S. E. X. 53 59 6 6 7. 5 SECRETARY & BOSS
e�
1_• % .
GIRL FROM S. E. X. f33 67 'I• 9 5 38DD & JOHN
r
ia:Cltl__ F"F []i1. SuCa.X..
r
0:) NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVTTIE; :,. , .
1 SPECIFIED 'ANATOMICAL AREAS :,- ;.:
2 HETEROSEXUAL. INTERCOURSE
HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNN I L_.I NGUS
EROTIC INTERLUDES 6 FELLATIO
'"C::'Fc:hJl:::a IN SEQUENTIAL 7 ANAL., INTERCOURSE
ORDER El MORE THAN TWO SEX PARTNERS , . .: "
9 SAID! MASOCH:C SI�I •
SCENE F . T.. :1.0 RAPE /VIOLENCE '
ELAPSE SE TIME I IE 11 COMBINATIONS OF ABOVE .
FILM TITLE START STOP TIME ' TYPE ' Y. DESCRIPTION
17::: 1_I.1:c 1:I'1T17..F.RL.(..1DES 24 7.5 11 0 13
S ;':1 ';� 1(::1 22 PLAYERS AND CHEERLEADERS
ADIii�RS
I:�:I !:!'I':f.l: INTERLUDES •:;..� �
EROTIC INTERLUDES i 5: ":i`."i '' L;? 2. 4 RON & SECRETARY"ARY
EROTIC INTERLUDES 55 57 2
(^) 2. 4 .
EROTIC INTERLUDES 57 67 10 2 12 SECRETARY INTERVIEW •
EROTIC IC INTERLUDES 67 69 :;c'. c) :?„ If.
EROTIC INTERLUDES 69 71 5 3 6. 1 GIRLS AFTER PARTY
EROTIC INTERLUDES 74 770 .: . 7 ,
EROTIC INTERLUDES 77 05 N Lib 9„ 0 2 GIRLS & GUY IN TUB
EROTIC INTERLUDES 85 86 L. 0 1 . 2
EROTIC INTERLUDES (.36 105)5 19 2 23 REPAR I I"IAN & LADY
EROTIC INTERLUDES 105 106 1 0 1 . 2
' 02 100 X •
t,`.1
0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIEK. "o
1 SPECIFIED ANATOMICAL AREAS
2 HETEROSEXUAL INTERCOURSE
�
� HOMOSEXUAL INTERCOURSE `
` '
4 MASTURBATION
5 CUNNILINGUS -
EROTIC INTERLUDE',* 6 FELLATIO
H[ENES SORTED BY 7 ANAL INTERCOURSE
ACTIVITy TYPE 8 MORE THAN TWO SEX PAR .NERS I�. ' '
MASOCHISM . '
. '
SC[NE E' T. J. RAPE/VIOLENCE
ELAPSE TIME 11 COMBINATIONS OF ABOVE
"
FILM TITLE . START STOP TIME TYPE % DESCRIPTION '
---------------------------------------------------------- _______--____-�___
EROTIC INTERLUDES 24i / ; 13
EROTIC NTEHLUDE8 55 57 2 0 2 4
EROTIC INTERLUDES 67 69 7 0 2. 4
KROTIC INTERLUDES 74 77 3 0 3. 7
PROTIC INTERLUDES 85 W6 1 0 1 . 2
EROTIC INTERLUDES 105 106 1 0 1 . 2
24 % l�
EROTIC INTERLUDES 35 53 18 2 22 PLAYERS AND CHEERLEADERS
EROTIC INTERLUDES 53 55 2 2 2. 4 RON & SECRETARY
EROTIC INTERLUDES 47 67 10 2 12 SECRETARY INTERVIEW
EROTIC INTERLUDES 86 105 19 2 23 RFPARIMAN & LADY
60 %
EROTIC INTERLUDES 69 74 5 3 611 GIRLS AFTER PARTY
6, 1 %
EROTIC INTERLUDES 77 85 8 ' 8 9. 8 2 GIRLS & GUY IN TUB
9. 8 X
82
'
' .
'
'
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'
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' "{
�
.
'
�
`
0 NO SPECIFIED ANATOMICAL AREAS
WSPECIFIED SEXUAL ACTIVITIES
1 SPECIFIED ANATOMICAL AREAS )'
��� �
�
2 HETEROSEXUAL INTERCOURSE
3 HOMbSEXUAL INTERCOURSIE
4 MASTURBATION
5 CUNNILINGUS
FLESH & LACE PART 1 6 FELLATIO
SPEUES IN SEQUENTIAL 7 ANAL INTERCOURSE
ORDER � 8 MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM
` SCENE V.T. 10 RAPE/VIOLENCE
' ELAPSE TIME 11 COMBINATIONS OF ABOVE . .`
FILM 11|LtE 'TART STOP TIME TYPE % DESCRIPTION
____' .......... ...�__-___.____........ ........ ..._________________________~-��_____
[ LECH & LACE PAHT 1 � 11 3 5 3. 1 MAN & WOMAN ON COUCH
FLESH & LACE PART 1 1 1 11 0 0 0
FLESH & LACE PART 1 11 13 2 1 2. 1 �MODEL STRIPPING.
F�ESH & LACE PART 1 13 16 3 5 3. 1 MAN & MODEL ON COUCH
'
FLEGH & LACE PART 1 16 21 5 0 5. 2
FLESH & LACE PART 1 21 25 4 2 412 MAN & WOMAN ON COUCH
FLESH & LACE PART 1 25 26 1 6 1 MAN & WOMAN ON COUCH
FLESH & LACE PART 1 26 28 2 2 2. 1 MAN & WO �AN ON COUCH
FLESH & LACE PART 1 28 32 4 0 4. 2
FLESH & LACE PART 1 32 37 5 0 5. 1 3 MEN & WOMAN
FLESH & LACE PART 1 37 39 3 6 2. 1 MAN & WOMAN
FLESH & LACE PART 1 39 50 11 2 11 MODEL & MAN
FLESH & LACE PART 1 50 53 3 8 3. 1' 3 MEN & WOMAN
FLESH & LACE PART 1 53 56 3 0 311
FLESH & LACE PART 1 56 58 2 1 2. 1 WOMAN
FLESH & LACE PART 1 58 59 1 10 1 MAN FORCING 2 WOMEN TO SEX
FLESH & LACE PART 1 59 66 7 8 7. 3 3 MEN & WOMAN '
FLESH & LACE PART 1 66 U6 20 10 21 MAN FORCING 2 WOMEN TO SEX
FLESH & LACE PART 1 86 86 0 0 0
FLESH & LACE PART 1 86 89 3 10 3. | FORCE 2 MEN & 2 WOMEN
FLESH & LACE PART 1 89 90 1 0 1
FLESH & LACE PART 1 90 91 1 6 1 MAN & WOMAN
FLESH & LACE PART 1 91 93 2 1 2. 1 WOMAN
FLESH & LACE PAR'[ 1 93 94 1 5 i MAN' & WOMAN IN HOSPITAL
FLESH & LACE PART 1 94 97 3 2 3. 1 MAN' & WOMAN IN HOSPITAL
�
FLESH & LACE PART, J. 96 100 %
'
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'
�-
'
0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIES -
1 SPECIFIED ANATOMICAL AREAS
2 HETEROSEXUAL INTERCOURSE '
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
� .
5 CUNNILINGUS ' ' ^
FLESH & LACE PART 1 6 FELLATIO
SCF|1[S SORTED DY 7 ANAL INTERCOURSE
ACTIVITY TYPE 8 MORE THAN TWO SEX PARTNERS `
' 9 GADO MASOCHISM
' SCFN F, T. 10 RAPE/VIOL.ENCE
LLAPS� TIME 11 COM8INATIONS OF ABOVE ' �
FILM TITLE START STOP TINE TYPE % ` DESCRIPTION
------------______-__---------__________-_______________________
�
FLESH & LACE PART 1 1 8 7 0 7. 3
| LECH & LACL PART 1 1l 1 | 0 0 0
FLESH & LACE PART 1 16 21 5 0 5. 2
FLESH & LACE PART 1 28 32 4 0 4 2 } '
"
FLESH & LACE PART 1 53 "16 3
FLESH & LACE PART 1 86 86 0 0 0
FLESH & LACE PART 1 89 90 1 0 1
21 %
FLESH & LACE PART J. 11 13 2 1 2. 1 MODEL STRIPPING
FLESH & LACE PART 1 56 50 2 1 2. 1 WOMAN
FLESH & LACE PART 1 2 1 2. 1 WOMAN
6. 2 %
FLESH & LACE PART 1 21 25 4� 2 4. 2 MAN & WOMAN ON COUCH
FLESH & LACE PART 1 26 28 2 2 2. 1 MAN & WOMAN ON COUCH
FLESH & LACE PART 1 39 50 11 2 11 MODEL & MAN
FLESH & LACE PART 1 94 97 3 2 3, 1 MAN & WOMAN IN HOSPITAL
21 %
FLESH & LACE PART 1 8 11 3 5 3. 1 MAN & WOMAN ON COUCH '
FLESH & LACE PART 1 13 16 3 ' 5 3, 1 MAN & MODEL ON COUCH
FLESH & LACE PART 1 93 94 1 5 ! 1 MAN & WOMAN IN HOSPITAL
7. 3 % "
FLESH & LACE PART 1 ` 25 26 1 6 1 MAN & WOMAN ON COUCH
FLESH & LACE PART 1 37 39 2 6 2. 1 MAN & WOMAN
FLESH & LACE PART 1 90 91 1 6 1 MAN & WOMAN
4. 2 %
FLESH & LACE PART� _1 32 37 5 8 5. 2 3 MEN & WOMAN . _
FLESH & LACE -PART ' 1 50 53 3 8 3. 1 3 MEN & WOMAN L� '
FLESH & LACE MI 59 66 7 8 7 3 3 MEN & WOMAN l
' 16 %
FLESH & LACE PART� 1 58 59 1 10 .MAN FORCING 2 WOMEN TO SEX
FLESH & LACE PART1 66 86 20 10 21 MAN FORCING 2 WOMEN TO SEX
FLESH & LACE PART J. 86 89 3 10 3. 1 FORCE 2 MEN & 2 WOMEN
25 %
FLESH & LACE PART 1 96 1AA %
' `
.^
'
'
0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIEG' ,
1 SPECIFIED ANATOMICAL AREAS `
�
2 HETEROSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
^ �
5 CUNNILINGUS
FLESH & LACE PART 2 6 FELLATIO
SCENES IN SEQUENTIAL 7 ANAL INTERCOURSE
ORDER `�^' � � 8 MORE THAN TWO SEX PARTNERS '
9 SADO MASOCHISM
10 .RAPE/VIOLENCE
ELAP5[ T1HE 11 COMBINATIONS OF ABOVE ,
FILM TITLE �' � START STOP TIME TYPE % DESCRIPTION
_~--_-_~� ' - .--- - ' '' � '- -'�------------------,-��---------__--�-
FLESH & LACE PART 2 38 40 2 0 2. 2
[lJES| ! PART 2 40 ill 1 1 1 . 1 MODEL & MAN
PLESH & LACE PART 2 41 45 4 10 4. 3 MAN %, BIBLE GIRL .FLESH & LACE PART r 45 40 3 0 3. 3
FLESH & LACE PART 2 48 50 2 5 2. 2 GIRL ON JOB INTERVIEW . ' ..
FLESH & LACE PART 2 50 52 2 6 2. 2 MAN & WOMAN ON COUCH
FLESH & LACE PART 2 52 53 1 10 1 . 1 MAN & BIBLE GIRL
FLESH & LACE PART 2 53 54 1 6 1 " 1 MAN & BIBLE GIRL
FLESH & LACE PART 2 54 57 3 2 3. 3 MAN & WOMAN ON FLOUR
FLESH & LACE PART 2 57 5B 1 0 1 , 1
FLESH & LACE PART 2 58 65 7 ! 7. 6 MAN & WOMAN ON COUCH
FLESH & LACE PART 2 65 65 0 5 0 MAN & WOMAN ON COUCH
FLESH & LACE PART 2 65 67 7 2 2. 2 MAN & WOMAN ON COUCH
FLESH & LACE PART 2 67 68 1 0 1 . 1
FLESH & LACE PART 2 68 70 2 6 2. 2 NURSE & PATIENT
FLESH & LACE PART 2 70 70 8 ` 2 8, 7 NURSE & PATIENT
FLESH & LACE PART 2 78 02 4 6 4. 3 NURSE & PATIENT
FLESH & .ACE PART 2 82 94 12 8 13 2 WOMAN & MAN ,
FLESH & LACE PART 2 94 100 6 0 6. 5
FLESH & LACE PART 2 100 102 2 5 2. 2 MAN & DAUGHTER
FLESH & LACE PART 2 102 101 2 2 2" 2 MAN & DAUGHTER
'
FLESH & LACE PART 2 104 105 1 5 1 . 1 MAN & DAUGHTER -
FLESH & LACE PART 2 105 107 2 2 2. 2 MAN & DAUGHTER
FLESH & LACE PART 2 107 127 20 8 22 DOCTOR,NURSE .MAN & DAUGHTER
FLESH & LACE PART 2 127 130 3 0 3. 3
- �
FLESH & LACE, PART 2' 92 100 %
.
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.
'
�
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0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIES `
I SPECIFIED ANATOMICAL AREAS
2 HETEROSEXUAL ' INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
�
4 MASTURBATION
5 CUNNILINGUS
FLESH & LACE PART 2 6 FELLATIO
SCENES SORTED BY 7 ANAL INTERCOURSE
8 MORE THAN TWO SEX PARTNERS
ACTIVITY �TYPE ' ^ `
9 SADO MASOCHISM
10 RAPE/VIOLENCE
�
8'APSE T [H[ 11 COMBINATIONS OF ABOVE
FILM TITLE � START STOP TIME TYPE DESCRIPTION
_----__�_............._..... ........ ..._---_-_-__-�_--___..............._________________________�________~_
HESH & LACE PART 2 38 10 2 0 2. 2
�L|�C|i & LACE PART 2 45 4O 3 0 3. 3
FLESH & LACE PART 2 57 50 1
FLESH & LACE PART 2 67 68 1 0 1 . 1 .
- ` '
F�E5H & LACE PART 2 94 100 6 0
FLESH & LACE PART 2 12Y 130 3 0 3, 3
` 17 % 1�
� MODEL & MAN
FLESH� & LACE PART 2 40 41 1 � 1 . 1
1 . 1 %
FLESH & LACE PART 2 54 57 3 2 3. 3 MAN & WOMAN ON FLOOR
FLESH & LACE PART 2 58 65 7 2 7. 6 MAN & WOMAN ON COUCH
FLESH & LACE PART 2 65 67 2 2 2.2 MAN & WOMAN ON COUCH
FLESH & LACE PART 2 70 78 8 2 8. 7 NURSE & PATIENT
FLESH & LACE PART 2 102 104 2 2 1. 2 MAN & DAUGHTER ~�
FLESH & LACE PART 2 105 107 2 . 2 2, 2 MAN & DAUGHTER
26 %
FLESH & LACE PART 2 48 50 2 5 2. 2 GIRL ON JOB INTERVIEW
FLESH & LACE PART 2 65 65 0 5 0 MAN & WOMAN ON COUCH /
FLESH & LACE PART 2 100 102 2 MAN & DAUGHTER
FLESH & LACE PART 2 104 105 1 5 1 . 1 MAN & DAUGHTER
. ` 5. 4 %
FLESH & LACE PART 2 50 52 2 6 2. 2 MAN & WOMAN ON COUCH
FLESH & LACE PART 2 53 54 1 6 1 . 1 MAN & BIBLE GIRL
FLESH & LACE PAT 2 68 70 2 6 2. 2 NURSE & PATIENT
FLESH & LACE PART 2 78 82 4 6 4.3 NURSE & PATIENT
9. 8 %
FLESH & LACKPA=2 82 94 12 8 13 2 WOMAN & MAN '
FLESH &- ` pART� 2 107 127 20 8 22 DOCTOR,NURSE,MAN & DAUGHTER
`''�� ' 35 % `' ` '
FLESH & LACQpART�2 41 45 4 10 4.3 MAN & BIBLE GIRL'� '
FLESH & 'Ap PART .��7 52 53 1 10 1 .' 1 MAN & BIBLE GI .�� ( �
.
' 5. 4 % �
__ ____
�
FLESH & LACE PART 2 92 ` 100 %
^
,
���
0 NO SPECIFIED ANATOMICAL AREAS
• OR SPECIFIED SEXUAL ACTIVITIES ..,
1 SPECIFIED ANATOMICAL AREAS
HETEROSEXUAL ' INTERCOURSE
_ L IOMOSEXUAL INTERCOURSE '
4 MASTIJRI{AT:ION '
5 CUMIN I l_I NGUS
Ion MUCH TOO SOON 6 FELLATIO'
'fr.q....E.NES IN L::(::I(.1G N'I"1:i CI.... 7 ANAL INTERCOURSE
ORDER S • MORE THAN TWO SIX PARTNERS .
9 SADO MASOCHISM ,-
!::;(:;faNE E. T. 10 RAPE/VIOLENCE
I::I .(•if'!i•i(-:: 'I 1:III 11 COMBINATIONS OF ABOVE ' ' '.
FILM I TITLE .(:TAf:i'I• STOP TIME N! TYPE / DESCRIPTION
I•'ian hI(..1(:':1-I TOO SOON ON '`i(i •:)1 (', 0 7. 3
MO I•'I(.JCH ..I.(::1t ;::il•::!(:al',I c''.)4 66 .'.i 6 2. 4 JUL.:I:E & DAVL.
TOO MUCH TO(O! SOON 66 67 J. 2 1 . 2 JUL :CE i DAVl•:
MO MUCH TOO SOON 67 7:1. 4 2 4. 9 CINDY v< TOM •
TOO MUCHTOO ;.'SOON 71 72
1 0 1 . r'
"I'(JO MUCH TOO SOON 72 76 'I 2 4. 9 CINDY & DAVL .
TOO MUCH TOO SOON 76 79 3 4 3: 7 CINDY IN BED
TOO MUCH TOO SOON 79 02 3 0 3. 7 CI I\IDY v J UL:I:E,BRAD,FRANK: •
TOO MUCH TOO SOON 1::2 04 2 6 :2. 4. CINDY & MARK 0 SCHOOL...
.1.00 MUCH TOO SOON 04 00 /I• 3 4. 9 CINDY & J Ul_I E
TOO MUCH TOO SOON 00 09 1 0 1 . 2
TOO MUCH TOO SOON 09 92 1 3. 7 CINDY °< MARK
SOONc 2 �:�4 2
'i"►::!(:) MUCH TOO �' ;: d d' 2 2 .. F CINDY & MARK
TOO MUCH TOO SOON 94 96 2 2 2. 4. CINDY & MARK
TOO MUCH TOO SOON 96 99 , 0 3. 7
TOO MUCH TOO SOON 99 101 2 6. 2. 4 MARK CATCHES CINDY
TOO MUCH TOO SOON 101 114 13 • . 0 16
TOO MUCH TOO SOON 114 :125 1. :l 8 13 SWINGERS PARTY
TOO MUCH TOO SOON 125 127 2 6 2. 4 MARK & ORIENTAL.
TOO MUCH TOO SOON :I.27 134 7 8 8. 5 SWINGERS PARTY
TOO MUCH TOO SOON 1:34 136 6 0 y 2.4
TOO MUCH TOO SOON 136 :I.40 • 4 8 4, 9 FLASHBACK TO PARTY
TOO MUCH TOO SOON 82 100 .
•
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0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIE A'
1 SPECIFIED ANATOMICAL AREAS `
2 HETEROSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUS
TOU MUCH TD� �,iiOON 6 FELLATIO
SCENES SORTED BY 7 ANAL INTERCOURSE
ACTIVITY TYpE . 8 MORE THAN TWO SEX PARTNERS�� `'
' �� ' 9 SADO MASOCHISM � '
`
SC�ME E. T. 10 RAPE/VIOLENCE
ELAP6E TIME 11 COMBINATIONS'OF ABOVE
FILM TITLE START STOP TIME TYPE % DESCRIPTION `
-------------------0-------------����������
TOO MUCH TOO SOON 58 64 6 0 7. 3
TOO MUCH TOD SOON 71 72 1 0 1 . 2
TOO MUCH TOO SOON 98 89 1 0, 1 . 2
TOO MUCH TOO SOON 96 99 3 0 3. 7
TOO MUCH T�[J SOON �01 11i 1 ."'; 0 16 �
TOO MUCH TOO SOON 134 136 2 0 2. 4
`.
32 % ` ���
TOO MUCH TOO SOON 89 92 3 1 3. 7 CINDY & MARK �� '
3,7 %
TOO MUCH TOO GOON 66 67 1 2 1 . 2 JULIE & DAVE
TOO MUCH TOO SOON 67 71 4 2 4. 9 CINDY & TOM .
TOO MUCH TOO SOON 72 76 4 2 4. 9 CINDY & DAVE `
TOO MUCH TOO GOON 92 94 2 2 2. 4 CINDY & MARK
TOO MUCH TOO SOON 94 96 2 2 2. 4 CINDY & MARK
'
.� 16 %
TOO MUCH TOO SOON 84 88 4 3 4" 9 CINDY & JULIE
_ 4. 9 %
TOO MUCH TOO SOON 76 79 3 4 3. 7 CINDY IN BED '
3. 7 %
TOO MUCH TOO SOON 64 66 2 6 2. 4 JULIE & DA8E
TOO MUCH TOO SOON 82 84 2 6 2. 4 CINDY & MARK @ SCHOOL
TOO MUCH TOO SOON 99 101 2 6 2. 4 MARK CATCHES CINDY .
TOO MUCH TOO SOON 125 127 2 6 2. 4 MARK & ORIENTAL
9. 8 %
TOO MUCH TOO GOON 79 82 3 8 3. 7 CINDY,JULIE,BRAD,FRANK
TOO MUCH TOO SOON 114 125 11 8 13 SWINGERS PARTY
' �
TOO MUCH TOO SOONi� 127 134 7 8 8. 5 SWINGERG PARTY
``� - �� �
TOO MUCH'TOQ SOON 1o6 140 4 8 4. 9 FLASHBACK TO PARTY ^ `�
` '' ,' .'
% .
'
TOO MUCHITOQ SOON 82 100 %
' ^
.
�� !
. .
`
� 'J .'I,
`
0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITI
1 SPECIFIED ANATOMICAL AREAS '
2 HETEROSEXUAL INTERCOURSE
off
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUS
CALENDAR GIRL 6 FELLATIO
SCENES IN SEQUENTIAL 7 ANAL INTERCOURSE
URDER ` � 8 MORE THAN TWO SEX PARTNERS
� 9 SADO MASOCHISM
'
SCENE E. T. 10 RAPE/VIOLENCE
ELAPS�� lIM[ 11 COMBINATIONS OF ABOVE
FILM TITLE START STOP TIME TYPE % DESCRIPTION
_______________---------------------�-----------___________
/�ALEN�AR GTR\ 30 3�� 3 4 4 CASSETTE FILM
CALENDAR GIRL 33 35 2 6 2. 7 CASSETTE FILM
CALENDAR GIRL 35 39 4 4 5, 3 MARILYN & BEN WA BALLS
CALENDAR GIRL 39 42 3 5 4 CASSETTE FILM
(
CALENDAR GIRL 2 4 CASSETTE FILM
CALENDAR GIRL 45 46 1 0 1 . 3
. �
CALENDAR GIRL 46 56 10 10 13 CASSETTE BONDAGE GIRL—FOR �) �
--� �
»�
CALENDAR GIRL 5� 60 4 10 5. 3 CASSETTE BONDAGE GIRL—AN
CALENDAR GIRL 60 61 1 10 113 CASSETTE BONDAGE—INTERCOURS
CALENDAR GIRL 61 67 6 10 8 CASSETTE BONDAGE_TWO MEN
CALENDAR GIRL 67 69 2 0 2. 7 '
CALENDAR GIRL 69 75 6 5 8 MARILYN & BIKER
CALENDAR GIRL 75 85 10 10 13 CHAINED TO WALL
CALENDAR GIRL 8b 90 5 10 6" 7 MARILYN & BIKER
CALENDAR GIRL 90 91 1 `� 0 1 . 3
CALENDAR GIRL p1 93 2 4 2. 7 MARILYN MONROE ON CASSETTE
CALENDAR GIRL 93 97 4 05. 3
CALENDAR GIRL 97 105 8 3 11 MARILYN GIRLFRIEND .
CALENDAR GIRL 105 105 0 0 0
CALENDAR GIRL 75. �100 %
/ /
.'.
`
`
. °
�
0 NO SPECIFIED ANATOMICAL M:I:CAL. AREAS •
• OR SPECIFIED SEXUAL_ ACTIVITIES
1. SPECIFIED ANATOMICAL AREAS
:•? HETEROSEXUAL -INTERCOURSE
HOMOSEXUAL INTERCOURSE
'1 MASTURBATION - •
3 CUNNILII\IGUS
CALENDAR GIRL 6 FELLATIO •
SCENES SORTED BY '! ANAL_ INTERCOURSE
ACTIVITY :TYPE 8 NOISE THAi\I TWO SEX PARTNERS
9 SADO MASOCHISM
SCENE NE C. f. :lc:) RAPE/VIOLENCE
ELAPSE TIME 11 COMBINATIONS OF ABOVE '
FILM .TITLE START STOP C:ir' TIME TYPE % DESCRIPTION.
CALENDAR GIRL 15 16 :1 0 1 . 3
CALENDAR (::iIRL. 67 69 . 2 0 2, 7
CALENDAR GIRL 90 91 1 . C) 1. :
CALENDAR GIRL 93 )% q. ,.
CALENDAR GIRL l'j.. 105 105 i 0 c'► •
11 %
CALENDAR GIRL 4 45 3 4 CASSETTE FILM
4
CALENDAR GIRL 97 105 0 ' 3 :1 :l MARILYN & GIRLFRIEND
11. %
CALENDAR GIRL 30 4 4F ' CASSETTE FILM
CALENDAR GIRL_ 35 37 4 • 4 5.3 MARILYN &- BEN WA BALLS
CALENDAR GIRL 9:1. 93 2. 4 2, 7 MAR I L.YN MONROE_ ON CASSE_ I I E
12
CALENDAR GIRL 9 42 5 4 CASSETTE FILM
CALENDAR GIRL 69 5 6 5 8 MARILYN & BIKER
:l2
CALENDAR GIRL 33 35 2 6 2. 7 CASSETTE FILM
�2 7 %
CALENDAR GIRL., 46 56 10 :I.0 13 CASSETTE BONDAGE GIRL—FORCE
CALENDAR GIRL. 36 60 4 :10 5. 3 CASSETTE BONDAGE GIRL—ANAL
CALENDAR GIRL 60 61 :1. 10 f 1 . 3 CASSETTE`I TIM: BONDAGE I NTl�R ("JUF.3
CALENDAR GIRL 61 67 6 1.0 El CASSETTE BONDAGE—TWO MEN
CALENDAR GIRL 75 85 10 10 13 CHAINED D TO WALL
CALENDAR GIRL 3(J 90 3 10 6. 7 MARILYN & BIKER
48 % -
I:AI...I::I\II)Al . GIRL,' • 75 100 7,
•
F•
•
•
INTEROFFICE MEMO
TO: Larry Warren DATE: 1/4/83
. .
•
FROM: Dave Clemens
SUBJECT: Forbes
Attached is the film data for those pictures exhibited between
November 4th and December 23rd. The remaining two films being ,
shown this week will be viewed tomorrow, and a revised summary
table will be prepared and sent to you.
J6
FLESH & LACE II
TOO MULH JUU '::UUN 9. 8 :3,:;) 68- 1
-. NDn1";.! fl•Si:I:RI_ 1. 1
BODIES 'i..N HEPT 0
T. LIKE -FT) WATCH 0
-•-•-- •- --• • -
AVER()BE VALUE 26 6, 7 25 7. 2 C 5. 6 28 ';' '-.1 7.0 . ? '..2 . li 65, 5
AVERACE PEPCENTA6E 26 4- 2 M ::. . 6 7,, 4 25 6. 6 0” :' :::H. 0. 4 6 -./
MININum vALuE
TT::J=TI:. IN F.T! 10 1:3 D 7 7 1 j :':. Y H ?
•
A NI tf
.j :..'f"5 I S OF Fr I r 11 S 4J.1:+_.'WEED SUMMARY .Or= FILMS SHOWN ,i-)T . TF ire: Ri.`i'\iT ii•,i. -r'i'_iE ATE
BETWEEN 11/4 &: 1.-?/ 0 8:-
. PERCENTAGE is EEE1;•'ETr iGE EF FILM SCENES BY ACTIVITY-. TYPE 3::;', FILM
FILM TITLE
I..1:;....r: • • - . ' 0 1 ' - :i- '=i t'} ';' ` B 10 ' 1 1 1'-•:L :i
.:Ai- NAL.. OLYMF.I. '. • :l. 1 .- -,* es„,,,
. NIGHT HUNGER 4:I..:._;. F:3 :;? 6. 3 3. 8 1 15 rt 1 . , ' 3.8 59. 4
SAME E 11:i`•1tr. NEX.T• Y AR ' ' 16 7.9. . 1.4.' 5„ .,_.rt 6 7. 9 9 7.'9 21 1. s,' 4tl.
ALL ABOUT i=1NNE r'"I E • :..}(_y 13 1.3 ' 1.i1' 41 4. 3 7. 1 1.7 ' • fly,
FEELS LIKE SILK , 52 • r.
MARATHON ', 1:s. (- 88
OR:E:EN"i-r=1i.._ i...iV tWA J: :r. . . :, , i.6 -1.(1 42' 5 rt .:Z ° . ... : _ .
GIRL F'r.oM .f:.- E. Xrt 29 1:1 35 :r . e _
f::R"�' INTERLUDE' 14 =:}':1 f':+v 1. ,: c r=f`.a
EROTIC 1"►"1:.
,
.FLESH F L._r''}iaE T I .L i 1. rt 5, 4 9. 8 5. 4 83
i OO M if_1.1 TOO SOON 3. 7 16 '1•,1., . :�. 7 I rt 8 .0 68. 1
c:`,AI....E:N.lr.)A!tGIRL,... - 11 . .1. 11 f: 89. 4
:i LIKE TO ,i,:}WATCH 0
•
.,
AVERAGE VALUE' 26 7rt . � : art ; , . r . 6 - y .t 30 3. 2 . 21.
a_ id cr _
AVERAGE PERCENTAGE 6 1 , ,.- . ?!-} 3. 6 '3,i4 2. 5 6. 6 0. 5 5 24 0. 4 6. 7 1 . 4 73. 7.
rit1 1:Mt.:M' VAL_.Ljig_ 43 60 14 14 1. __.,_ 7. 9 88 5 48 17 p7 . 4
MINIMUM: V A L U E 11 1 „ 1 • 4 2. 5 ..3. 7
. 5 3rti 2. 6. 2. 5 7rt = 5. 1 1 . 3 3„ 8: 5:
DEPICTED IN FILMS 16 : o 1 -. 3,' r . 12 a 1325 2 .18
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01=•', SI"'E€::IF I E D "SE:;'.i,_J(:',=.i._... FCC;-1:C k,:.'.`1:..r:1:F:s
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R.=(lf l`AL... C11__Y Mi"'3:C.:',`i .. 64 ` ';'•it 1'0 8 ':I.•.:` C:a•IE..' I:r 2 .:1:':I011E:"i'i '
C.,A,,Nt-7L. t:rL.Yilr'- s C,:' f 3.02 .`.•.! ,.) .,:.'9 L?"' l-1..)r`1,_l'+3 •f,.1 •.. .I''1,.._l',
rif.)I.1.t`3(=)L. C.11.._Y r il•-'.1.+._••T / r :I..+•_t�.} a, +
• 0 'NO SF E.f::i F•.:C Iwo: ? ANATOMICAL AREAS
OR gr='El..,.f'F.1.1:'D SEXUAL. ACTIVITIES •
1 f"'CrrC t E :f fT :} ANATOMICAL AREAS
! IET. F..!OF.yf: Xl.._�l l.._ :!:N"!-E-:R:.:cu ll=: f , ..-
-- 3 HOMOSEXUAL INTERCOURSE_ .
4 MASTURBATION -
LUST]_I_ INFERNO f-fa_..1--.,_I••:I c:.-O '
E E. } N SEQUENTIAL- . ' . .- - 7r • 1L . Ni( RC_ '[
ORDER ?. � ;f : ' I1N TWO SEX i PARTNERS :
y
C c I'?I: 1"!(�•1 :C::i C:F..i I.:.:M
.
SCENE I:::. T„ :1.0 RAPE/VIOLENCE .
- ELAPSE- TIME.TIM1::::. 1. 1. Ffa!'BINA7-:i:Ol'•1F . CJF ,ABU°..,E .
:
FILM TITLE STr'lR I` STOP TIME . TYPE .DESCRIPTION .
'
_» s lNT. ^ Ne 5j ' 1 7 , }aJ
LUST INFERNO L:1. rF.: , , , 4. fCii" al'l aN • . ft . .
LOST INFERNO— ' 65 68 1.0 3. 9 ('I i- 3t:I-if h ,:`:<. !r I !.._ .
LOST INFERNO r "i • 69. -
1 ?• 1. !x!f:i("l('s!'•1 ON ' BED f Hai
LUST S T INFERNO 2. - . 70 1 10? 1 0 3- PF71c;tc::HI:Fi _. GIRL Fii.... -
LL!ST :f fa••1FE:RN1O . - 70 74 4 - 4. • 5 WOMAN ON :8;:1) .
LUST INFERNO' • 4. 2. 5. !S •a.I VIBRATOR
LUST LNFE_f NO •. :5 S 1. 3 i"? 3. 9 . .
LUST 'INFERNO 81. 83 .,... 32„ 5 WOMEN BY POOL. ,
LUST INFERNO
• 33
84 :1 • 9 1 . 3 2 WOMEN &.. - MEN BY POOL
LUST INFERNO:.rvC.!i._I W, PREAOHEFCAND. WIFE
LUST: 1 Nlf-E...RNO 1-:. - 2 . ...., ,
l INFERNO •E, 4.? c:a ::.„ ._.� ._, �r,!i:a111=::!'J IN G:ifR:CaL.1F' THERAPY r
•
LUST INFERNO •• !ai.? C-1 1., . . t-? :1. „ •
LUST INFERNO 1. ' • 93 8 5 ORGY BY POOL. ,
LUST I !;iO 9 95 t:J
- ORGY IN. PSYCHIATRISTS
OFF] _ , •
LUST INFERNO 5' 7 2 10 2. 5. Ei :FChEfn
PFi(::1"("1:"f'LJ !"fi:
LUST INFERNO t7 . 99 7. • 9 ,i..., ;:i • l::V:•f•VY i:N P YCI...1I.(••'TRI•::;.TS; OF If
'LUST INFERNO ..73-. 1. ...::. {:: r'Rfc.,1c:::f-1f:R& F'F4OTT.-1"!..TE:.
!.._!,JS..1.. INFERNO 1. z_ - 111 • 9 , 11 ORGY Y BY F'011!_:i F'�:3r''h!/: [Ifl-:f CE
LUST!s; l INFERNO All• .113 2 10 • F`fR' .t 11_:l If:.l `.` ! 'RC:I l..I 1 !.:i 1"ir • • '
LUST INFERNO l:a=::f`1%j a. 1.-= 125 12 { , i_
' INFERNO
LUST!S� f• • !.' -5 1. 34. ' • c:k- :I. :.) '1,a. F`R:l::,:::1Ca...!1ER •<., 'TEEN 1.)At..li:,l._i"l.'f:R' •
' 90 • •i r-?o
i f i',it:-+ SPECIFIED ANATOMICAL AREAS
' ia[; `�aF'EEC•J:I:F-:t l'f •`:3L=:+:i.i(':I__ (;i:"r:E �:I:1`:C Ei8 •
• ... • 1. ;..�F'E::C-.I i::•1:li::D s'::�I\i�'?.1-0 i'i C i L... A.RF P� {.3 • -
. •
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I ICIt°iCiE E:XU(tl.... '!:NI ERi::::C:1t1RS
.
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CC , ' • ':� P^ii'�•11`Pi.... 1:i.j..i..r:a':C:C31.J!k'":iL: • .
ACT..I:tie T I Y. '"I •' -,'L: `:' ivlQF f: 1"1--.1A'1 1'i'tli::i `:::i:::`; 1:4'01:1'. i•.II:F:E3
9 E ;f.)D0 11 A E3C:1C=i...j.1:BM . _
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.1.21 F='E3 -I.1:ME • 1. 1. CC M�i:Ei 1:NIr`l1':i:C31\18 O F' A B OV I-::
'F:-II.._m `I-T.Ti.._F= •`:3'TA121:.'T' 5::3•`I`0P .T:I:ME. TN"P F: :/ • .TjE_:SC::F4:CF'1`1:ON '
L.J_Ja1' I i'Ii I :I;i.IC+ 54 i.:,1 :;_ ci B. i:3 . ..
1...1.3 Err I N F"E RN O - 4. 2 0
LUST INFERNO ::'C' 8:I." 0 6. 8
1
LUST i 1:1'If:"F:eti,•iC=! i 4 #:3C; i:� 2 5I....L..;C-`r_I.. I r`.I f::-i {;�'NI fl ,. 90 • <?'I. . .i . 0 •I . . •
1__i..1w3T :i:NIP'E:.Ri ICl ' :1. 1.::; . .L.....5 .!..: 0 1. e ••••
. .• .. .4 Y. -
I_i..s"r .c.!, 1 z1 81 • 83 2 :3 2. 5 WOMEN By POOL.. . .
a._a L? . . .
4• . WOMAN ON BED i ! I�;'T' T hfl"�I::F�;rtlia (,;!•-., ,t;�3 4
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SCENES IN SEQUENTIAL N Nw• INTERCOURSE - - ,
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.17 ELAPSE TIME : : COMBINATIONS. C s :V-
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rt l`''{E: TIME f:_VF.=L-4`y' F E:.AR : .:f 29 +' -, .:, ,. ROF: -C_(;-. ,iA•JOMAN
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c_r;NIFE TIME I::;•'.E:Fi`( `'Y.E".0 +6. 60 • ^I • 11 C';:, ... .131.:.:.1:-J1\11.:)E:.
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`.=,'r=`!P'1i: • TIME EVERY YEAR : 6 i . G `i' E'J(1MtriH ME:(:�Hit='Ei`NI(:: y
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ELAPSE i 1:!IL: :!: J.START STOP i,C i!'i :;.1:!Tir t'';:! t:EI4?'_3 OF. ,::,[::EC:34J E:::
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. ' . ELAPSE TIME 1. 1. COMBINATIONS OF ABOVE ' •
-. FILM TITLE START .STOP TIME TYPE DESCRIPTION
ALL ABOUT ANNETTE - 49 ' 50 :L 0 1 . 4 .
1'tf.._i.... A ABOUT ANNETTE • ' `rio : 5._t 3 !. 4. 3. COUPLE IN -BED
ALL ABOUT ANNE'TTE 53 -r r; 9 MAN & WOMAN
•
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r=31_..i.._ farsnl._i"T' ,r-i1■d!■df::•T"1 E: :; ' 5.59 !:a ;_„ 9.
ALA... r 1,3•01...f1.. r.:t l\I NI F -I..�I..I.. �•'i�:�' �:,';._� './: 1. 8. 6 NUDITY
ALL_ ABOUT I:'11_.!'T' A N I\I r�..L..T..C 65 76 `=; : 2 7,1 :l (:: `ti. J{:l r°t r'-1 i�•I
I " L_T ANIy�!!:::..I.._I E:. ...., 2 , .
r=71....f.... A :{C:il.l'T": f TN1_..C...l-I:. 72 80 {? • , •..ia. 11 i iCiLYlfl!`+i• :C j' - F=RON {:1F- MAN
ALL I..n ABOUT i-`iI�INI:i::..I _I..I... . • •• _bp . {:31. . .' :f. Ca 1. . 4
f1L._1... AEICAFF t"1NNf:::..l...f"E::: 81.. t I.
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AL._I_. .AI':;C:1(.J I Ai'tfrII::T-I-1:r" . •- ;:v ; . s?4 . 1 4_, 1.., -.i. .
ALL flDI ABOUT fii`■Ikr---i.._I-r: .r:f,rl, • 9 C; ...2_ 9 t WOMEN •
E-if.._i.... ABOUT 111•I.I.. ;'il',iN ET I E 96 • ' 1 C'y2 ' l.-.> ':-f -6. W WOMEN ,
ALi._ r=il'.C it.J..l.. -AN NE..f_.T'E. 1.{:a :.• 1.'08 • 6'• 0 B. 6
ALL ABOUT A•tNNfETTE: .1.0r ill 3 5 4. 3 MAN '>. 140MAN
At l.._L. ABOUT B{::1l.JT Ai'`•IL I E:T-�:.E ,' All 1. 113 I. N . & IsJC:iM1 r•t�:I • .
.ALL ABOUT ANNIETTE• - ' 1.:13 :L 1.7 4 ( '5. 7 WOMAN & 2 MEN
r';1....L... ABOUT ANihdt_'.1 _I E 117 118 ►. 0 1. „ 4•
Al_L r=1}1CJL.UT ANNI T TI_" . .1_ :L' . :L `I.''1 1 6. 1 . 4 MAN I ... wC7l IAit:l
ALL ABOUT r"�ta1�.;F I._I..TW . . 70 :L 00 .7T,
,
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0 NO SPECIFIED ANATOMICAL AREAS
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'
1 SPECIFIED ANATOMICAL AREAS
INTERCOURSE 2 HETEROSEXUAL '
' ' '
3 HOMOSEXUAL INTERCOURSE,',
'
4 MASTURBATION
5 CUNNILINGUS
ALL ABOUT AN .FTTE ' � x ' 6 FELLATIO � '
. SCENES
S SORTED BY ` ' 7 ANAL INTERCOURSE '
ACTIVITY TYPE - ' 8 MORE THAN TWO SEX PARTNERS
' ,
9 SADO MASOCHISM
SCENE E. ' . 10 RAPE/VIOLE |CE
ELAPSF TIME ^11 COMBINATIONS. OF ABOVE
FILM TLE TI ' / START STOP TIME ` TYPE % DESCRIPTION
---------------------__.... __........._.................
ALL ABOUT ANNETTE 49 , 50 t 0 1 4
ALL ABOUT ANNETTE 5/ 59 2 0 2 9
`
ALL ABOUT ANNETTE ` 70 72 2 0 2. 9 '
ALL ABOUT ANNETTE � ' . 8�0, at1 0 1 . 4'
ALL ABOUT ANNETTE _ ' 93 90 ' 1 0 1 � 4 .
ALL ABOUT ANNETTE 102 108 6 0 8. 6
ALL ABOUT ANNETTE ' 117� 118 1 0 1 . 4 '
� 20
ALL ABOUT ANNETTE . ' 50 ' 53 3 1 4. 3 COUPLE IN BED
ALL ABOUT ANNETTE ```� � 59 65 6 1 8,6 "NUDITy '
ALL ABOUT ANNETTE '� �5 57 2 2 2. ' MAN & WOMAN IN BED _
ALL ABOUT ANNETTE' 65 ' 70 ' 5 2 7. 1 MAN & WOMAN .
ALL ABOUT ANNETTE � 1 1 1 1 13 2 2 2. 9 - MAN & WOMAN '
A ABOUT ANNETT 81 , 91 10 3 14 TWO WOMEN
14 %
ALL ABOUT ANNET | E 1721 80 8 ' 4 It WOMAN IN FRON OF MAN
1I
ALL. ABOUT ANNETTE 108 . 111 3 5 4. 3 MAN & WOMAN
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ALLABOUTIANNETTE / 53V 557 � 2 ' 6 2. 9 MAN & WOMAN
- ALL ABOUT ANNETTE 91 . `93 _2, - 6- 2. 9 WOMAN 1 CASTING DMECTOR
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�
ALL ABOUT ANNETTE 94 16 2 8 2. 9 6 WOMEN ' `
ALL ABOUT ANNETTE 96 002 6 8 8. 6 0 WOMEN '
ALL ABOUT ' ANNETTE .111 117 4' 8 5. 7' WnMAN & 2 MEN
_ 17 %
ALL ABOUT ANNETTE ` 70 %
`
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F..1C3L'{C:=E EE: L.1A1:... 1:1.1..r; f'C_:L11._.;1= ",F.
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F.EE 1...E.3 L.I 1,'.:E SIL_K 80 . E37 - .r : 9. _ C OLI l.._F US:ENG ROOM - -
FEELS L...:EEL SILK. . 87 •• .2 6-. 7 ON CO1.3c{H1 .
F E:F:1....8 L.3:F`:17. S I I_.E..:: 1.04 ' 10E3. '1•.. 2 5., •:.! Y 3L.11\IG BOY,}C I RI.... . `.r MOTHER
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F—E L.S '—'is Lk: 118 124 • r:.;' 2 E3 SON r. sI_.O ,_,L-. 'ROOMMATE
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. : 0 NC SPECIFIED ANATOMICAL AREAS
.AS
Ok SPECIFIED:I:E_i:i S!: f.)O] ACTIVITIES .'
:!. SPECIFIED ANATOMICAL AREAS
HETEROSEXUAL E=htC:i( f: ;t.►rl!_.. INTERCOURSE
HOMOSEXUAL INTERCOURSE
4 -MASTURBATION
, C;UII•'"NIL._]:I'ious
FEELS LIKE SILK • - , 6 FELLATIO
'i i-•11`t!AL. INTERCOURSE
3C,E:::hi1*.r SORTED BY. .
ACTIVITY. TYPE= • 8 MORE THAN TWO:SEX PARTNERS .
9 SADO .MASOCHISM ' ' :
' SCENE E-:„ ••E-n. • . 12 RAPE/VIOLENCE .
ELAPSE T ME ' :1:1 COMBINATIONS. 00:ce ABOVE
I::::I:I_..Iv, TITLE START!_ STOP TIME TYPE "' DESCRIPTION
r"r=� f...` LIKE SILK: ::� ' �3 -y . ,
FEELS LIKE SILK 59 66 7 0 9. _. . .
i_..FEELSFEELSS I I ;SILK 0 . Cis:? ' 10 0 1: . • .
FEELS 'LIKE E 3:I I':: 92 , 104 4 :I.:' - - 0 1.6 "
FEELS!..;: LIKE SILK • . 1.(N 1. :1.3 r, t::J 6. 7 ' . - • ,
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FEELS I...:I KE SILK 49 2 . • 4 COUPLE 11\1- C;E_IA I:R
i-.F:r:l L LIKE SILK •._'fir 2 2. 7 L OOh: . :_• WAITRESS
FEELS LIKE SIL.I'::: 66 70 ' 4. 2 5. 3 WAITRESS & C USTOME R
E :I:.L...I�:: C.. .
FEELS LIKE "? 87,_7
;, 9. 3; Ca::a 1)f°!....1:;::. USING ROOM
'FEELS LIKE SILK 87 ' - 92' 5 - 6..7 ON COUCH "
FEELS LIKE SILK ' L : � . . �. 1 2 5. 3 'YOUNG BOY,r I R_ & MOTHER. "-. .
' FEELS
S LIKE SILK K .L .L 8 .I.2,7 6 2 SON
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"311 I_I.1:A I.1.E3 1. 1 V11:;::1z3 _I I::l a: :) ::f, i S. :_f17 .
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(:7€=, :a€SPECIFIED SEXUAL ACTIVITIES
:d. SPEC."F:I:.E::o (1€'11'I"C:iI`'l I CAI . (t%=':E".tt :},
€d1::'1"�= C':+fiaf a':. 1,1=1� :€:i�.i..€..I:C€:a:;i li..ai ;f=
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s C:;L.Jrd€ i 3:L.±:NE31.Jr _
•t:i.l:RI__ S..:i:i.i1bl 8,: €:_:: X„ ••', - E7 F E::€_.d....i=?'.€'..(.% -
SCENE'S 3:l'-d E.EE 0 1_3 EI`:.d-i..T.(11.... •' • - r ANAL
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G.T.•F.I.:. Fr-Z:311 •.3„ i''- :a, • 1 6 ' 5• '0 6„ 7. . . ..
C:i J.Fa: F::i:;�I NI t „ i::•,.; " ' ''' .._. %':, AGENT i`•.€-i _;-.t-,i)0 nP+•i3::) •I I.J'vr .
• G I F;L I=�F i F.=t: w::� Is:„ •` ' '1 "' "' •...1.?:? (:)- ` 1:; ' : ,
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t':,I RI_ FROM% i"1 3 F._.: r. • , 4•3:' .435 .,. ,,_r 2„ :,
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h•i 8.Fa..d_, i::i..+C.a l''I E . E::.„ X r.. 53 5 9 6, i r:' SECRETARY . , BOSS
i:T 1.RE.._ 1."P.(:?€ € :._„ E::„ :•.„ 59 63 . .:. •_.,, 4sL..ft-JE;'.E"1-11.:1:._1'u:il: :.:YC.,.uF+:._
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0 I.RL. FROM S„ E„ :.,. • , • •DO 100 �
'
' 0 NO SPECIFIED ANATOMICAL ARKS
OR SPECIFIED SEXUAL ACTIVITIES
I SPQIFjED ANATOMICAL AREAS
2 HETEROSEXUAL INTERCOURSE '
HOMOSEXUAL INTERCOURSE ' .
� 4 MASTURBATION
�5- CUNNILfNGUS
`` x , ,
GIRL FROM S. E� X. ' '� � 6 FELLATIO '
' ' � ` � ' . `
SCENES SORTED BY �� - ` 7 ANAL INTERCOURSE
ACTIVITY �YPE ' . �, � ` ! 8 MORE THAN TWO SEX PARTNERS
SADO MASOCHISM �
SCIONE E. T. .� � 10 RAPE/VIOLENCE `
_ ELAPSE TIME' ' 11 COMBINATI8NS` OF ABOVE
FILM TITLE , ' ' � STARTj5TOP TIME ' TYPF % D1SCRIPTION
' � ` �� . .
_________ ' _ _.............------
GIRL TROM S. E. X. . ' ` ` ` � . �� 0 6. 3
GIRI FROM S^ E. X. 12 22 10 ,0 13 '
GIRL FROM S. E. X. � '. � 43 45 2 . 0 2.5 .
GIRL FROM S. E. X. 67 70 3 (} 3. 8
GIRL FROM S. E. X. 74 76
GIRL FROM S. E. X. 8V 81 1 . 3 `
` 29 %
0IRL FROM S.E. X. 52 53 l '1 1 . 3 IN STERN ROOM '
GIRL FROM S. E. X. 59 63 4 � � 1' 5 WHOREHOUSE SCENE
GIRL FROM S. E.X. ` 70 74 ' 4 1 5 38DD & INTEROGATOR � '
�
. `
GIRL FROM S. E. X. . 6 12 �:6 2 7i5AGENT. 38DD , ANC' GUY `
GIRL FROM S! E. X. 28 36 8 `' 2 10 ADRIAN & HITMAN '
GIRL FROM S. E. X. 40 43 2 3.8 38DD AND RAWER / `
GIRL FROM S. E. K. 45 52 2 8. 8 38DD AND' MASSEUR .
GIRL FROM S.E. X. '� � 76 80 4 ., '2 5 AGENT & 38DD
GIRL FROM S. E. X. 22 25 3 '� 3 3. 8 38DD AND ADRIAN
GIRL FROM S. E. X. 21
28 `V 4 3. 8 ADRIAN IN. SHOWER
GIRL FROM S. E. X. . 36 40 4 � 6 538DD AND XAVIER ' `
GIRL FROM S;E. X. 53 ` 6 '�`� 6 7. 50ECRETARY`& BOSK '
.
GIRL FROM S. E. X.X. � ��3 67 4 9 5 38D6 & JOHN ,
5 % '
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GIRL FROM S. E. X.
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OR C F'i: CIi:::7:f:):"-' `3EX:C.!r"!L. ACTIVITIES
:I:VIT:CES
�. .. ::?1:::'I:-.�.'€.F f:`t.> ANATOMICAL AREAS
2 HETEROSEXUAL"F'1:=:f (:i`: i::=; LJr„!f.:.. INTERCOURSE
. HOMOSEXUAL —INTERCOURSE
.4. MASTURBATION-
.
y5 C3i..li+iVs.!3:!....f.l a!_:!1...jr_•ti • , .
C:IRC7l`IC :f:N T.E=RL.I i DF.T.r a FELLATIO
SCENES IN SEQUENTIAL ANAL INTERCOURSE *
ORDER 8:f' MORE THAN TWO" :af: " PARTNERS
cy a r''i D:?O MASOCHISM
SCENE E::, T„ '.I.O i{r= F`C /VI.OLEl'JCf::
ELAPSE `I"1:("IE: :1. 1. COMBINATIONS,.NS, OFA ABOVE •
FILM LM TITLE START STOP TIME ..i:.,?'F'EE ; X' , DESCRIPTION .
EROTIC INTERLUDES 2.4 5 11 0 - o
EROTIC INTERLUDES 35 53 .I.c::? 2. .,:...:::: PLAYERS f J 'F"f f:=:ER:....s::.(='!A.)C:':l::'t S .
EROTIC INTERLUDES S ::, 55 r..' 2 2. 4
, 4 RON, ':-'1-.(.:I••E ir-` RY '
EROTIC INTERLUDES 55 • • ;,
EROTIC INTERLUDES E 57 " 10 2 12 SECRETARY INTERVIEW
EROTIC INTERLUDES 69 74 ;' 6. 1.. GIRL._. AFTER ' PARTY
RTY
EROTIC Ii-[1EL..UDEf 74 77 :s r-;
EROTIC INTERLUDES
. ',1 I D,_S •.;_, , 85 . ;_? : -
8 f.n �::5 ;�� r;.f:Cif.._i? �.<.; GUY .Lf'�� .I t,1i;;;
—EROTIC INTERLUDES ' • 85 86 , 1. 0 :1 » _:
EROTIC INTERLUDES 86 1.c_!5 1. 2 ::.:3 REPARIMAN �',, LADY
' EROTIC. INTERLUDES'. 10 5 106 0 .
��r.. l J�'I ;_
I•s l J ,.?i r__t..:.l.I .i.F:.:.' i....l .t.s T C..: ,,.+:•L.-'t:_.. s.s FREE :,..:
- !3 i�' ..:a l•-h-(:.:.I:I- ,I,L-.Z.;' SE X,Li A L. A!?., t ',r.E,.i I I S
1.' 'f3E`'E:C::1,i- I,E D 'A N;-" "I••C:t'1I C f'i AIR.:i'•i-:; .
i...11_:-1"1. R0E 1E:X E,.Ii' i_: I:i�1.1••F:r( 0I..JE::3E: .
33 ;t d,i ;krr L_ t. ?L.J,,,,43
. 4 NI ST1.11--, Al I C3.NI .
: 5 C.:{.3NIN:E I._.1.NIC:!I..Jt3
• 1:-,I-;0'I .I I_, 1 I\I1"EE:kl....i..i:0 E.`::3 - 6 E-!,,-G..1._.i i•TI0
?,.:_..NIES Ei 0 R T±....C:7 r: f Fil•Ir';1.... 1:I,I 1"I:::.F`.C::.::. )i "::?...:.
(ir"r T!,,:1: 1-.. 1..:,,f='E:i: :•.3 11+:.:RI: .,1_I-If,I:,•I. ,.I I;J0.,t '.ii ", i'"'1-2-i 1 'IL::I'? ; .
9 E3I•.4• '"1 r! t r•::. ...:r :,.r,,, • .
S+.,:ENE +::::r I a 1.0 F:A P IE: };T.C:+I__t.1•.s.C':I:::
+:L fil:'si}I:i: I":i:I"fi :L :i C:JC:+I`i MD I. Ir`i I"_4.i.11•I i t�Fl` rlf i::'�f::: .
E=1 I_m E"r _ :J T€=ii t T S I C1E-' -1-1:11E: f'`r•F'''f::: ', . 1.)i #:3t::Fs'.:E i2'1-1:C31\1
I Iw:01`1:_, :i 1• I I.I .FE:'' _.15
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=;y;C1..1':Er_: IN'TERL,_C'iDI_:::3. ,f •:F.9 r^ 0 2. 4. .
[C:Nf'.T,.I:1 1:N T i.'.'{ 1 i("t...r, ..1. .. 0-
E::IRI::I..f•r r 1:NI"r ::1= 1.,_IJDEs S . , C35 3:.. :L u :'
E:1=1:?;:i-I I:C', E.: U"1 :C:. 9.c:!":: 1,(-3 ? :I. (::),. 'i , .:,
' �d.F °;r
s:�l-;0T:1'?:::.-•1:•I'i•"I`LNI.,_ ,i.'l.i F.-i ".:1•,:: •_.!3 ' 1.B ;'.'r::'. -F5I.:.t1•''f E. Ni,,.. C1-•,I 1E.11...E PI::.:I:IR S
_ NI i _, :.+:r.! .r:.. 2 2 r, ^`I' i`{t_ll\! F.-:,.' Si_..t._.sRI_.. ! s—rI"; !
I::::F+:f:J'T':LrY .LNf'."`1R,....L.:._I:"S •_.. ,7 , ,_! .r:.•' 1.2 c31:+::'R.I:;:_Ii-'-!I: )'' :I:N'i .:..rz`•,/.Ei:._W
1.-:f�;+:.:.1`r,1'`': . a:NI'f'L-::i=',L...L.JI)E S 86 • .L 05 J,t.; 27.1 i•tE::.P r::;I•°;.1.d`Ii••sl;!' i•,. LADY ,
r,`i
74: 9:I:RI....:::} ?11"='•i F f-'A f�'••1'r•'.ESE:=t:J'I`:fi:: .Ll+I`i�'E��•il_C3J::iE ,:; :..! •., _.
EiEr c"I I 1 C., .I.NTEIRt....L.JDL_:S : / 'J ' ' & GU Y. E N ! Ni-i
- �'Yr a {:.J /r
i'"::'. 1.:::Si
' 0 NO SPECIFIED 'ANATOMICAL AREAS
OR SPECIFIED` SEXUALACTIVITIES
`
` 1 SPECIFIED -ANATOMICALAREAS
12 HETEROSEXUAL INTERCOURSE
HOMOSEXUAL INTERCOURSE
4 MASTURBATION. .
' 5 CUNNILINGUS
. , ES ' & LACE PART | � _� ' � �. 6 FELLATIO `
SCENES IN SEQUENTIAL / ANAL INTERCOURSE
O R.DER ` ` - � ' 8 MORE THAN TWO SEX PARTNERS
' ' 9 SADO MASOCHISM
` SCENE E. T. 10 `RAPE/VIOLENCE '
ELAPiH TIME '11 COMBINATIONS OF ABOVE
FILM l�Il�A '� START STOp TIME TYPE %` .DESCRIPTION
. , � � � . __ __
-�-------�------------�_-_�-----r------7�- ------- -----� -------- --------
FLESH & LACE'� PART 1 . � 1 8 7 0 7. 3 `
FLESH & LACE PART 1 8 1l 3 5 3. 1 jMAN, & WOMAN ON COUCH
'�
FLESH & LACE PART 1 11 11 �� o� 0 0 '^
FLESH & LAC���PART 1 11 13 2 1 2. 1- MODEL STRIPPING �
��FLESH &' LACE PART 1 )' 13 16 ' 3 5 3. 1 MAN &'' MODEL ON COUCH[
FLESH & LACE PART 1 16 21 & 05. 2 `
FLESH &" LAC9 PART 1 21 25 '4 2 4. 2MAN & WOMAN ON COUCH
FLESH & LACE PART 1 25 26 1 6 1 MAN & WOMAN` ON COUCH
FLESH & L�ACE, PART 1 . 26 28 2 2 2. 1 MAN & WOMAN ON COUCH
FLESH &�-LACEPART 1` ` 28 32 4 0 4. 2
`FLESH`& LAQ PA T� i ' 32 '37 5 8 5. 7 3 MEN & .WO ill AN '
FLESH & LACE PART 1 37 39 2 6 2. 1 MAN & WOMAN `
FLESH & LACEpART 1 ` 39 . 50 11 2 11 MODEL MAN
YLAH & LACE PART 1 ` 50 53 , 3 8 3. 1 3 MEN .& WOMAN
FLESH & LACE PART: 1 53 : � 56 3 03. 1
ESH & LACE PART 1 ' 56 58' 2 1 2. 1 WOMAN
FLESH & ' 'C ,PART 1 58 ' 59 1 ' 10 1 MAN FORCING 2 WOMEN TO SEX '
FLESH & LAC `PART 1 ' 59 66 7 8 7. 3 3 MEN & WOMAN
FLESH & LACE PART 1 ' 66 86 26: 10 21 MAN FORCING 2 WOMEN TO SEX
PLESH & LACE PANT 1 86 86 0 0 0 ` '
FLESf & .,LACE PART , 1 86 89 3 , 16 3. 1 FORCE 2 -MEN & 2 WOMEN
FLESH & LACE PART 1 89 ! :90, 1 0 1
FLESH & LACE PART . 1 ' 90 91 1 ' 6 1 MAN & WOMAN
FLESH & LACE PART 1 " 91 93 2 1 ;. 1 WOMAN
FLESH & LACE PART v 93 94 1 5 1 MAN & WOMAN IN HOSPITAL
FLEGH & LACE PART 1 94 97 -3 2 3. 1 MAN & WOHAN IN HOSPITAL
FLESH & LACV PART 1 96 t00 %
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-
0 N 0 pE:::c I F.:1:E ? A!N.1121 1"0M I C:AL. A ril s", 'i
- C) S PEI:::C1=':1:.I:%? S.;I"::xLii=,I._ AC:I:CV:C..l_:CI.S .
:1. C J.. a:F.1:E":d:I f^:9I' ATI:1f''i 1:CAL.. (1kL,. AEi
HETEROSEXUAL —INTERCOURSE'a EC1c3EXU= L INTERCOURSE
,. ' 5 C::1.n\11�1 I L.:I:l'.lE L•I
FLESH °•: LACE PAl"4..1.. .l. ' '''- FELLATIO ,
rlf4•l(tl.... INTERCOURSE
ACTIVITY TYPES' MORES: THAN, TWO SEX PARTNERS
S •, � MASOCHISM
. • SCENE E. T. • ' 10 f.APE�:f"s-11:Ol__i:NC i
ELAPSE _f'I Mi :I. 1 COMBINATIONS' OF ABOVE
' FILM TITLE START STOP TIME TYPE X ` DESCRIPTION
FLESH I A,-E T .l - :1 . 8 . 7. 0 /
FLESH :< LACE:- PART 1 , : 1 :1 1 1 0 0 0 . •
L...l: I & L..A :LIE: "f.'F1•R f 1. :.. - . .32 ..0 4. 2 :
FL_ :SL.1a LACE. E'(.., f 1 , 8 ; B r _} 0 0 .
FLESH
I -S1_ .fE PART 9 9._}'.
Fl.._I: SI•-I " LACE• PAR T 1 • ' 1::L 1:::;' • 1 :2. 1 MODEL.. S: -l_R I P'E':l:NO
'I.._E:SIH n, I....A1:74.::. PAR-I- •I. 56 58 1. . ,''.,, 1. • L:- llY PI!l - ' .
J. :2. 1 I�:ICtI'•1 f•N '
FLESH & LACE: PART 1 'L . ;25 4 : 4.„ 2 MAN :: WOMAN ON COUCH .
"-1 C"{:: : r,.r E r-,r�.:., ., -t - _y 8 2 :2 I{... sr: ,1 -ti _ ..
1•-�...L.:....,I-'i ... LACE � L..�h.l•' .i. s_.�.� ���:, _._ :"�: s:.,: 1 f�.al�l ,_. Ltll::il`•1f�;.'�f t..l�•.! C::i.:il_ita-'l
I:::l._.L SH L..nr;,_. Fri : I_ L }T .S•.=,0 1 1 . 1 1, 1'=1I::1T}.E:l.._ • I`li�,\I
FLESH i' L...AC_'E PAR..I.... 1.. 94 .. ''7 ':' 1, MAN ,:,. (AMMANl I.N 1...ICISP,1:.TAI....
E I & LACE - 8 . . 3. 1 MAN & WOMAN ON COUCH!""L�?'..:•1...� L._('•��_:1�:. PART 1 1. L
1.•3 • J.rf, ' . ;'; . 1. MAN 4:: MODEL ON I::OlICH
E=LESi-1 • & LACE PART I- t 93 . l''' : 1 5 1 MAN & WOMAN :C N I-lC1gi' I I_AL
'`.: ... %.
FLESH & LACE PART .L. 25 6 ' :1 -.. 1MAIM & w1OMANi. ON COUCH .. . . .
FLESH r:: 1....AC:a_. PART :I.
FLESH & LACE.. .PART 1. {'0 `?:l. :i., 6 1 MAN fir, b!C1i"1Ai`•1 '
• . 4. 2
1= L..E S Id I..:"... I_..AC...':1:-' I'='AE.:'1- 1. 59 ;c..f.., ., • 8 7. 3 ._ MEN & WOMAN
:L
tr:. LACE
PART. 1 -8 59 1 0 MAN- FORCING•Nt � WOMEN N O SE
FLESH ..: �._;-,�___::. !='',:1.=C`f' w�:::� y 1. _ :L l"',�,l`�:l {._.L r•�.� :�:: . : f�1�._t'•�
X
FLESH :f LACE PART -:I. 66 86 20 10 21 11fir,( FORCING 2 WOMEN Ti SEX
FLESH
_E -- ' LACE PART 86 89 � a : ;' o 1 FORCE :- M -
l .; ::::: WOMEN
FLESH ;.: LACE FART • 1 '=,{;:; 1 t i0 •
'
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NO SpECIFIED ANATOMICAL AREAS
' OR SPECIFIED SEXUAL ACTIVITIES
,
1 SPECIFIED ANATOMICAL AREAS
2 HETEROSEXUAL INTERCOURSE
' ' 3 HOM09EXUAL INTERCOURSE '
`
4 MASTURBATION '
5 CU` NILINGUS
FLESH & LACE PART 2 ' 6 FELLATIO
SCENES IN SQUENTIAL � � ` 7ANAL INTERCOURSE � '
ORDER ` � ` ' ' '^ 8 MORE THAN TWO SEX pARTNERS
. 9 SADO MASOCHISM
SCENE E. T. ' 10 RAPE/VIOLENCE
ELAPSE TIME 11 COMBINATIONS OF ABDVE
FILM TITLE START STOP''TIME TYPE % , DESCRIPTION
____� _______�___.__�___ � --------�__-_______________
FLESH & LACE, PART 2 ~38 40 2 0 2. 2`
. FLESH & LACE PART 2 40 41 1 1 1 . 1 MODEL & MAN
FLESH & LACE PART 2 41 45 4 10 4. 3 MAN &-BIBLE GIRL
FLESH & LACE PART .2 45 48 3 06. 3 _
FLESH & LACE` PART 2' 48 ' 50 2 ` K 2. 2 GIRL ON JOEf INTERVIEW
7FLESH & LACE PART 2 5{\ ' 52 2 6� '2. 2 'MAN & WOMAN ON COUCH
FLESH & LACE PART 2 ^ 52 53 1 10 1 . 1 MAN & BIBLE GIRL
F| ESH & LACE PART 2 1 53 54 1 6 1 . 1 MAN & BiPLE GIRL
FLESH & LACE PART 2 54 57 3 - 2 3. 3 MAN & WOMAN ON FLOOR
FLESH X, LACE PART 2 ` � 57 58 1 0 1 . 1
FLESH & LACE �PART 2 '� � � 58 65 7 2 /.6 MAN & WOMAN ON CO UC H '
'FLESH & LACE PART 2 65 65 V- 5 0-MAN a WOMAN ON TOUCH
�
FLESH & LACEpART '2 65 � 67 2 2 2.2 MAN & WOMAN ON COUCH
FLESH & LACE PART 2 . 67, 68 1 ,1 0 1 . 1 ,
FLESH Xi LACE-PART 2 � '� . 68 70 2 6 2. 2` NURSE & PATIENT
, '� �
FLESH & LACE�(PART2 � . ' � 70 78� 8 � S. NURSE �& PATIENT
LACE PART ' 78 82 4 6 4 3 NURSE & IENT
FLESH & LA 2� � ' �� � � ` � r;f�|
F| ESH & LACE1 PART 2 ^ .'� E32 ' 94 12' 8 13 2 WOMAN & .MAN
FLESH & LACE PART 2 ` '' `�4 ' 100 �6� 0 6. 5
FLESH & LACE PART 2 100 102 2 5 2. 2 MAN & DAUGHTER
F. ESH & LACE PART 2 ` 102 104' 2 2- 1. 2 MAN & DAUGHTER .
FLESH & LACE PART 2 104 105� 1 5 �1 . 1 MAN & DAUGHTER -
' � .
FLESH & WE PART' 2 ' 105 ' 107 ` 2 2 2. 2 MAN & DAUGHTER
FLESH & LACE PART2 107 127 20 8 22DOCTOR,NURSE°MAN & DAUGHTER
FLESH & LACE PART 2 � � 127 .130 3 0 3. 3
- �_.....
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FLESH & LACE PART 2 .' 92 100 % `
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. . - .. ORSPECIFIED' SEXUAL ACTIVITIES,
1 SPECIFIED'1' ANATOMICAL fl.... AREAS
•
1..1[: '1 f_:s::;r;;::if :`1...!('ll._ INTERCOURSE
l_I=1f !:".•L.lf�'.':tl
HOMOSEXUAL INTERCOURSE -
• 4 MASTURBATION •
FLESH{! LACE. F-'f'!i"{'1` 6 FELLATIO!'1 .T.C.I
SCENES ca4 "�1 �T ANAL INTERCOURSE
ACTIVITY TYPE.
8? MORE THAN TWO:1[! SEX PARTNERS!"i`•ff?;:`,
- . S;AiiC? MASOCHISM M
SCENE E. T. 10 RAPE/VIOLENCE
ELAPSE TIME ' , . 1. :1 COMBINATIONS i ll�= ABOVE
l.. _ . . START ,._.... f! _ .. I._ . • DESCRIPTION
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_. L..(Li:: PART .,.. 38. z".J.r_? • ' .__ 0 .,._„ .,._ •
FLESH & . LACE PART 2 45 3. 3
FLESHa LACE P(T.(1"" 2 • 57 58. 1 ` . 0 1 „ 1
FLESH & ,LACE FART. 2 . • ' 67 68
1 0 1. a .I.
LACE PART 1 2 127
FLESH l! L_.AlCI=. F'AR_I_ _: .4.0. 41. . - 1 . :1 1. .. 1 MODEL '! MAN
• i"L_Ei::iif•'I & LACE: F'/'f(I'• '. . "i4• f7 . .. 2 ... . ._ MAN & WOMAN ON FLOOR •
C=L... .C:}I-i '' LACEPART ::: fw A ' r - .,_ r',: 6 I''li'-kl ! WOMAN ON! COUCH
FLESH LACE-.: PART , . L17- 22. 2 MAN ,WOMiA'NI ON COUCH
!-!.._!w'.ra{-I & 'LACE PART .,::. ;U . 78 8 8. 7 I-i..:11=ti_,[:W PATIENT
FLESH l' I.-:A' L PART 2 :Lb:;:"'_ 104, . .__ MAN ?: DAUGHTER f
•
• FLESH "' . LACE- .F'ART 2 105 7 — .', 2:'' 2. 2 HAN & DAUGHTER •
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FLESH. a LACE PART Z 5 = 0' -' f ' A , WOMANa' COUCH '
F[_..E'-71--I a! I-_(`l C:;I:: F`A R T >_' 100 .102 :? _._o ' I c nt NNN• °! I.)....)Li C:i,-I T L::is
1 i....f 21-i i.-..A r E. 1,'('l1,,`i • J' • 104' • :1.05. 1. '•:rye 1- „':L rel A I'•i & f)l=rt.i G 1-1 1'C'R .
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FLESH • & LACE PART + . 0 -• 52 `''' 6. '-', ;=' ,MAN ,WOMIAN ON COUCH
FLESH 4! LACE PART a::: ". • •5•'1'. - .1 6. I . 1.. M A i & BIBLE GIRL
'FLESH ... I_..A r:E. I'-A R ? "-- . 70 • • 6 -2. 2 NURSE ... PATIENT
FLESH LACE PART 2, , . . :e Ey,..- 1. 6 Fi•„ = NURSE & PATIENT
. .. 9. 8 ', . .
FLESH LACE PART 82 - . '94 12 ' Ei • 13 , 2 WOMAN 4! MAN
FLESH &• 1, ACE:: PART ' ' 107 '..1.' 20 8 22 DOCTOR.,NURsE:i MAN & DAUGHTER E.R
FLESH & LACE FART 41 45 L?- :10 4. •- MAN i BlEil._.E GIRL '
FLESH & I..-.r-r C_.C P A[ C 52 5-!' L k:
.I. :I.'_? 1. ,,. :I. Lei i';N€ ! -�]-E� L_ r7.I.I"i I-_
!:-•, _.., ' & LACE PART 2 92 • 1 ' )' y ' ' '
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' 0 No SPECIFIED ;trdA^ OMIC:'i11.... AFil._A '
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• SPECIFIED 'ANATOMICAL AREAS.
. HETEROSEXUAL INTERCOURSE€i:RC:C1l..J('S
• 3 HOMOSEXUAL INTERCOURSE .
CALENDAR GIRL t €_.. • . ; -. ,, FELLATIO I..O .
SCENES1:N Cir:C:UE:h1"€":([=1!.._ . . 7 ANAL INTERCOURSE • .. .
ORDER ' ' - Ca MORE THAN TWO.O. SEX. PARTNERS . - •.
' 9 SADO MASOCHISM
SCENE E_. .T. 1.0 RARE V I OL.E.NCE
ELAPSE TIME E €..a. COMBINATIONS OF ABOVE
FILM TITLE START. ;}"€ 1:1F' "(':f:I`'1€::: • TYPE . ;{, DESCRIPTION .
CALENDAR GIRL 30 ._,...: € J . 4 CASSETTE. FILM .
Cr";L_.r".I• )r f\ ,G:T.R€._. 33 .33 e'. 2. 1 CASSETTE FILM .
CALENDAR€EAR GIRL I L_ 55, ,. . ; . . , tiE 4, 5. 3 MARILYN *; kE:N ' (AlA .CiA...l_.:
CALENDAR G.I.RL.. _,._.;
CALENDAR GIRL T. €.!.__ ...,. .. . . 2: : ,• 'C:AS:iiS iE=;.L .l..E i=.T€..:.r'i
l..AL..E.N€DA! G1.RL. .. • ' 45 46 0 .
CALENDAR GIRL RL 46 6' 10 . 10 113-tA.FiF2,ETTE BONDAGE: -GIRL—FORCE
- CALENDAR G1:1=tL... 56 60 4 ;L!? 5. 3 {:°ASC;E_€_..L.E. BONDAGE C:.�IR; _...ANAi._.
CALENDAR GIRL 60 61 ' . 10 1 . 3 CASSETTE I• ::1r`1.l AC•a F.-_"- T t�l'T'E'R CJ O LJI . , -
C::r=il_.(_=rdl:+nFi ,I I(=i1.... 61. 67 • .r. ;r, 10 , c -.Cr"tSi:al:: _..I..E::: BONDAGE—TWO MEN .
I:. '1i._ErN!l:}r-i fia a.€.L._ r' 6) ' ,' t;? ....:. ! •
GIRL :, 6 ? . ,_i 6
�..rwL...L:rls)�iF''. . ,.., 8 MARILYN n, & SIKER
CALENDAR GIRL • 75 8`.:i' ' 1:0 ' :I) I::: ' 'C:1...€r=t 1:1M€€L:t'=?. "(O. t AL1.._
CAL..E.NI:)AR (r I RL_ • 85 '0 5 1.0 et. i . MAR I€_`/N sl .BIKER .
C::AL._E:kIDAI': C;I€'i - , • .L)('? 91. • • I 01. . ._ '
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REV I EWER'S NAME: wiA_^ _ G� +h��
START TIME OF REVIEW:—! ! I :L! ! !pM COMPLETE REVIEW TIME:—! !"....: LP!4.d ! !p M
FILM TITLE: 1 1 1 1
C• f-1'1.'�• •L• • C' L
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIES •
• 1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUS
6 FELLATIO
7 ANAL INTERCOURSE
8 MORE THAN TWO SEX PARTNERS
' 9 SADO MASOCHISM
SCENE E.T. 10 RAPE/VIOLENCE
11 COMBINATIONS OF ABOVE
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REVIEWER'S NAME:
START TIME OF REVIEW:-! !L:4-!€! !pM COMPLETE REVIEW TIME: -! H : t ! - ! !TM
FILM TITLE:1 !v! , !TA I,.,•!�C!f- ! !!�i !.1 !ta �! 1 ! 1 t I I I t I I. I I I I I I 1
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL. ACTIVITIES
• 1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 ., MASTURBATION •
S CUNNILINGUS
6 FELLATIO
7 ANAL INTERCOURSE
8 MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM
SCENE E.T. 10 RAPE/VIOLENCE
(TAPE COUNTER) 11 COMBINATIONS OF ABOVE
START STOP TYPE DESCRIPTION
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REVIEWER'S NAME: /
START TIME OF REVIEW:-! : ! ' M COMPLETE REVIEW TIME:-! !/:ft)! yill •
FILM TITLE: i 1 1 1 !".(4. 1 1 ! - , I 1 i I , 1 I 1. i t i 1 1 I I
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOM I CAL 'AREAS
OR SPECIFIED SEXUAL ACTIVITIES
• 1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUS
6 FELLATIO
7 ANAL INTERCOURSE
8 MORE THAN TWO SEX PARTNERS
1 6 9 SADO MASOCHISM
CENE -iti 10 RAPE/VIOLENCE
(TAPE C U TER) 11 COMBINATIONS OF ABOVE
START STOP TYPE DESCRIPTION
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REVIEWER'S NAME: i/ ' �
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START TIME OF REVIEW:-! ! (:€/' !M COMPLETE REVIEW TIME:- ! e:"*-1! !rg
FILM TITLE: I 1 I 1 1 1 1 1 1 1. I 1 L. 1 1, 1 I 1 1 1 I 1
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIES
• 1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUS •
6 FELLATIO
doof, 7 ANAL INTERCOURSE
h 9 SADO MASOCHISM
gfr/ 8 MORE THAN TWO SEX PARTNERS .
SCENE E.T. 10 RAPE/VIOLENCE
(TAPE LATER) 11 COMBINATIONS OF ABOVE
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REVIEWER'S NAME:
START TIME OF REVIEW:-! ! : ! ! ! M COMPLETE REVIEW TIME: - ' ' ' ' ! M
FILM TITLE: 1 1 1 I 1 1 1 I 1 1 1 1 1 1 I 1 I 1 I 1 1 I. 1 I I I I 1 I
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICACAREAS
OR SPECIFIED SEXUAL ACTIVITIES
• 1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION • •
5 CUNNILINGUS
6 FELLATIO
7 ANAL INTERCOURSE
8 MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM
SCENE E.T. 10 RAPE/VIOLENCE
(TAPE COUNTER) 11 COMBINATIONS OF ABOVE
START STOP TYPE DESCRIPTION
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REVIEWER'S NAME: DbAjr
START TIME OF REVIEW: —!C ! :?J ! !,OM COMPLETE REVIEW TIME:—! ! : ! ! ! M
FILM TITLE:c!p! ) ! j ,ej ! ! ! 1 1 e 1 I I I 1, 1 1 1 ' I t '
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIES
1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL, INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUS
6 FELLATIO
7 ANAL INTERCOURSE
8 MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM
SCENE E.T. 10 RAPE/VIOLENCE.
(TAPE COUNTER) 11 COMBINATIONS OF ABOVE
START STOP TYPE DESCRIPTION
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REVIEWER'S NAME: •
START TIME OF REVIEW:-! ! : ! ! ! M • COMPLETE REVIEW TIME:-! ! : ! ! ! M
FILM TITLE: I t I 1 1 1 1 1 1 1. 1 1 1 1 1 1 1
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICAL-AREAS
OR SPECIFIED SEXUAL ACTIVITIES
1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
3 CUNNILINGUS
6 FELLATIO
7 ANAL INTERCOURSE
8 MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM
SCENE E.T. 10 RAPE/VIOLENCE •
(TAPE COUNTER) 11 COMBINATIONS OF ABOVE
START STOP TYPE DESCRIPTION
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,:REVIEWER'S NAME: c yJ
START TIME OF REVIEW:—!O ! L/!1 ! PM COMPLETE REVIEW TIME:—!(J !1'2:5!7 ! M
FILM TITLE: 1! ! 1 1 1 ! 0! 11 ! j 9 41t 1. I I I
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICAL -AREAS
OR SPECIFIED SEXUAL ACTIVITIES
1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUS
6 FELLATIO
7 ANAL INTERCOURSE
B MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM
SCENE E.T. 10 RAPE/VIOLENCE
(TAPE COUNTER) 11 COMBINATIONS OF ABOVE
START STOP TYPE DESCRIPTION
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SEVIWER'S NAME:
START TIME OF REVIEW:—! ! : ! ! a. M COMPLETE REVIEW TIME:— ! ! ! ! ! M
FILM TITLE: I I 1 I 1 1 1 I 1 1 1 1 I a a 1 1 I 1 1 1 1 a I I 1 1 I 1
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICAL 'AREAS
OR SPECIFIED SEXUAL ACTIVITIES
1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUS
6 FELLATIO
7 ANAL INTERCOURSE
B MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM
SCENE E.T. 10 RAPE/VIOLENCE
(TAPE COUNTER) 11 COMBINATIONS OF ABOVE
START STOP TYPE DESCRIPTION
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M T,ITLE:F !E!.E!L!, ! ! L! ! E! !s! ' !L, K ! ! . ! ! ! ! ! 1 .! 1 ! ! !
ACTIVITY CATAGORIES= ' 0 NO SPECIFIED ANATOMICAL AREAS
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• 1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUS +
6 FELLATIO
• 7 ANAL INTERCOURSE
• B MORE THAN TWO SEX PARTNERS -
9 SADO MASOCHISM
SCENE E. T. 10 RAPE/VIOLENCE
(TAPE COUNTER) if COMBINATIONS OF ABOVE
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TIME OF REVIEW:-! ! 1 : I !9! !?M COMPLETE REVIEW TIME:-! !Li 3!6! !PM
M TITLE:4 ! ! £! R! x !c!4!ki! !-p! 1 ! E! ! ! ! ! ! ! ! ! ! ! ! ! .! ! ! ! !
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICAL AREAS
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2 HETERSEXUAL INTERCOURSE
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6 FELLATIO
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SCENE E. T. 10 RAPE/VIOLENCE
(TAPE COUNTER) 11- COMBINATIONS OF ABOVE
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REVIEWER'S NAME: � 6�Qj .
START TIME OF REVIEW:-! ! /: ! ! M COMPLETE REVIEW TIME:-! 1$11.5!/142M
FILM TITLE: q! 1 1 1l. ®1 ! I ! ! ! 1- " " I I I I: I 1 I I I I 1
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICAL -AREAS
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REV I EWER'S NAME: 0, / UIJ'
START TIME OF REVIEW:-! ! it:€!5! !fiti COMPLETE REVIEW TIME:-! !41: !5! ! `1
FILM TITLE:i) ! !t 1/p1 1/1-! ! 1 4!gyp/_1 I 1 I I 1 I I 1 I i I I I I I
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M TITLE: I 1 I 1 I I 1 e I I I I 1 I I I I I 1 1 1 I I 1 1 1 I I
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OfM TITLE: 1 1 1 I 1 1 1 1 B 1 1 1 1 1 1 1 1 1 1 I 1 0 1 1 1 I 1 1 1
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICAL AREAS
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2 HETERSEXUAL INTERCOURSE
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REVIEWER'S NAME: .! 1) F:0,,'
START TIME OF REVIEW:-!/ !::o!p) ! M COMPLETE REVIEW TIME:-! � � 4FeT' d! "� ' 7! ! `M
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FILM TITLE:H) 1 1^ f `1'15! ! ! �.1 !Y I I/�_! c! a ! ! On!f/ei p r !o! ydt�,! R I 1 1 I I I 1
ACTIVITY CATAIGOCR I ES= 0 NO SPECIFIED ANATOMICAL `AAREAS
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• 1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION -
3 CUNNILINGUS
6 FELLATIO
7 ANAL INTERCOURSE
8 MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM
SCENE E.T. 10 RAPE/VIOLENCE
(TAPE COUNTER) 11 COMBINATIONS OF ABOVE
START STOP TYPE DESCRIPTION
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START TIME OF REVIEW:—!O !1 :3 ! 1• !PM COMPLETE REVIEW TIME:-! !S :) !el) ' M'
FILM TITLE ! jam! !r ! ! ! ! / !/*!CI ,! ! ! ill pi •i 1 Y • Ir..2 j!.
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICAL 'AREAS
OR SPECIFIED SEXUAL ACTIVITIES
1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION •
3 CUNNILINGUS
6 FELLATIO
7 ANAL INTERCOURSE
8 MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM
SCENE E.T. 10 RAPE/VIOLENCE
(TAPE COUNTER) 11 COMBINATIONS OF ABOVE
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REVIEWER'S NAME: D, (J/)/J/L
START TIME OF REVIEW:—! ! : ! ! ! M COMPLETE REVIEW TIME:—! ! : ! ! ! M
FILM TITLE: I ! i r , 1 , '1%1-i 1 V ' l I I , 1 I. , 1 1 1 1 , 1
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICAL -AREAS
OR SPECIFIED SEXUAL ACTIVITIES
• 1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION .
5 CUNNILINGUS
6 FELLATIO
7 ANAL INTERCOURSE
8 MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM
SCENE E.T. 10 RAPE/VIOLENCE
(TAPE COUNTER) 11 COMBINATIONS OF ABOVE
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START TIME OF REVIEW:-! ! : ! ! ! M COMPLETE REVIEW TIME:-! ! : ! ! ! M
1
FILM TITLE: 1 1 r 1 1 1 h ,1 1 1 , I 1 1 1 1 1 I I. 1 1 I I 1 1 1
ACTIVITY CATAGORIES= 0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIES
• . 1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION •
5 CUNN IL I NGUS
6 FELLATIO
7 ANAL INTERCOURSE
8 MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM
SCENE E.T. 10 RAPE/VIOLENCE
(TAPE COUNTER) 11 COMBINATIONS OF ABOVE
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START TIME OF REVIEW:-! ! 1 I a 1 a a a 1 a a 1 a: /!/ ! ! M COMPLETE REVIEW TIME: -! ! : ! ! ! M
FILM TITLE: 1/�!/!(� 1 a / I�il7i 1 I 1
ACTIVITY CATAGORIESI== 1/1/1 0 NO SPECIFIED ANATOMICAL AREAS
OR SPECIFIED SEXUAL ACTIVITIES
1 SPECIFIED ANATOMICAL AREAS
2 HETERSEXUAL INTERCOURSE
3 HOMOSEXUAL INTERCOURSE
4 MASTURBATION
5 CUNNILINGUS
6 FELLATIO
7 ANAL INTERCOURSE
8 MORE THAN TWO SEX PARTNERS
9 SADO MASOCHISM Sjj�i! `�C
SCENE E. T. 10 RAPE/VIOLENCE l/�
(TAPE COUNTER) 11 COMBINATIONS OF ABOVE e&e-J
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Renton City Council
January 17, 1983
Page Two
Lawsuit staff were unaware of reversionary ordinance; construction of apartment
continued house was commenced on site at that time; and the partially constructed
project was interrupted when lawsuit was filed, resulting in loss of
considerable funds. Mr. Evans reported the following information had
been provided by Mr. Clemens: 1 ) Environmental Review Committee decision
had been issued on 8-13-81 ; 2) no building permit has ever been issued
for the Fir One Condominium project ; and 3) Public Works Permit was
issued for water, storm drainage and sanitary sewers, which were
installed; however, there are no records of any inspections made under
Public Works Permit No. P-2722.
Garbage Can Lewis Kwan, 22814 N.E. 61st, Redmond WA 98052, duplex owner in City
Rates of Renton, objected to monthly garbage can rates which are double for
two duplex units than two single family residences. Since there had
been no ordinance change after similar complaint two and one-half years
ago, he requested that notification of any resolution of the matter,
revision of the ordinance, or additional information be transmitted
to him in writing.
Forbes Lawsuit Kathy Keolker, 532 Cedar Avenue S. , coordinator of Citizens for a
Quality Community, advised Council of picketing activities which
may deter theatre business by 250 Renton citizens protesting adult
film fare at two downtown theatres owned by Roger Forbes. She requested
that any complaints regarding picketing activities be directed to her
personally and inquired if an update of the Forbes matter would be
provided to interested citizens following executive session by the
Council this evening. For the record, Councilman Stredicke requested
provision of a status report to Council by City Attorney regarding
the lawsuit. City Attorney Warren reported that as a result of last
week' s decision by Judge McGovern, the city is prohibited from denying
Mr. Forbes the right to show adult film fare until further hearing on
the matter. Mrs. Keolker advised concern regarding attendance at
theatres by young teenagers, requested the matter be investigated and
laws revised for enforcement, and announced a citizen presentation
scheduled for the next Council meeting regarding the matter would be
covered by news media.
CONSENT AGENDA The following items are adopted by one motion which follows the items
included:
Animal Control Executive Department submitted agreement between cities of Renton and
Agreement with Tukwila for provision of animal control services by the City of Renton
Tukwila to the City of Tukwila from February 1 , 1983 through December 31 , 1983.
Concur and authorize Mayor and City Clerk to sign agreement.
Joiner Claim Claim for damages in the amount of $12,000 filed by Eugene Joiner,
for Damages 3024 South Warsaw Place #102, Seattle, alleging diamond missing from
CL 62-82 ring setting when returned by Renton Police Department booking desk
following incarceration 12/20/82. Refer to City Attorney and Insurance
Carrier.
Alexander Claim Claim for damages in the amount of $1 ,062.03 filed by Helen C.
for Damages Alexander, 12672 S.E. 162nd, Renton, for drainage water back-up
CL 02-82 damage to rental located at 679 Edmonds Avenue N.E. , alleging plugged
city storm drain (1/05/83) . Refer to City Attorney and Insurance
Carrier .
Floth Claim Claim for damages in the amount of $251 .70 filed by R. W. and June
for Damages Floth, 12652 S.E. 158th, for sewage back-up damage to rental located
CL 01-83 at 900 Glenwood Avenue N.E. , Apartment #4, alleging blocked city
sewer line. Refer to City Attorney and Insurance Carrier.
Consent Agenda MOVED BY STREDICKE, SECONDED BY HUGHES, COUNCIL ADOPT CONSENT AGENDA
Approved AS AMENDED. CARRIED.
MOVED BY STREDICKE, SECONDED BY CLYMER, THE FOLLOWING ITEMS BE REMOVED
FROM CONSENT AGENDA FOP. SEPARATE CONSIDERATION. CARRIED.
Appointment to Mayor Shinpoch reappointed Mrs. Mary Mattson, 7273 South 128th Street,
Board of Ethics Seattle 98178 to the Board of Ethics for a four-year term effective to
December 31 , 1986. Mrs. Mattson serves as the representative from the
League of Women Voters of King County South. The other members of the
Board are: Rev. Donald Hammond (representative from Renton area
CITY OF RENTON
.JAN211983
RENTON CITY COUNCIL POLICY
DFVPLOPMFNT rvF PT.
Regular Meeting
January 17, 1983 Municipal Building
Monday, 8:00 p.m. Council Chambers
M I NUT E S
CALL TO ORDER Mayor Barbara Shinpoch led the Pledge of Allegiance to the flag and
called the meeting of the Renton City Council to order.
ROLL CALL OF THOMAS W. TRIMM, Council President; EARL CLYMER, ROBERT J . HUGHES,
COUNCIL MEMBERS RANDALL ROCKHILL, JOHN W. REED, NANCY L. MATHEWS, RICHARD M. STREDICKE.
CITY STAFF IN BARBARA Y. SHINPOCH, Mayor; LAWRENCE J . WARREN, City Attorney;
ATTENDANCE MAXINE E. MOTOR, City Clerk; DAVID CLEMENS, Policy Development
Director; MICHAEL PARNESS, Administrative Assistant; CAPTAIN DON
PERSSON, Police Department.
PRESS Jan Hinman, Renton Record-Chronicle.
MINUTE APPROVAL MOVED BY TRIMM, SECONDED BY MATHEWS, COUNCIL APPROVE THE MINUTES
OF JANUARY 10, 1983 AS PRESENTED. CARRIED.
PUBLIC HEARING This being the date set and proper notices having been posted and
Annual Adoption published according to law, Mayor Shinpoch opened the public hearing
of Zoning Map to consider the annual adoption of the Zoning Map for the City of
Renton incorporating all Zoning Ordinance revisions from January 1 ,
1982 through January 1 , 1983. David Clemens, Policy Development
Director, read correspondence advising conformance of every rezone
illustrated on the map to an ordinance related to each subject property,
both text and map being identical . Recommended were adoption of the
Zoning Map as presented, and referral to the Ways and Means Committee
for preparation of appropriate legislation. Responding to Council
inquiry regarding parcels excluded from the map, City Attorney Warren
advised that the parcel known as the Evans Parcel (owned by Seaport
Dozing Company) has been excluded pending final decision on litigation;
and verbal confirmation of zoning on that site to inquiring citizens
will be required of staff until adoption of the 1984 Zoning Map which
will properly designate official zoning of that site. Ralph Evans,
3306 N. E. llth Place, pointed out that Superior Court decision on the
aforementioned lawsuit is still open to appeal .
Continued Councilman Stredicke questioned R-1 , G and G-1 zoning designations
of certain public properties which do not reflect existing uses of the
sites and constitute errors of omission on Zoning Map. Mr. Clemens
explained conditional use permit process for development of schools ,
parks, cemeteries, and municipal and county buildings as an alternative
approval process to rezone action.
Continued Responding to further questioning by Mr. Evans of zoning status of
certain properties and notification to owners of changes in that status
as a result of recent Superior Court decision that the city' s
reversionary ordinance is not valid, Mr. Warren clarified that the
scope of the lawsuit had been confined to a specific piece of property
owned by Seaport Dozing Company and the decision that the reversionary
ordinance is invalid would not extend to other properties in the city.
Further, the Zoning Map controls over individual zoning ordinances
except when it is contradicted by language of the Zoning Code itself.
Discussion was held regarding possible methods of notifying Council
members of zoning changes, and it was suggested that a letter-sized
notification be transmitted to Council members each time a rezone
approval occurs. Since there were no further comments, it was MOVED
BY HUGHES, SECONDED BY ROCKHILL, CLOSE THE PUBLIC HEARING. CARRIED.
MOVED BY REED, SECONDED BY HUGHES, COUNCIL CONCUR IN THE RECOMMENDATION
OF THE POLICY DEVELOPMENT DEPARTMENT TO ADOPT THE ZONING MAP AS
PRESENTED AND REFER THE MATTER TO THE WAYS AND MEANS COMMITTEE FOR
APPROPRIATE LEGISLATION. CARRIED.
Seaport Dozing Referencing his request for information regarding the Fir One
Company Lawsuit Condominium development at last Council meeting, Mr. Evans advised
purpose of request due to arguments during Superior Court litigation by
plaintiff, Seaport Dozing Company, that property was purchased in 1981
when zoning reflected in city records was R-3; Planning Director and
Renton City Council
June 14, 1982
Page 4
ORDINANCES AND RESOLUTIONS
Ways and Means Ways and Means Committee Chairman Stredicke presented committee
Committee report recommending second and final readings of the following
ordinances:
Ordinance #3636 An ordinance was read amending Ordinance 1628 relating to water
meter charges. MOVED BY STREDICKE, SECOND BY HUGHES, ADOPT THE
ORDINANCE AS READ. ROLL CALL: ALL AYES. CARRIED.
Ordinance #3637 An ordinance was read relating to land use and zoning for adult
entertainment theaters, amending Ordinances 3526 and 3629 by
deleting emergency clause and re-enacting the remainder. MOVED
BY STREDICKE, SECOND BY ROCKHILL, ADOPT THE ORDINANCE AS READ.
ROLL CALL: ALL AYES. CARRIED.
Voucher Payment Ways and Means Committee Chairman Stredicke recommended approval
of Vouchers 40062 through 40374 in the amount of $1 ,499,422.62.
Approval included the following Revenue Warrants: LID 321 , #R-7,
$5,532.31 ; LID 322, #R-16, $123,405. 11 ; LID 323, #R-3, $178.93.
Machine voids: 40057-40061 . Councilman Stredicke reported speci -
fically on certain larger expenditures. Vouchers received depart-
mental certification that merchandise and/or services have been
received and/or rendered. MOVED BY STREDICKE, SECOND BY CLYMER, TO
CONCUR IN COMMITTEE RECOMMENDATION TO APPROVE VOUCHERS FOR PAYMENT.
CARRIED.
NEW BUSINESS
1979 Fire Code Councilman Clymer inquired regarding fire inspection findings in
Enforcement the enforcement of the 1979 fire code. Discussion ensued. MOVED
BY STREDICKE, SECOND BY CLYMER, SUBJECT MATTER OF ENFORCEMENT OF
THE 1979 CODE WITH REGARD TO FIRE AND REQUIRED IMPROVEMENTS BE
REFERRED TO THE PUBLIC SAFETY COMMITTEE FOR STUDY AND REPORT BACK.
Pending Street Councilman Stredicke requested a report on the time element involved
Vacations in street vacations and regarding the status of pending vacation
requests.
ADMINISTRATIVE Mayor Shinpoch, with sadness, announced the death of Darrell Zepper,
REPORT Animal Control Officer, for the City for almost ten years. Lt.
Persson stated that funeral arrangements are still pending.
ADJOURNMENT MOVED BY STREDICKE, SECOND BY CLYMER, MEETING ADJOURN. CARRIED.
10:48 P.M.
•
De ores . rNkad, ty erk
Renton City Council
4/12/82 Page 5
NEW BUSINESS Councilman Hughes presented a resolution for reading which sup-
Resolution #2445 ported the protection of the Cedar River Watershed and opposed
Protection of issuance of oil and gas exploration leases in the Watershed.
Cedar River Hughes explained the King Subregional Council went on record
Watershed by in support of the protection of the drinking water of the region
Opposing Leases Following reading, it was MOVED BY HUGHES , SECOND CLYMER, COUNCIL
for Gas and Oil ADOPT THE RESOLUTION AS READ. Councilman Hughes announced public
Exploration hearing in Seattle Friday 4/16/82 where resolution would be presented
noting possible objection from parties to whom leases had been
issued. MOTION CARRIED.
Councilman Stredicke inquired of Consent Agenda item referred to the
Community Services Committee, re-priorization of the 1982 Community
Facilitity Fund projects. Discussion ensued regarding source of
funds for the ballfield project due to questionable legislative
action regarding Community Facility charges.
Adult MOVED BY STREDICKE, SECOND REED, SUBJECT MATTER OF ADULT ENTERTAIN-
Entertainment MENT BE REFERRED TO THE WAYS AND MEANS COMMITTEE. CARRIED.
ADMINISTRATIVE Mayor Shinpoch announced Gloria Minnick was reelected President of
REPORT Local 21R, two year term.
Mayor Shinpoch called attention to local spring cleanup 4/17/82
South Renton; leaflets were distributed.
Marine Patrol Mayor Shinpoch noted subject of marine patrol contract with King
Lake Washington County for Lake Washington had been referred to Committee of the
Whole. MOVED BY CLYMER, SECOND ROCKHILL, COUNCIL AUTHORIZE THE
ADMINISTRATION TO CONTINUE TO NEGOTIATE WITH KING COUNTY FOR MARINE
PATROL SERVICES. Amendment moved by Rockhill , second Trimm, allow
negotiations to maximum figure of 57,500. ROLL CALL; 4-N0: CLYMER,
STREDICKE, REED, MATHEWS; 3-AYE: HUGHES, ROCKHILL, TRIMM. FAILED.
Original Motion CARRIED.
Mayor Shinpoch recalled Councilman Rockhill ' s request for financial
report and noted meeting with Acting Finance Director Bennett
to discuss revenue projects. Mayor Shinpoch reported some projects
under, over and holding ; some formula changes; Staff requested
to avoid expenditures; continuing to get latest legislative wrap up
from Association of Washington Cities. Mayor Shinpoch noted various
legislative bills and effect on city. Mayor Shinpoch discussed
Metro plans for enlargement of Renton Treatment Facility and the
funding.
Mayor Shinpoch expressed regret and Sympathy at the death of Ed
and Bryce Torkelson' s mother and of Jay Holmes, long time Renton
businessman and resident
ADJOURNMENT MOVED BY CLYMER, SECOND STREDICKE, MEETING ADJOURN. CARRIED.
10: 30 p.m.
a. L
Delores A. Mead, C...
City Clerk
EXP111 35 CITY OF RENTON
DATE 4/12/82 WARRANT DISTRIBUTIOv
FUN: TOTAL WARRANTS
MACHINE VOIDS: NO.#38952 - #38962
CURRENT $115, 151 .63
PARKS $104, 250•58
ARTERIAL STREETS $6, 486.48
STREETS $23, 898.56
LIBRARY $15,522• 07
G COULON BCH PK CQNSTR `11,247.72
WATERWORKS UTILITY $133, 531 . 45
AIRPORT S9, 227•99
1975 h 6 S CONSTRUCTION $1, 710•41
EQUIPMENT RENTAL $22, 363. 72
LID CONTROL $19, 203. 77
TOTAL OF ALL WARRANTS $462,594 . 38
WE, THE UNDEKSIUNLD MLIBtRS OF THE WAYS AND MEANS COMMITTEE OF THE
RENTON CITY COUNCIL, HAVING RELEiVtU DEPARTMENTAL CERTIFICATION THAT
MERCHANDISE AND/OR SLRVICES HAVE BE.LN RECEIVED OR RENDERED, D0 HEREBY
APPROVE FOR PAYMENT VUUCMtRS Nu• 3ty6:3 THROJGH NO. 39262 IN THE AMOUNT
OF $462, 594 . 38 THIS 12TH DAY OF Ar,RIL 1982•
-4 ?1
A <3774F-00
MEMBER .�
COMMITTEE CHAIRMAN ' ' -
L.I.D.#314, MEMBER J• �z ' • Ni
REVENUE WARRANT NO.#R-14 $ 61.88
L.I.D.#321,
REVENUE WARRANT NO.#R- 4 $19,079.92
(41j.,
0)111 %;A "')
u '
�d5 '/
DATE: March 16 , 1982 RfgggilVign
MAR 17 1982
TO: Mark E. Barber WARREN&KELLO
Warren & KelloggBY
GCS
100 South Second Street
Renton, Washington 98057
IN RE: Playtime Theaters vs. The City of Renton
CAUSE NO: C 82 59 M •
DEPOSITION OF: David R. Clemens, Vol.' I & II
Per our arrangement at the time of the taking. of the
above deposition, I am enclosing with your copy of the
transcript the original signature page and some
correction sheets.
Please have the deponent review your copy of the
deposition, sign the correction sheet and the signature
page and have the latter notarized.
Please return the signed sheets promptly to me so that
I may enclose them in the original deposition and file
same with the Clerk of the Court.
•
Thank you for your assistance in obtaining signature.
•
Very truly yours,
Pe itchell, RPR
BURT , WILKERSON & PHELPS, INC.
Reaistered Professional Reporters
1206 Bank of California Center
Seattle, Washington 98164
(206) 623-7178
cc: Jack R. Burns ;
Reporter File
91
1 CERTIFICATE
2 STATE OF WASHINGTON)
) ss
3 COUNTY OF KING )
41 I, the undersigned Notary Public in and for the
5 State of Washington, do hereby certify:
6 That the annexed and foregoing deposition of
7' each witness named herein was taken stenographically
8 before .me and reduced to typewriting under my direction;
9 I further certify that each said witness
10' examined, read and signed his deposition after the same
11' was transcribed, unless indicated in the record that the
121. parties and each witness waive the signing;
13 . I further certify that all objections made at
14, the time of said examination to my qualifications or the
15 manner of taking each deposition, or to the conduct of any
16 party, have been noted by me upon each said deposition;
17 I further certify that I am not a relative or
18 employee or attorney or counsel of any of the parties to
191 said action, or a relative or employee of any such
20, attorney or counsel, and that I am not financially
21, interested in the said action or the outcome thereof ;
22, I further certify that each witness before
23, examination was by me duly sworn to testify the truth, the
24; whole truth and nothing but the truth;
25 I further certify that the deposition, as
92
1 transcribed, is a full, true and correct transcript of the
2 testimony, including questions and answers , and all
3 objections, motions and exceptions of counsel made and
4 taken at the time of the. foregoing examination;
5 I further certify that I am sealing the
6 deposition in an envelope with the title of the above
7 cause thereon, and marked "Deposition" with the name of
8 • each witness , and promptly delivering the same to the
9 Clerk of the above-entitled Court; .
1�0 IN WITNESS WHEREOF, I have hereunto set my hand
11 and affixed my official seal this day of
12 19
N. 13
14
15 Notary Public in the
State of Washington, residing
16 at Seattle.
17
18
19
20
21
22
23
24
25
R.J
UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT
OF WASHINGTON
PLAYTIME THEATERS, INC. , a )
Washington corporation, and 1
KUKIO BAY PROPERTIES, INC. , 1 .
a Washington corporation )
)
Plaintiff, )
vs. ) No. C 82-59 M
)
THE CITY OF RENTON, and THE )
HONORABLE BARBARA Y. SHINPOCH, )
as. Mayor of the City of Renton )
and EARL CLYMER, RO,BERT HUGHES, )
NANCY MATHEWS, JOHN REED, RANDY )
ROCKHILL, RICHARD STREDICKE )
and TOM TRIMM, as members of )
the City Council of the City 1
of Renton; Served on DELORES )
A. MEAD, City Clerk and )
JIM BOURASA, as Acting Chief of )
Police of the City of Renton, 1
Defendants , )
jointly and severally, in their )
representative capacities only ' 1
DEPOSITION UPON ORAL EXAMINATION OF
DAVID R. CLEMENS, Volume I
Taken at Renton City Hall , Renton Washington
DATE TAKEN: March 3 , 1982
COURT REPORTER: PEGGY MITCHELL, RPR
BURTON, WILKERSON F, PHELPS, INC.
REGISTERED PROFESSIONAL REPORTERS
1206 BANK OF CALIFORNIA CENTER
SEATTLE, WASHINGTON 98164
(206) 623-7178 . .
•
- i
APPEARANCES
For the Plaintiffs: .JACK. R. BURNS
Hu'hhard , Burns R Meyer
10604 NE 3Rth Place
Kirkland, Washington 08033
For the Defendants : DAN'TEL KELLOGG
MARE E. BARBER
Warren FT Ke1 los?a,, P. S.
100 South Second Street
Renton , Washington 0ROS7
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Also present : Ron Nelson
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INDEX
ATTORNEY EXAMINATION
Mr. Burns pg• 2.
EXHIBITS
NO. DESCRIPTION MARKED
• 1 Map pg, 89
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W.
1 RENTON, WASHTNGTON; WEDNESDAY, MARCH 3 , 1987
2 1 :00 p.m.
3
4 DAVID R. CLEMENS having been duly sworn , was examined
5 and testified as follows :
6 -
7 EXAMINATION
'8 BY MR. BURNS :
,9 Q This is a deposition of David Clemens being taken
1.0 pursuant to notice and a subpoena; as well ,
11 Mr. Clemens as been designated by the City of, Renton
12 to testify with respect to certain matters relating
13 to the zoning laws of the City of Renton and the
14 building requirements relative to the construction of
!1S theaters within the corporate limits of the City of
16 Renton, and pursuant to the Rules of Federal
17 Procedure .
18 Mr. Clemens , would you state your name and
.19 address for the record, please?
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120 A David R. Clemens . 200 Mill Avenue South, Renton ,
21 Washington. 98055 .
22 Q And are you married, Mr. Clemens?
23 A Yes , I am. •
24 Q Do you have any children? . .
25 A No.
•
3
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1 Q And how old are you?
2 A 36 .
3 Q What 's your educational background , sir?
4 A I have a Bachelor of Science degree in industrial
5 design from San Jose State University. Post
6 graduate certificate in city and regional planning
7 from the University of California at Berkley.
•
• '8 Q That 's a post graduate certificate?
.9 A Certificate.
10 Q What kind of course of study is required to get that
• 11 post graduate certificate?
12 A There are four, core courses administered by the
13 university, followed by two elective courses at any
14 other accredited university, followed by the receipt
15 of a certificate.
lh Q Ts that somet' inp. 1 he a masters Degree or is it
17 something else? • •
18 A It would fall somewhere between a Bachelors and a
19 Masters Degree. It is not a full Fasters Degree.
20 Q Do you have any other educational or rave you
21 i attended any other educational institute doing post
22 graduate work?
23 A No. •
24 Q And when did you complete this nost graduate
J' 25 certificate program at the University of California ?
4
]. A I believe it was in August of 1974 .
2 Q Thereafter , did you seek employment in the job
3; market?
4 A I was previously employed in the job market since
5 1971 .
6 Q Where was that?
1
7 A City of Milpitas , M- I-L-P-I-T-A-S, California.
8 Q And when did you leave the City of Milpitas?
9 A In August of 1978 .
10 Q ' And during the time that you were employed by that
11 city, what positions did you hold?
12 A Virtually all positions within the City's Planning
1.3 Department ending with four years as principal
1;4 planner for the City, of Milpitas , that would he the
15 person in charge of the planning section of the
16 _ Community Development Department of the city.
17 Q And after August of '7R, where did you go?
18 A City of Renton .
19 Q Have you been employer' by the City of Renton since
20 that time continuously?
21 A That 's correct .
22 Q And what positions have you held at the City of
23 • Renton?
• i
24 A Assistant planner , associate planner , senior planner ,
25 acting planning director and policy development
5
1 director .
2 . Q Now, during what period of time did you hold the job
3 as assistant planner?
4 A I believe from September of '78 through the spring of
5 1979. Would have been April or May approximately.
6 Q . In general terms , what were your duties as an
7 assistant planner?
8 A As assistant planner , I was responsible for zoning
•
9 enforcement and interpretation for the City of Renton. . �
10 Q • In connection with that , would you review every
• I
11 building permit or application to determine whether
12 it complied with the zoning laws .and things of that •
1.3 1 nature?
i
14 A That 's correct .
15 Q As an associate planner , what were your -- strike
• 16 that .
17 How long were you associate planner?
18 I A I believe it was a period of about two months ,
10 I transition between assistant planner and_ senior
planner.
21 Q How did your duties vary as associate planner?
7? A No change.
23 Q Distinction without a difference?
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14 I A Simply different title for doing the same work .
• 25 Q As a senior --when did you become a senior planner?
(
1 A I believe it was roughly mid year of 1979. June or
2 July.
3 Q What were your duties as a senior planner?
4 A As senior planner , I was responsible for
5 comprehensive planning for the City of Renton ,
6 development of the comprehensive plan, working. with
7 the planning commission in development of plans and
implementing policies . •
9 Q When did you become the acting planning director?
10 A January of 1980. I am sorry. January of 1981 .
11 Missed a year .
12. Q So for approximately a year and a half, you were a
t ' 13 senior planner and then you became the acting
111 planning director . .
15 A That 's correct .
16 Q I take it the planning director had left .
17 A Yes .
18 Q And who was the planning director just prior to your
19 becoming acting planning director?
20 A Gordon Y. Erickson , S-O-N.
21 Q And was he generally Your supervisor while you were
'2 associate planner , senior planner?
23 A That 's correct .
Q And when did you become policy development director?
2S A December 1st of 1981 .
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1 -
7
1 Q Was there a policy development director prior to
2 December 1 of 1981 ?
3 A No.
4 Q So it is a newly created position?
5 A That 's correct .
6 Q Is it -- there now a planning director or is it a
7 combined function?
8 A There is no planning director . The typical zoning
enforcement adMinistrations functions are now in the
10 combined building and zoning department . The policy
11 development department is almost exclusively involved
12 now in long-range planning and policy development .
13 Q So as planning director , did you deal with building
14 and zoning enforcement?
15 A Yes .
16 Q And now as policy development director , your duties
17 have changed somewhat ?
1.8 A To emphasize comprehensive planning rather than
19 individual permit review and administration.
20 Q Is there someone who is in charge of zoning at this
21 particular time, zoning enforcement and review?
22 A The department head would he Mr . Ron Nelson , building
23 director .
24 Q That is the gentleman seated down here at the end of
25 the table?
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1 A That 's correct .
2 Q Are you generally his supervisor? ,
3 A No. We are mutual exclusive department heads .
4 Q In the chain of command , you go down one branch and
5 he goes down a different branch somewhere and you
6 both have a supervisor that 's above you somewhere
7 along the line.
8 A That would he the Mayor.
9 Q So you are responsible -- are you directly
10 responsible to the Mayor?
11 A Yes .
12 Q And the Mayor is your immediate supervisor?
13 A That 's correct .
14 Q And would the same he true of Mr. Nelson?
15 A Yes .
16 Q Now, you were asked to bring with you certain
17 documents or -- strike that .
118 You were served with a subpoena duces
1,9 tecum? -
2D A Yes .
21 Q You were asked to bring with you certain documents
2.2 and you have brought those documents with you or are
23 they in the packet of materials that were supplied to
24 me?
2.5 A In the packet of materials supplied.
9
1 Q So any summary of findings or conclusions relative to
2 the zoning regulation of adult theaters in the City
3 of Seattle?
4 A Those are contained in those documents .
'5 Q And all material regarding the regulation of adult
6 businesses reviewed or considered by you or your
7 staff prior to the adoption of this Ordinance are in
8 these materials?
9 A I believe those are one and the same.
10 Q And all other materials used by you in reviewing
11 locational problems associated with adult businesses
12 and used by you in advising the City Council -planning
13 staff or planning development committee of the City
14 of Renton prior to or during the adoption of this
15 Ordinance are in these materials?
16 A That 's correct ,. I believe they are the same. -
17 Q And you have available to you somewhere here today
18 all detailed maps , drawings or photographs prepared
19 by you which show those portions of the City which
20 are not subject to the locational restrictions of the •
21. Ordinance?
22 A May. The map that was prepared during the time of
23 the Ordinance adoption was destroyed shortly after
24 the - - shortly after or at the same time as the
25 ', . adoption took place, so the original maps are not
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1 available.
2 Q Do you have any maps available today that you are
3 currently using?
4 A The map within the affidavit is available that was in
5 the previous testimony and we have prepared maps for
6 the City Attorneys office at their request .
7 Q Now, there is -- I had asked that you bring with you
8 a comprehensive report from the City Attorneys
9 identified in your affidavit relating to the proper
10 scope of land use, regulations and experience from
11 other cities and your attorneys have objected to that
12 document . Are you familiar with that document?
13 A I have read it .
14 Q And when did you first see that document?
15 A I can't give you a precise date, but it would have
16 been a period of probably two to three months prior
17 to the adoption of the Ordinance.
18 Q Do you recall who the document was athiressed to?
19 A No, sir, I don 't .
20 Q Who gave you the document ?
21. A To the best of my recollection, it came through the
22 City's normal routing system in an envelope marked.
23 "confidential ." I do not recall whether that was
24 from the Mayor 's office or from the attorneys
25 office.
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1 Q. And when you received that document , were you the
2 acting planning director , senior planner , associate
3 planner or assistant planner?
4 A I am not positive. I don 't recall precisely. It
5 could have been while I was still a senior planner. I
6 don't recall precisely.
7 Q When you say it came through the normal routing
8 channels or routing system, what is that system?
9 A City has •seriet of mailboxes in the printshop area
10 for each of the departments , and the section or
11 clerical staff make pickup and deliveries from that
. 12 facility.
13 Q And was this a document that was just left in a box
14 with your name on it?
15 A I don't recall precisely what the envelope looked
16, like. The only thing I recall for sure is that it
17 did say "confidential" on it and it was sealed.
18 Q Did you -- I take it you opened that and examined it ?
19 A Yes .
20 Q Did you show the document to anyone? i
21 A I assume that it was reviewed by both myself and
22 staff people working for me.
23 Q And who were those staff people?
24 A At that time it probably would have been Gene
25 Williams , or Roger Bloylock. B-L-O-Y- L-O-C-K.
12
1 Q Did you discuss the contents of the letter or the
2 report with anyone?
3 A Probably with those two staff people. And if -- if I
4 was still senior planner at that time, also with
5 Mr. Erickson. As I say, I don't recall at the moment
6 that I received it whether it -- I was senior planner
7 or acting director at that time.
8 Q Was that or -- strike that .
9 ; You were in attendance at all City Council
10 meetings, planning committee meetings and planning.
11 , commission meetings involving the adoption of .
12 Ordinance No. 3526, were you not?
13 . A City Council committees and council meetings . I was
14 not involved in the prior discussion that was held
15 with the planning commission. Mr. Erickson was
16 directly responsible for that .,
17 Q Did - - was this report that we are referring to from.
18 the attorneys , was that ever discussed or referred to
19 at any of the meetings that you attended?
20 A It was discussed at the planning and development
21 committee. I do not recall whether it was discussed
22 on the floor of the City Council .
23 Q And was that planning development committee meeting a
24 public meeting?
25 A Yes, it was .
13
1 Q And could you recall for me the best you can the
2 context of the discussion about that document and
3 what was said and by whom?
4 A To the best of my recollection, the assistant city
5 attorney, Mr. Kellogg, was discussing the
6 difficulties in drafting and ultimately enforcing
7 regulations on adult entertainment land uses .
8 Q Was he, in effect , reading from his report?
9 MR. BARBER: Object to the form of the
10 question. ,Go ahead.
11 A He may have read excerpts from it . He did not read
12 the -- its entirety. I would say that he probably
13 summarized the key points .
14 BY MR. BURNS:
15 Q Do you recall any other occasion that that document
16 was discussed in a public meeting?
17 • A No.
18 MR. BURNS: Counsel , based on this
19 testimony, it appears whatever confidentiality may
20 have been attached to that document was waived by
21 excerpts of it being read and it 's contents being
22 discussed at a public meeting, and so I would request •
23 that it be produced.
24 MR. BARBER: Well , we disagree that there
25 were necessarily excerpts of that report read at the
14
1 public hearing. And we will assert the privilege.
2' Feel it is clearly covered by attorney-client
3, privilege that it was transmitted among the City, as
4 testimony has indicated, to various city employees in
5 a confidential -- an envelope marked "confidential"
6 and we think it is clear it is covered by the
7 attorney-client privilege. We will not produce it
8 voluntarily.
9 MR. BURNS: I didn 't expect you would.
10 BY MR.. BURNS:
11 Q . Mr. Clemens , at that planning and development
12 committee meeting, are any transcripts kept of those
i 13 meetings? .
14 A No.
15, Q Any public record kept of those meetings?
16' A To the best of my recollection, there may have been
17 notes prepared by myself, by the Council members that
18 . were present , possibly by the attorneys office , hut
19 no formal record in the form of minutes or similar
20 document has been prepared or was prepared.
21 Q There are no tape recordings or videotapes or any of- -
22 A No, no, sir .
23 Q As far as that .
24 Mr. Clemens , in your capacity as senior
25 planner, acting planning director and now director of
\ 411111111
15
1 policy development , are you aware of any documents ✓
2 that exist within the official records of the Redmond
3 or any of its agencies which would relate to the
4 passage of Ordinance No. 3526 which have not been
5 produced today in the packets that counsel gave me
6 when we began?
7 A Not to the best of my knowledge.
8 Q So to the best of your knowledge, there is nothing
9 other than what is in these packets that would exist
10 that would relate to this Ordinance; is that what
11 you said?
12 A That 's correct .
13 Q And have you had an opportunity to search and review
14 all the records in coming to that conclusion?
15 A Yes .
16 Q Mr. Clemens , for the purposes of a preliminary
17 injunction hearing, you prepared an affidavit to
18 which was attached a map. Do you recall that
19 affidavit and the map?
20 A Yes , I do.
21. Q On that map, certain areas were identified by you as
22 being locations where Ordinance No. 3526 does not
23 apply. Are you familiar with the way you had labeled
24 that map?
25 A That ' s correct . .
lh
1 Q For the purposes of our discussions today and
2 tomorrow, are there -- are these areas that were
3 marked on that map the only areas where Ordinance
4 No. 3526 does not apply?
5 A To the best of my knowledge, that 's correct .
6 Q So you have not , since this original affidavit,
7 discovered other areas that may he of concern to us .
8 A No.
9 Q Now, for the purposes of our discussion today, I have
10 put on the hulliten board here a map which is
11 entitled "A Zoning Map of the City of Renton" with a
12 date -- effective date of June 19, 1981. Are you
13 familiar with that map? •
14 A Yes, sir, I am.
15 Q And is that identical in major terms to the map which
16 was attached to your affidavit?
17 A Yes .
18 Q And is this the current zoning map in effect for the
19 City of Renton? -
20 A There may have been revisions since that time, but
21 none of substance that would affect this Ordinance,
22 to the best of my knowledge.
23 Q Now, are the zones indicated on this map the current
24 zones -- strike that .
25 I have marked certain areas on this map in
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1 red. And let me label them as 1 , 2, 3, 4, and S.
2 Without getting into the exact detail of the
3 locations, are those five areas the general areas
4 that are marked on your map?
5 A That 's correct .
6 Q Now, are those areas also currently zoned as
7 indicated on this map?
8 A Yes , to the best of my knowledge they are.
9 Q So for Area 1 , 'we are talking about an H-1 zone?
10 A That 's correct .
11. Q For Area 2 , we are talking about, I guess , a G zone?
12 A I believe there may be some light industrial in
13 there. We have done some.
14 Q Down in this area?
15 A Yes.
16 Q And in Area 3 , we are talking about probably a M-P
17 zone?
18 A Correct .
19 Q For Area 4 , we are talking about a 8-1 down to a M-P`.-:
20 and maybe a G?
1
21 A Correct .
22 Q And for' Area No. 5 , we are talking about M-P, H-1 ,
23 L-1 and may be a little G; is that correct?
24 A That 's correct .
25 Q Now, for the purposes of our discussion today, could :`, •
{ 18
1 you come over here and mark on this bigger scale map,
2 to the best of your ability, the exact boundaries of •
3 the areas identified on your map?
4 MR. BARBER: We will object to that . If
5 you want to ask Mr. Clemens questions and have him
6 answer referring to the map, that 's fine, but we will
7 not -- we will direct him not to step to the map and
8 to mark upon it .
i 1
9 MR. BURNS: Why'?
10 MR. BARBER: Purpose of the deposition is
11 to examine him orally.
12 MR. BURNS: Well , Mr. . -- he can --
13 BY MR. BURNS:
14 Q Mr. Clemens , with regard to this area that I have
15 marked as No. 2, which is shown on your map, how far
16 to the north on this map does it extend?
17 A The area in question in Area No. 2 in all probability
18 does not exist due to the Section, I believe it is
19 2 of the Ordinance. Let me check the precise
20 language. I am sorry, Section B.
21 Q . Section B of what? •
22 A It is Section 4-735 (B) , which is the codification of
23 -- in Ordinance 3526 . 4 "
24 Q Is it your testimony today then that the area marked
25 as No. 2 on this map is not an available location
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1 pursuant to Ordinance No. 3526?
2 A I believe that to he the case.
3 Q So in terms of the words used . on your map, which was
4 attached to your affidavit , Ordinance No. 3526 would
5 apply in that area.
6 A That 's correct .
7 (Discussion off the record)
8 BY MR. BURNS:
9 Q And going a step further so that i.t is absolutely
10 crystal clear what your testimony is, if I wanted to
11 locate an adult theater in this area marked roughly
12 by. Exhibit 2 or by No. 2 on this map, under the
13 provisions of -- in Ordinance No. 3526 , I could not
14 do so?
15 A I believe that would be the case.
16 Q Now--
1.7 A Can I have just a second?
18 Q Sure.
19 (Discussion off the record)
20 BY MR. BURNS:
21 Q Is there anything you want to add to your answer?
22 A No.
23 Q . Now, we indicated or you previously testified that
24 . some of Area 2 may be covered - by the designation L-1. .
25 Were you referring to the area down within the
20
l intersection of these railroad tracks?
2 A . Yes .
3 Q Is this whole area shown by No. 2 on this map and
4 what_ is an attempt to approximate the area shown on
5 your map, is that whole area unavailable for use as
6 an adult theater or is there some area that extends
7 down into the junction of the railroad tracks that ,
8 may be available?
9 A There may be. ' I do not recall at the present time
10 whether the mapping that we prepared for the
11 Attorneys office includes a parcel within that area
12 or not .
13 Q So there may he a parcel within the junction of these
14 railroad tracks which is available.
15 A _ It is possible. .
1.6 Q Now, let me label that on the map as No. 6 . And you
17 see where I put the No. 6?
18 A Yes .
19 Q And let me draw boundaries around it . Is that the
20 area where you're now indicating that there may he a
21 possible location but you're not sure?
22 A Either in that precise location or immediately
23 adjacent to the south or west .
24 Q Immediately adjacent to the south or west : Could you
F 25 come over here and point where you're referring to?
21
1 A I believe if you simply extend the No. 6 that you
2 have there slightly east and west from that location,
3 that there may be a parcel in there that would apply.
4 Q Do you mean in this direction or towards this river?
S A Yes. Westerly from. the 6 towards the river.
6 Q And easterly over into this direction.
7 A In that general area there may he, but my
8 recollection is not crystal clear.
9 Q Now, the area that we have designated with a No. 3 ,
10 is that area, as I marked it on this map, a correct
11 representation of the area shown on your map?
12 A It may be a little bit small , but it is essentially
{ 13 the correct geographical location..
14 Q And could you tell me if there are any streets that
15 hound that particular location so that we can
16 identify it with particularity?
17 A I believe the location is illustrated on the exhibit
18 contained in my affidavit adjoiner -Powell Avenue
19 Southwest . .
20 Q And is Powell Southwest on its easterly side or is
21 that on its southeasterly side?
2.2' A It would be on its easterly side.
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23 Q Can you tell me what the approximate area of that
24 location is in gross square feet?
25 MR. BARBER: If you know.
IIJ 22
1 A I have never measured it precisely, hut it would he
2 . several acres in size.
3 BY MR. BURNS:
4 Q The area shown on your map is several acres in size?
5 A That is correct .
6 Q . Now, the area shown by No. 4, I don't believe that
7 this map correctly depicts it. Does that area extend
8 more down like this?
9 A That 's correct:
10 Q It includes, all the way to the corporate limits of
11 Tukwila that are shown on this map?
12 A That 's correct .
i 13 Q And otherwise is it approximate within reason the
14 area shown on your map?
15 A Yes, it does .
16 Q Does it extend any further to the north?
17 A I .don't believe that it does . Without reviewing the
18 maps we prepared for the attorneys office, I. couldn 't
19 say precisely, hut that appears to he generally the
20 area illustrated on this map.
21 Q Now, generally, this area you are aware is owned by
22 the Longacres Racetrack or whoever owns that
23 particular property; is that not correct?
24 A Yes , the majority of that is .
25 Q Now, all of this , is there any of this area
t 23
1 designated by No. 4 which is outside the Longacres
2 Racetrack complex that you know of?
3 A I am not aware of the condition of the area shown on
4 the map and designated with the zoning symbol G.
5 Q Down here at the bottom?
6 A The southerly piece. I am not aware whether that is
7 specifically a part of t� Longacres complex or not .
8 Q Now, with particular or drawing your attention
9 particularly to the area on the east of Area No. 4 ,
10 which appears to come out to the point on your map,
11 do you see where I am referring to?
12 A Yes .
13 Q And I will mark that with an A so that we know what
14 we are referring to.
15 Does any of that property extend or does
16 that point extend beyond the Longacres Racetrack
17 , property, to your knowledge?
18 A I don 't recollect the dimensions illustrated in the
19 map we prepared for the Attorneys office. I believe
20 that it is generally coterminous with the easterly
21 property line of the racetrack.
22 Q And by that you mean it is all within the boundaries
23 of the racetrack property?
24 A To the best of my recollection.
25 Q Now, who within the City of Renton's structure is
24
1 responsible for making the determination of these
2 exact boundaries?
3 A It would he our office in conjunction with the
4 building and zoning department to prepare an analysis
5 of whether a particular parcel was within or without
6 the regulations.
7 Q So it would be your responsibility and Mr. Nelson,
8 who is sitting at the end of the table.
9 A Yes .
10 Q And you have made a determination as to the exact
11 location of this easterly point in your. capacity? ✓
12 A For the purposes of review by the City Council .
13 Q For the purpose of review by the City Council .
14 A No. The City Attorneys office, I 'm sorry.
15 Q But that 's your responsibility to do that , is it not ,
16 if somebody were asked to do that?
17 A Yes .
18 Q And you have done that .
19 A That is correct .
20 Q Could I see a copy of that?
21 MR. BARBER: I object on the ground it is
22 work product .
23 MR. BURNS: This is the gentleman who has
24 got to make the determination. I want to know where
25 the boundaries are and you are telling me you aren 't
1
25
1 going to tell me where the boundaries are, you 're
2 going to keep it a secret?
3 MR. BARBER: I am telling you he prepared
4 a map for the City Attorneys office at his counsel ' s
5 request and that that was in anticipation after this
6 litigation was started and it is work product .
7 BY MR. BURNS:
8 Q Well , will you prepare for me, will you as the
9 responsible city official for determining,
10 Mr. Clemens , the exact location of these boundaries
11 and as the person who is responsible for making that
12 determination, will you determine for me the exact
13 easterly boundary of this area shown on your map?
14 A If the Attorneys office advises that we can, we
15 would.
16 (Discussion off the record)
17 MR. BURNS: Will you ask hi.m to do that or
18 will you provide for me the exact location of this
19 easterly boundary here?
20 MR. BARBER: We will not provide the map
21 that we previously obtained on the ground it was
22 privileged. If you wish to ask Mr. Clemens questions
23 to ascertain the extent of his knowledge as to the
24 easterly boundary, you may do so during this
25 deposition.
26
1 MR. BURNS: Let me ask it once again,
2 Mr. Clemens . -
3 BY MR. BURNS:
4 Q Does any of this property shown by No. 4 and
5 particularly the point identified by A extend beyond
6 the boundaries of the property owned by Longacres , a
7 definite yes or a no?
8 A I can't give you a definite yes or no.
9 Q But you have mapped that out for the City Attorneys .
10 A That 's correct .
11 Q And they know one way or another whether it extends
12 beyond or not.
13 MR. BARBER: I object to that question.
14 Don't answer.
15 BY MR. BURNS:
16 Q But you have mapped that out for the City Attorneys?
17 A Yes .
18 Q And why can 't you tell me or give me an answer to
19 that today?
20 A The information that would be necessaryto determine
21 it is in the material that we prepared for the
22 Attorneys office. I do not have in my head every
23 parcel that is zoned or contains a single family use
24 or is within the other prescribed limits of the
25 Ordinance.
•
27
1 Q Then to the best of your recollection, to the best of
2 your knowledge, that property is all within the
3 limitations of the Longacres property, subject to
4 review of that material that you have prepared for
5 the City Attorneys?
6 A Yes .
7 Q Is that material available to you? .
8 A . Yes , I assume so.
9 Q And could you review it and have an answer for me
10 tomorrow when we continue this deposition as to
11 whether or not that property is within the limits of
12 Longacres or not?
13 MR. BARBER: He has already given his
14 answer.. We would object to that .
15 MR. BURNS: I want the record to reflect
16 that Counsel for the City shook his head and
17 indicated that he would not allow Mr. Clemens to
18 review that material over the evening recess and have
19 a complete answer for me tomorrow.
20 BY MR. BURNS:
21 Q . Mr. Clemens, the area that I have identified with a
22 No. 5 , is this area roughly the same as the area
23 shown on your map attached to your affidavit?
24 A With the exception of I believe it is -- has slightly
25 more east and northerly tilt . It is generally as
410 410
yi 28
1 depicted.
2 Q When you say easterly, would you mean more in this
3 direction?
4 A That 's correct.
5 Q And how far to the east would it go with my pencil ,
6 over to approximately here?
7 A I cannot say precisely without reviewing the material
8 prepared for the Attorney office .
9 Q And that 's all in the City Attorneys office?
10 A That 's correct. .
11 Q Let me draw a line there just to approximate more to
12 the east. When you say to the northeast, you mean -
r
1.3 there is a general slope in that direction?
14 A That 's correct.
15 Q Let me draw that on the map. Now generally does that
16 area identified by the No. 5 generally depict the
17 area shown on your map?
18 A Yes , it does .
1.9 Q Now, do you know how far east from I guess it is - -
20 Interurban Avenue, this non- included area extends?
21 A I believe it extends slightly further east than that
22 depicted on the map, hut , again, I cannot give you a
23 precise boundary, but I believe it is a slightly
24 larger area than you have illustrated in that Area S .
25 Q Would it extend out as far as the L-1 , area that ' s
t 29
1 zoned L-1 as depicted by this map?
2 A I believe it extends into -- slightly into the M-P
3 designated area, which is east of the L-1 parcel
4 , you have identified.
5 Q Would extend even further out into here; is that
6 correct?
7 A Yes.
8 MR. BURNS: And I take it , counsel , you are
9 not going to let him review his notes and materials
10 and make the exact boundaries of these included areas
11 available to me tomorrow when we continue this
12 deposition?
13 MR. BARBER: We are not going to let you,
14 in essence, get into our file through information
15 that we are claiming work-product information on.
16 MR. BURNS: I don 't want to look at the
17 file. I want to ask the City of Renton what areas
18 are covered by the Ordinance and what other areas
19 . . are not . -
20 MR. BARBER: Ask him the questions and he
21 will respond.
22 MR. BURNS: He is telling me he can't
23 respond, counsel.
24 MR. BARBER: You have got his testimony.
25 MR. BURNS: Okay.
30
kJ
1 BY MR. BURNS:
2 Q Mr. Clemens , I have redrawn the non-covered portion
3 to extend into the M-P area and marked it with a
4 letter B, does that approximate the non-covered area
5 that you are generally aware of?
6 A Yes , that would he approximately my best recollection
7 at this time.
8 Q So we are clear, we have talked about five areas , we
9 have specifically discussed Areas 2 , 3, 4 , and 5 and
10 it is your testimony that Area 2 is generally not
11 available, so Areas 3, 4, and 5 as we have discussed
12 are the areas of the City of Renton where Ordinance
13 No. 3526 does not apply and in which an adult motion
14 picture theater could be potentially located; is that
15 your testimony?
16 A The testimony was that the areas that you have
17 depicted depict the areas on the map contained within
18 my affidavit . The areas that you have designated as ,
19 I believe it is 4, that area, that 's correct , in all
20 probability is within the area restrictions of
21 Ordinance 3526 .
22 Q What do you mean, it is within the area of
23 restrictions? You mean you could not locate an adult
24 theater there?
25 A That 's correct .
31
1 Q So the area designated by the 4, you could not locate
2 an adult_ theater; is that right , is that what you are
3 telling me today?
4 A I believe that 's correct .
S Q So we can eliminate the whole. Longacre site; is that
6 a fair statement of your testimony?
7 A . Yes.
8 Q So let me ask about area No. 3 . Is that available to
9 locate an adult motion picture theater?
10 A It would be available if the plat currently before
11 the City of Renton is recorded. In the present
12 unsubdivided nature of the parcel, I believe it would
13 not be available.
14 Q How about this potential area No. 6 that we
15 identified, would that he available or unavailable?
16 A To the best of my recollection, I believe that there
17 • is a parcel within that area, but I cannot tell you
18 precisely.
19 Q Now, Area No. 5 , this area to the south ,down here
20 that we have talked about, is that area generally
21 available?
22 A Substantial portions of that area are available.
23 There are parcels of property within that area which
24 would not he available.
C 25 Q Perhaps you could describe for me generally those
32
1 areas within No. 5 which are not available. And I
2 will try to mark them on the map as we go.
3 A I don't recall -- I don'.t recollect precisely, but I
4 believe the parcels in question are the parcels at
5 the perimeter in particular of the northeast.
6 Q When you say northeast , you're talking about where,
7 generally here?
8 A Generally in those -- generally in the northern half
9 of the area that you just swept .
10 Q In the northern half of this area.
11 A Correct .
12 . Q You mean the lines should be up a little closer or
r
13 are you saying the lines should go like this?
14 A The line -- the line of actual area would be more
15 southerly and westerly from that line.
16 Q And by "that line" we are talking about this slanted
17 line?
18 A That 's correct .
19 Q Would be more. to the south, this direction, and more
20 to the west?
21 A That's correct .
22 Q Now, I am going to, just for the purposes of trying
23 to map these out , if I did it like this, would that
24 he approximately? I don 't want a map -- Counsel. , can
25 he come over to draw on the map just to ease this
33
]. whole thing rather than me guess where he is talking
2 about?
3 MR. BARBER: I object to that .
4 BY MR. BURNS:
5 Q Well , why don 't you -- let 's go through it this way
6 then, Mr. Clemens. Is that the approximate line you
7 would draw?
8 A My recollection is that the line runs generally in a
9 north-south direction in the area in the vicinity of
10 the symbol M-P. Extends southerly and then extends
11 easterly approximately at the point of the line that
12 you had previously drawn and illustrated with a
13 crosshatching.
14 Q I didn't understand that . Could you point out to me
15 without drawing on my map which area you're talking
16 about?
17 A If you start at the M-P symbol .
18 Q Right here.
19 A And extend southerly to the crosshatched area, that
20 would be approximately the area that would he deleted.
21. Q Start from the center of the M-P or out by the P or
22 out by the M?
23 A I don't recall precisely. I would say probably
24 somewhere in the middle.
25 Q Let me go from the middle down to here. Now you're
34
1. saying that from that portion to the -- would this
2 square be the excluded part?
3 A No. I believe the exclusion is eas.t of that line.
4 Q So this triangular piece in here; is that right?
5 A To the best of my recollection.
6 Q Now let me outline that in black and we will give it
•
7 a number, or letter. I have outlined it in black and
8 labeled it with a C in black. Is that generally the
9 area that you were talking about?
10 A Generally speaking.
11 Q Are there other areas within 5 which are not
12 available for location for an adult theater?
13 A I believe if you create another area extending
14 westerly from the M-P designation and extending
15 westerly to the separation, the line separating the
16 M-P and H-1 zoned area and exclude the area to the
17 north, that would he another area of exclusion.
18 Q Let me just go through it here. If I drew a line
19 like this, the area to the north would be excluded?
20 A I believe the line would be higher than that , but
21 that for illustrative purposes that 's probably close
22 enough.
23 Q If I started approximately here, would that be an
24 appropriate place to start?
25 A I can't precisely tell you the exact location, hut
35
1 generally in that vicinity.
2 Q And I drew it parallel or due west over the -- to the
3 line that separates the M-P from the H?
4 A Yes .
5 Q And then I go north and create another triangular
6 piece of property?
7 A That's correct .
8 Q And that 's as I have marked it in black and given the
9 symbol D, is that the area that you were generally
10 describing?
11 A Yes.
12 Q And that area is also not available.
( 13 . A An area generally of that illustrative shape, yes .
14 Q Are there any other areas within the area generally
15 marked 5 which is not available?
16 A The parcels that are fronting on Southwest 43rd which
1.7 is the southerly city limit line probably are not.
18 available. I do not recall precisely which of those
19 would not apply. I believe that it extended from the
20 railroad tracks westerly I am sorry, easterly to
21 include the areas designated on the map as the
22 exclusion that we, have already illustrated plus the
23 area that extends up to the middle line between the
24 two H-1 illustrations on the map.
25 Q Let me see if I have you right . You 're saying that
A 36
1 the area up to this line, is that what you are
2 talking about?
3 A Between -- east of the railroad tracks which are
4 designated by the dash line.
5 Q Approximately right here over to a point
6 ' approximately right here and south. to Southwest
7 43rd?
8 A Yes, an area of approximately that area.
9 Q Let me draw that on the map and we will give that a
10 label. That 's an area that starts at this point
11 right here, you see where I am?
12 A Yes .
13 Q And it runs over to approximately this point?
14 A Yes.
15 Q And then south down to 43rd to the intersection -
16 intersected with -the point that we have already
17 identified with a B; is that right?
18 A Yes. That 's to the best of my recollection.
19 Q And let 's call that Area E. Are there any other
20 areas within the area generally numbered 5 which are
21. not available?
22 A To the best of my recollection, that 's approximately
23 the areas remaining. .
24 Q 'Now, does the City of Renton own any property over
25 here in the M-P area that I am pointing to on the far
C
37
1 westerly portion of this property?
2 A Other than city street right-of-way, I am unaware of
3 any property ownerships of the City.
4 Q If it 's determined the City owns any property over
S there, do you have any knowledge of whether or not
6 the City would make that property available for adult
7 theater use?
8 A If the City had property in that area?
9 Q Yes .
10 MR. BARBER: If you know.
11 MR. BURNS: That 's all I asked him.
12 . A I don't know what the Council 's . determination on that
13 would be.
14 BY MR. BURNS:
15 Q Would that be an area that you would get into in
16 terms of your policy development and so on?
17 A It is possible. We would normally he involved in
18 recommendations to the Mayor and Council on use of
19 public property.
20 Q If it turned out you were asked for a recommendation,
21 what would your recommendation he?
22 MR. BARBER: Objection; calls for
23 speculation.
24 MR. BURNS: You can answer it .
25 A I would think- that as the most appropriate land use
3 8 —�
1 for the area that we would not he in favor of use
2 other than an industrial use in that zoning.
3 BY MR. BURNS:
4 Q Mr. Clemens , in your affidavit dated January 27, you
5 indicated that as illustrated on the attached map of
6 the City of Renton, there is approximately 400 acres
7 of Renton within which the City -- within the City of
8 land which does not fall within the locational
9 regulations. Do you recall that statement?
10 A Yes , I do.
11 Q Now, for our purposes , I believe the Court has , at
12 least preliminarily, concluded, and I want you to
13 make the assumption, this property identified in the
14 Boeing site is not available. You know the site I am
15 referring to?
16 A Yes .
17 Q I want you to -- further you have told me that the
18 area No. 2 is not available.
19 A Not in its entirety.
20 Q But we have relabeled it No. 6 .
21 A I 'm sorry.
22 Q The area that has a potential is No. 6 now, isn 't
23 that right?
24 A To the best of my recollection.
/ 25 Q And we know that -- you' have, told me today that
39
1 generally the area identified with No. 4 is not
2 available; you have also told me the significant
3 areas of Area 5 are not available. Have you had an
4 opportunity to recalculate the available acreage of
5 the City of Renton which does not fall. within the
6 locational regulations?
7 A No.
8 MR. BARBER: I object to the form of that
9 question. You may answer.
10 A No, we have not recalculated.
11 BY MR. BURNS:
12 Q Do. you have an estimate based upon your best guess
13 having prepared -- not based upon your best guess ,
14 but based upon having prepared the original acreage
15 calculation and having included in your affidavit of
16 what percentage of that original 400 acres you are
17 not excluding?
18 A it would most certainly he more than half. .T cannot
19 give you a more accurate number than that.
20 Q So you are excluding more than half of the 400 acres
21 now.
22 A That 's--
23 MR. BARBER: Objection; asked and answered.
24. BY MR. BURNS:
( 25 Q So we are talking about an area that is something
•4 0
L J
1 less than 200 acres. available to locate an adult
2 . theater.
3 A Yes .
4 Q Mr. Clemens , are you generally familiar' with the
5 legislative history of the Ordinance No. 3526?
6 A Yes .
7 Q Did you participate in the legislative process
8 ' throughout its occurrence?.
9 MR. BARBER: I object to the form of the
10 . ' question. You can answer, if you can.
11 A By participate, you mean was my office in the
12 , discussions that occurred surrounding the Ordinance?
' 13 BY MR. BURNS:
14 Q Yes .
15 A Yes, we were.
16 Q Were you present at the City Council meeting on June
17 23, 1980 wherein the Renton City Council undertook
18 to study the subject of adult bookstores , films and
19 novelty shops by referring the matter to the planning
20 and development committee of the City Council?
21 A What date was that?
22 Q June 23 , 1980.
23 A I do not believe that I was present at that Council
24 meeting.
25 Q . You are aware, are you not , that this matter -- the
41
1 Ordinance was referred to the chairman of the
2 planning commission for study, are. you not?
3 A Yes , I am.
4 Q And that matter was referred hack to the City Council
5 without study, was it not?
6 MR. BARBER: I object to the form of the
7 question. Lacks foundation.
8 A . The commission did review the question, and my
9 recollection is that they responded to the Council
10 that they had other more pressing issues that needed
11 resolution.
12 BY MR. BURNS:
13 Q Is there any record that we have here other than
14 those documents that you have given me that would
15 reflect the study that the planning commission gave
16 this 'Ordinance?
17 A I believe the documentation provided includes
18 planning commission minutes on the subject .
19 Q Now, the development and planning committee held
20 public hearings on this matter, did it not , on the
21 matter of Ordinance No. 3526?
22 A No, sir, I believe that they were public meetings .
23 Q Did I make a distinction?
24 A Yes . The distinction is that a public hearing would
25 require legal notice posting and a public meeting
J 42
1 does not.
2 Q Okay. So they had what you refer to as public
3 meetings.
4 A That 's correct.
5 Q And no notice is required to be given of those.
6 A That 's correct.
7 Q And were you in attendance at the public meetings
8 that were held by the planning and development
9 committee?
10 A Subsequent to the action of the planning commission.
11 Q Now, they had a committee meeting scheduled for March
12 5, 1981 , are you aware of that?
i 13 A Yes.
14 Q Did you attend that meeting?
15 A Yes, I did.
16 Q Is it true that the public did not respond to that
17 meeting and it was continued or rescheduled?
18 MR. BARBER: I object to the form of that
19 question.
20 A I believe March 5th was the meeting that we had
21 extensive testimony.
22 BY MR. BURNS:
23 Q Excuse me. Excuse me. On February 9. Was there
24 a meeting of the planning -- just a second here --
r +i 25 let 's go hack a little hit .
43
1 Do you recall when the meetings of the
2 planning development committee were scheduled
3 relative to that Ordinance?
4 A No, sir, I don't have that at my fingertips .
5 Although there were several meetings .
6 Q Do you recall that on -- at the Council meeting on or
7 did you attend the Council meeting on February 9,
8 1981?
9 A I don't recall whether I did or not .
10 Q Do you recall that there was a planning development
11 committee meeting relative to this Ordinance that had
12 to be rescheduled because the public did not respond
13 to the notices?
14 A Yes ._ _ .
15 Q And how many meetings were held by the planning and
1.6 development committee relative to this Ordinance?
17 A I can't say precisely. My recollection is
18 incomplete, but I would say in approximately six;
19 there may have been more.
20 Q And how many of those meetings were public meetings?
21 A Every one.
22 Q Now, on March 5th, 1981 , there was a public meeting,
23 was there not, relative to this Ordinance?
24 A Yes, there was .
C 25 Q And there was public testimony at that meeting or
IL
44
J
1 public comment at that meeting?
2 A Yes, there was .
3 Q And is that the only meeting where there was public
4 comment about this Ordinance?
5 A No. There were several other meetings of the
6 planning and development committee wheTe members of
7 the public did give testimony.
8 Q Is there any record by tape recording, videotape or
9 minutes of those meetings of the planning and
10 development committee which would describe or detail
11 the comments made by the public relative to Ordinance
12 No. 3526 or whatever it was called in its planning
13 stages?
14 A Not to the best of my knowledge, there were no tapes
15 or minutes .
16 Q Is there any record of the meeting of March 5 , 1981 ?
17 A With the exception of notes which I originally took
18 and I 'm sure other members of the Council took at
19 that time, there is no minutes or recordings that I
20 am aware of.
21 Q Now, your notes and those of the Council are included
22 within the documents that have been provide to me, is
23 that true?
24 A My notes were removed from my file after several
r 25 months after the Ordinance was adopted, since there
45
1 have been no action and my file was eliminated from
2 our working file.
3 Q So we don't have your notes .
4 A No.
5 Q Do we have any notes that are included in these
6 documents?
7 A I don't know. Apparently Mr. Kellogg's notes were --
8 are included in the package.
9 Q Mr. Kellogg's notes , the City Attorneys notes?
10 A That 's correct.
11 Q . Do you have any independent recollection of what was
12 said. by various persons attending that meeting of
13 March 5?
14 A Yes , I recollect the general testimony that. was made
15 and the testimony of several of the citizens is
16 reasonably clear. ',
17 Q Do you have personal knowledge or can you identify
18 the comments of any individual with the name of that
19 individual today?
20 A The two that come to mind are the superintendent of /
21 schools , Mr. Colvice, and I am not sure how you \/
22 spell that , and Mr. K. Johnson, the director of 'the 4"
23 ' Greater Renton Chamber of Commerce.
24 Q Do you remember the names of any other individuals
25 • • that were testifying that you can identify with their
r 46
1 specific comments?
2 A Not to the best of my recollection.
3: Q Did you know any of the other individuals that were
4, testifying other than the school superintendent and
5, Mr. Johnson?
6 A There may have been others that testified that I had
7 either seen or come in contact with previously, but
8' none that I can recall that I had any sort of a close
9 knowledge of.
10' Q Is there any individual or any particular testimony •y
11, that you can recall today that you at that time were
12'' aware that the individual had particular
131 qualifications that made his testimony more than just
141 a personal opinion?
15i MR. BARBER: I object to the form of the
16 ' question.
1.71 MR. BURNS: You understand my question?
18 THE WITNESS: I believe so.
191 A The two people that I have indicated previously
201 particularly stood out as individuals that did have
211 expertise in the area that they were discussing.
22 BY MR. BURNS:
23 Q Do you recall anybody other than these two
24 individuals?
25 ', A Not to the best of my recollection.
1
47
1 Q Now, I recall that you testified about what these
2 individuals said at the temporary restraining order
3 hearing, but I don't happen to recall your testimony
4 with regard to what they said. To the hest of your
5 recollection, can you recount for me what Mr. -- the
6 superintendent of schools said at that hearing?
7 A He was concerned about the impact of adult
8 entertainment land uses on school education -- the
9 school education process and concerned about children
10 walking or being in the vicinity of those types of
111 land uses going and coming from school .
121 Q Did he express anything other than concern by way of
13 factual material which would support the conclusions
14 or concerns that he expressed?
151 A_ I don 't recall any specific items of background that
161 he provided other than his own opinion as an
17 educator.
181 Q So to the best of your recollection, you recall. the
19 superintendent of schools offering an opinion, but
201 you do not at this time recall any facts that he may
21 : have offered in support of that opinion.
22 ' MR. BARBER: Object to the form of the
23 question.
24 A I believe that 's correct .
25 ' BY MR. BURNS:
48
1 Q Now, with respect to K. Johnson, the Renton Chamber
2 of Commerce person, what in particular do you recall
3 that he said? That is he rather than a she?
4 A It is a he. The comments that Mr. Johnson expressed
5 were essentially twofold. The first was that adult
6 entertainment land uses , I believe the term that he
7 used was could, adversely affect business practices ,
8 property values within the City if allowed and he
9 expressed secondarily that the City zoning
10 regulations should he established to limit the
11 location of those kinds of land uses.
12 Q Do you know what sort of business Mr. Johnson is
13 engaged in? .
14 A Other than being the manager of the Chamber of
15 Commerce, I am not sure what his expertise or
16 technical background is .
17 Q Did. he identify any specific ways in which adult
18 entertainment uses would adversely affect business
19 practices or was that just a general conclusion that
20, he stated?
21 A I believe that it was a general conclusion.
22 Q Do you recall any facts that he may have related at
23 . that meeting that would establish that adult
24, entertainment uses could adversely affect business
25 practices? .
t 49
1 A I don't recall at this time any specific facts that
2 he related.
3 Q Do you recall any specific facts that he may have
4 related which would substantiate his concern that
5 adult entertainment uses could adversely affect
6 property values?
7 A I don't recall any specific testimony.
8 Q Was there any specific testimony, to your
9 recollection, 'by anyone at that hearing that offered
10 facts in support of an opinion as to the effect of
11 adult land uses or adult entertainment uses on the
12 City of Renton or as they would affect the City of
13 Renton?
14 A I don't recall at this time any such comments .
15 Q So you have no present recollection of any factual
16 material offered at that public meeting; is that a
17 fair statement of your testimony?
18 MR. BARBER: Objection; asked and answered.
19 A No, I don't recall any specific factual testimony.
20 BY MR. BURNS:
21 Q Is there anywhere where you know of where we could go
22 today to determine if, in fact, there was any factual
23 testimony offered, any document we could look at ,
24 anything that we could do to determine what had taken
25 place at that meeting?
J ' 50.
1 A None that I am aware of. Could we break a second?
2 MR. BURNS: Sure.
3 (Short recess taken)
4 BY MR. BURNS:
S Q Am I correct , Mr. Clemens , in stating that this
6 Ordinance No. 3526 was considered by the City Council
7 on April 13 , 1.981 ?
8 A If I could review the minutes , I could probably
9 affirm that .
10 Yes , based upon the minutes presented, it
11 appears the Ordinance was read for the second time
12 and adopted on that night.
13 • Q Now, when it says read for a second time, does that
14 mean it was read for a first time sometime?
15 A There would have been a prior time that the Ordinance
16 was read the first time.
17 Q Now,. when it is passed, did you attend that meeting
18 when it was passed?
19 A I don't believe I was at the meeting where the
20 adoption took place.
21. Q Have you made any effort to identify the owners of
22 the properties that are identified by No. 3 and
73 generally the area No. 5?
24 A We have made no specialized effort to evaluate • .
25 property ownerships . We are aware that the major
1 1
7"11
51.
1 property owners in -- who the major property owners
2 are in those areas .
3 Q Who are the major property owners in the area No. 3?
4 A I believe there is a contract sale on that property
5 from First City Equities Company to Holvick, H-O-L-V-
6 I-C-K deReg, small d-e-R-E-G, and K-O-E-R-O-N-G, it ^.7
7 is a Sunnyvale, California industrial park
8 developer. The area generally designated as No. 5 ,
9 the largest property owner in that area would he
10 Burlington Northern Railroad Company, although it
11 . might be the title of Glacier Park Company, which is
12 their land people.
13 Q. Are there other major owners down in this area No. 5,
14 in the Benaroya Business Park and the Cole Business
15 Center?
16 A Yes.
17 n Are you aware of any other property owners down in
18 that area?
19 A I am certain there are others , particularly the
20 smaller parcels along the West Valley Road adjacent
21 to the westerly boundaries of the City.
22 Q Do you know generally who owns the area No. 6?
23 A I believe that is Burlington Northern, although it
24 may have been transferred to some other entity.
25 Q Now you indicated in prior testimony that something
52
1 is going on with area No. 3, that there is a plat in
2 process?
3 A Yes, that 's correct .
4 Q And until that plat is approved, area No. 3 is not
5 available; is that right? ,
6 A That's correct .
7 Q And so if this litigation were resolved today and if
8 somebody applied for a permit to port an adult theater
• 9 in the area No. 3 today, they could not do so.
10 A That 's correct .
11. Q Through this area marked No. 5, there is a drainage
12 ditch that runs through there, isn't there?
ILi13 A That 's correct.
14 Q Are there any special requirements or limitations
15 about building around, near, over or across that
16 drainage ditch?
17 A The City has two regulations that would apply:
18 first , is the city storm drainage ordinance, I am not
19 sure that 's the precise title, which would apply to
20 any properties within the City of Renton but
21 particularly areas adjacent to designated flood ways
22 and flood way fringes , certain regulations apply.
23 0 This is a flood plain ordinance you and I have spoken
24 about generally; is that right?
25 P Yes, that 's correct .
!
1
53
1 Q And that requires execution of a waiver against the. .
2 City prior to building. V
3 A That 's a separate requirement .
4 Q ' ' Okay.
5 A The flood way ordinance is -- has been -- ordinance
6 in the regulations are spelled out in the City code..
7 The resolution that you were speaking to was a
8 separate action of the City Council relative to a
9 finding by the Federal Emergency Management
10 Administration that concluded that their earliest
11 flood hazard analysis in the City's areas designated
12 as Green River Valley comprehensive plan area may
( ) 13 have been incorrect .
14 Q What under this storm drainage ordinance, what are
15 the general requirements then for building in this
16 entire area? '
17 A The requirements under the ordinance are that the
18 ' finished floor elevation of any structure he above
19 the designated flood elevation. '
20 Q Has the flood elevation been designated?
21 A The FEMA and federal agency analysis has been
22 completed and, as I noted, they found some
23 difficulties with the original analysis . As a part
24 rf the Council 's resolution requiring a disclaimer to
25 be signed by properties developing within the valley
54
1 area, they also instructed the administration to
2 develop interrim regulations . The existing
3 interrim regulation would he one foot above the FEMA
4 flood elevations .
5 Q So I could build today or -- the FEMA flood
6 elevations are in existence; is that correct?
7 A That 's correct .
8 Q So if somebody wanted to build down there today, they
9 would have toabuild a finished floor level one foot
10 above the FEMA elevation; is that correct?
11 A That 's correct. That is correct .
12 Q They would also have to execute the waiver required
' 13 by Resolution 2421 ?
14 A That is correct .
15 Q Are there any other requirements or restrictions in
16 that area that apply particularly to setbacks from
17 that drainage ditch or building across it or doing
18 whatever within an area near the drainage ditch?
19 A The flood hazard ordinance requirements would not
20 allow any construction that would restrict the flood
21 way or to reduce the available flood storage that 's
22 described in the flood fringe.
23 Q What does that mean, in layman's terms?
24 A In layman's terms, if you put down one acre foot of
25 fill in order to get your floor elevation up to the
711111111
5 5 1 required minimum, you would have to remove one acre
2 foot of material from that area, if you were located
3 within the flood fringe.
4 Q I guess -- I don't understand you. You say if I put
5 down one acre foot, I have to take away one acre
6 foot?
7 A That 's correct.
8 Q Where do I take it from?
9 A From the original site area.
10 Q How can I put and take away at the same time?
11 A Okay. What you would be required to do is excavate
12 from the remainder of the parcel of the property that.
13 is not under the building the amount of fill which
14 you import to the site to get your floor elevation up
15 to the required level . Alternately, you could build
16 a structure on pilings so the flood area underneath
17 would not be restricted.
18 Q Okay. So. I think I understand now. So in order to
19 build, I have to create a mound, taking the dirt from
- 20 around the property site and putting it underneath my
21 floor or I can build on pilings and not do anything., ✓
22 • as long as my finished floor elevation is one foot
23 above this FEMA level .
24 A That 's correct .
25 Q Now, in particular, if I own a parcel of property
56
1 which -- down in this southern area, which includes
2 this drainage ditch, what. can I do with regard to
3 that drainage ditch? Can I build over it , can I
4 . build up to it? Those are two questions , but let 's
5 start with can I build over it?
6 A I believe that if the -- as long as the flood way
7 itself, which is, at least currently, is defined as
8 being within the banks of the Springbrook Creek, as
9 long as that is not disturbed by the construction, it
10 may be possible to build over it . Now', I believe,
11 although I am not positive, that the right-of-way for
12 that creek is owned by Drainage District No. 1 of
u 13 King County. In that case, I doubt that you would be
14 constructing over it , but presumably it could be
15 possible.
16 Q Now, I am showing you what is a marked-up copy of the
17 Renton Urban Area Comprehensive Plan. Are you
18 familiar with this map and drawing and things?
19 A • Yes , I am.
20 Q Down here there is -- there is and I am pointing to a
21 . green line which represents the drainage ditch which
22 runs through area No. 5 , am I not?
23 A Yes, you are.
24 Q Now with respect to this drainage ditch, you're
25 telling me that a right-of-way is owned by Drainage
t 57
1 District No. 1 ?
2 A I believe that 's the case.
3 Q Do you know how wide that right-of-way is?
4 A To the best of my recollection, I believe it is 40
5 feet.
6 Q 40 feet , so would be 20 feet on either side of the
7 midline of the ditch or 40 feet on both sides?
8 A 40 feet total.
9 Q . So for practical purposes, there is a 40-foot swath
10 cut by this drainage ditch which is not available
11 for building, is that accurate?
12 MR. BARBER: Object to the form of the
13 question. I think it also misstates the testimony of.
14 the witness .
15 BY MR. BURNS:
1.6 Q Did you understand my question?
17 A If the question is is it available, does it comply
18 with the Ordinance, the answer is yes .
19 Q That was not my question. As a practical matter ,
20 there is a 40-foot swath through here that somebody
21 haF a right-of-way, the drainage ditch people, for
22 running their drainage ditch and that as a practical
23 matter is not available; is that correct?
24 A . I believe it would he technically feasible to
• 25 construct over it if you could get permission from
58
1 the drainage district to use the property.
2 Q But in your opinion, you probably aren't going to get
3 that opinion or that permission; that 's what you said
4 before, isn 't it?
5 A I don't recall that I made any remarks about the
6 drainage district 's desirability of doing.
7 Q The comprehensive plan map that I am showing you
8 shows this tentatively, ', think, as greenbelt , does
9 it not, on the comprehensive plan?
10 A That 's correct.
11 Q Is that currently in effect as greenbelt, this 40 --
12 strike that .
13 Is the area designated as g greenbelt , is
14 that the 40-foot swath or is it something greater
15 than the 40-foot swath?
16 A It would be generally the area contained within the
17 existing 40 feet .
18 Q Is that currently zoned or set aside for this
19 greenbelt by the regulations of the City of Renton?
20 A No. I believe the zoning as indicated on the map is
21 a variety of industrial zones , industrial and
22 business zones .
23 Q What is the effect of this comprehensive plan for the
24 purposes of future zoning?
25 A The comprehensive plan would he taken into
59
1 consideration at the time of rezoning of property to
2 consider whether property should be left in its
3 natural state, particularly in this case along the
4 Springbrook Creek, and the case of the area No. 5 ,
5 all of the zoning currently exists. and the
6 comprehensive plan would have little affect until we
7 got to the plan review stage.
8 Q Now, would you be the person who would he the --
9 involved in making those kind of decisions as to
10 whether a prepared use in this area was consistent
11 with your comprehensive plan?
12 A Yes.
13 Q Now, let 's assume that this property is zoned where
14 this swath grows through, is zoned H-] --. I think
15 part of it is within the H-1 area or may he it is all
16 in the M-P area. If somebody came in with a use that
17 was an appropriate use for a M-P zone and wanted to .
18 locate within this 40-foot swath, and assuming they
19 were able to get the permission of the drainage ditch
20 to do that, what would he the position of the City of
21 Renton?
22 MR. BARBER: Object to the form of the
23 ouestion.
24 MR. BURNS: Let me go hack again.
25 BY MR. BURNS:
60
1 Q Making those assumptions, would the City of Renton
2 have the power to veto or would the plans of. the
3 developer be subject to an approval of the City of
4 Renton?
5 A Yes.
6 Q. And would that come before you for consideration?
7• A In part.
8 Q And you are the head of the policy development
9 department which makes these comprehensive plan
10 decisions, is that not correct?
11 A That 's correct .
12 Q If that happened, what would be the position of your
k13 policy development department and what would be your
14 recommendation as policy development director?
15 MR. BARBER: Object on the ground calls for
16 speculation.
17 MR. BURNS: You can answer.
18 A I believe that our recommendation would he that the
19 area that is physically the existing Springbrook
20 Creek should be left in its natural state and the
21 development be located outside of .that immediate area.
22 BY MR. BURNS:
23 Q And by outside of that immediate area, do you mean
24 outside the 40-foot right-of-way?
25 At a minimum. .
61
1 Q If I wanted to locate anywhere else in the, say, the
2 M-P area, let 's just take it for an example, and I
3 have a use that 's permited in the M-P zone, does your
4 department or any department of the City of Renton
5 have any discretionary right to review the use that I
6 want to put that property to?
7 A Not the use.
8 Q What kind of discretionary review exists that the
9 City does have?
10 A Under the requirements of the M-P district, there is
11 a site plan review requirement before the land use
l 12 hearing examiner. That review would he a review of
13 the physical structure, its siting on the property,
14 requirements of marking and other minimum ordinance
15 . standards.
16 Q But those are objective criteria, are they not , that
17 -- let me go back and ask. Are those objective
18 criteria set forth in the Ordinance?
19 A The building envelope is an objective criteria.
20 Q What do you mean by building envelope?
21 A That would be the area remaining on the property
22 after you subtract the setbacks and height
23 limitations .
24 Q So there are objective criteria that says I can put
( 25 this many square feet and I have to have this many
R.J 62
1 parking stalls and I have to have this kind of
2 construction and those kind of wires and things like
3 that?
4 A That 's correct.
5 Q . Is there any discretionary review that the criteria
6 may not be set forth in such objective standards?
7 A The criteria on the precise location of the, building
8 within the building envelope that I have described is
9 more subject analysis . There may be other
10 circumstances that would warrant locating the
11 structure at a different point within the building
� 12 envelope than proposed by the property owner.
1 13 Q So I can come to you with a site plan for my parcel
14 of property and I can say I want my building here and
15 you can say no, if you are going to build it you have
16 to put it over here, as long as it is within the
17 setbacks and the other kinds of things?
18 A Yes, the City would have that authority.
19 Q Now., that includes the M-P zone. Would that also he
20 true for the H-1 zone?
21 A. No.
22 Q So in the H-1 -- M-P zone, the City has discretionary
23 authority about building location on the site.
24 A That 's correct .
Yf) 25 Q And no other discretionary authority®
1
63
1 A Not to the best of my recollection.
2 Q Now in the H-1 zone, did I understand your testimony
3 to be that the City has no discretionary authority if
4 the use is an appropriate use for an H-1 .zone?
5 A If it meets the Ordinance -- the specified Ordinance
6 standard for setback, parking, height and so on,
7 there is no discretion.
8 Q Now, area No. 3 would he within that M-P zone; is
9 that correct? •
10 A That 's correct .
11 Q Area No. 6 , what zoning would that be, do you think,
12 or. can you tell from this map what zoning that is?
13 Looks like it may he G.
14 A We 've done a rezone analysis and that L-1 zoning
15 classification that 's slightly to the southwest may
16 include that parcel. I don 't recall precisely, but
17 assuming that it was L-1 there would he no ability to
18 modify a plan that was in conformance with the
19 standards of the Ordinance.
20 Q , How about in the G zone., assuming this may extend
21 down into the G zone.
22 A If. that 's the G zoning classification, that would be
2.3 a large lot , single family zoning classification
24 and the standards again would he minimum standard
25 requirements . No discretion.
• 64
4k J
1 Q Would an adult theater use he permitted in a G zone?
2 A No.
3 Q So if in fact Area 6 is G, there would he -- adult
4 theater could not locate there?
5 A If it was in fact G at the time of the application,
6 it could not .
7 Q Looks like we may have an area over here that is
8 zoned B-P?
9 A Yes.
10 Q Is there any discretion allowed in a B-P zone?
11 A The only use allowed in a B-P zone is parking, but ,
12 again, there is no discretion. If the use was
ILi 13 parking, and it met the code requirements, it would
14 be allowed.
15 Q Now, with respect to this area that is identified
16 then as B-P, would -- could an adult theater locate
17 there?
18 , A Within the B-P zone, no..
19 Q So there is an area -- this looks like a very slender
20 rectangular piece of property that is within the B-P
21 zone. Is that -- that is the B-P zone and looks like
22 it does not extend over to here or is that right or.
23 is that how you would look at that?
24 A I believe that it is one contiguous parcel, that is
r 25 zoned a combination of B-P and H-1. The portion that
!� I
65
k.
1 is designated B-P could not be used for an adult
2 _ .theater; however , the parking for an adult theater
3 could be located within the B-P zone and the theater
4 located on the portions zoned H-1 .
5 Q Is that -- okay. . So you could use that for parking,
6 but couldn't put the physical building?
7 A That 's correct.
8 Q Within the Renton city codes , are there any
9 provisions which relate exclusively to the
10 dimensions, size and other building requirements of a
1.1 motion picture theater?
12 A ' Not within the City Zoning Ordinance. There may he
13 minimum code requirements that relate to the building
14 code as far as the minimum dimensions , but as far as
15 the zoning regulations are concerned, I am not
16 aware of any.
17 Q Now, I believe that you were designated to testify
18 about building code matters. Do you have any
19 , knowledge of the building code of the City of Renton
20 relative to what requirements, if any, exist for the
21 construction of a motion picture theater?
22 A Not building code itself, no.
23 Q Would Mr. Nelson have that information?
24 A Yes, he would. 0
25 Q Do you have general knowledge with respect to the
66
1 parking, setback and land area and landscaping
2 requirements for a motion picture theater as opposed
3 to other uses that may exist in the various zones
4 where an adult motion picture theater ',would he
5 located?
6 A Yes, I do.
7 Q Do those restrictions generally relate to motion
8 picture theaters wherever they are located as opposed
9 to a distinction between adult motion picture
10 theaters in these particular areas and a general
11 release motion picture theater that may be located
12 elsewhere?
1 13 A I am not aware of any distinction, other than the
14 locational criteria for adult theaters .
15 Q. So absent the locational criteria for adult theaters ,
16 there is one set of rules that would apply to regular
17 theaters or general or adult motion picture theaters
18 if you were going to construct them?
19 A That 's correct.
20 Q In other words , if I went into, say, the 13 business
21 district , wherever it is, up there, and I were to
22 build a general release motion picture theater , the
23 parking requirements would he the same there as they
24 would he, say, down in the M-P area?
25 A That 's correct .
LJ
67
1 Q With respect to capacities, if I were to build within
2 the corporate limits of the City of Renton a motion
3 picture theater designed to accommodate 400 patrons ,
4 would there be any minimum size requirements?
5 A Not as it relates to the zoning regulations.
6 Q I . am talking about the building regulations .
7 A I can't speak to that specifically.
8 Q . So you don't know what the building restrictions are;
9 that you have so many square feet per number of
10 people.
11 A No, I don't .
12 Q If I were to build a motion picture theater that were
13 to have a capacity for 400 people, are you aware of
14 -- are there any parking requirements --
15 A Yes, there are.
1.6 Q -- that I would have to provide?
17 A Yes, there are.
18 Q ''hat are the parking requirements?
19 A City's parking requirements for theaters would he one
20 parking space for each four fixed seats or one
21 parking space for each 100 square feet of floor area
22 where there are no fixed seats . •
• 23 Q Is there a minimum size parking space?
24 A The minimum standards on parking stalls is 9 x 20 for
25 standard vehicle and eight -- I am sorry. I helieve
iLJ 68
1 it is 9 x 3.6 for compact vehicles and you can have 25
2 percent of the parking space in compact spaces .
3 Q ° x 20 standard, 9 x 16 compact?
4 A I believe that 's correct . Either nine or eight . I
' 5 don't have it on the tip of my tongue. Would you
6 like me to review that specifically?
7 Q Well, yeah. Mr. Clemens, maybe I can cut through all
8 of this a little hit . And what I am postulating is a
9 theater of -- that has a building area of
10 approximately 6,000 square feet that contains
11 approximately 400 seats , has a concessionaire that
12 you would generally find in any conventional motion
13 picture theater, has a projection booth and has
14 restrooms for ladies and gentlemen and was built
15 according to code as opposed to wheelchair slots and -
16 all the kinds of things that are needed according to
17 current building codes, and my question, when I get
18 right down to the bottom line, is how much area am I
19 going to need in a M-P zone or a H-1 zone or a L-1
20 zone in order to put that theater on that site
21., assuming setbacks and assuming all the other things
22: that you have in your standard ordinary
23; requirements?
241 A Would you give me the seating again, please?
i 2 25 ' Q 400 seats .
69
1 A 400 seats .
2 Q A building size of approximately 100 x 60 or 6,000
3 square feet would probably accommodate that use.
4 A Okay.
5 Q Do you understand my question and what I want to
6 know?
7 A Yes, I can give you a rough estimate.
8 Q Okay.
9 A The seating -- . the parking requirement for 400 seats
10 would be one per four seats which would be 100
11 parking spaces . And as a rule of thumb that we' use
12 when we are just postulating, we would use 400 square
13 feet of site area to accommodate each parking. space,
14 that would be both the space itself and the aisles
15 necessary to get in and out. So assuming 100 spaces ,
16 and 400 square feet, that would require approximately
17 40,000 square feet plus the building, which would
18 come to 46 ,000 square feet, and assuming ten percent
19 error factor on top of that for necessary setbacks ,
20 landscaping, I would say probably between 50,000 and
21 52,000 square feet of site area. Depending on its
22 configuration and other factors that may not he
23, known.
24 Q Are the setback requirements the same in the M-P
25; zone as in the L-1 zone?
•
R J 70
1 A No, they are not.
2 Q You have given me a benchmark here of 50,000 to
3 52,000 square feet roughly. Would -- now, in which
4 zone would that apply?
5 A That would apply in the B-1 zone, on up through our
6 zoning classifications , so that would be the B-1 ,
7 L-1, H-1 and M-P.
8 Q Now, aren't there more stringent setback and
9 landscaping requirements in the M-P zone as opposed
10 to the H-1 zone?
it 4 I believe the landscaping requirements may he
12 slightly more restrictive. The setback requirements
13 are essentially the same. The building setback
14 requirements between the M-P and H-1 .
15 Q Does there have to be any buffer zone in any of these
16 zones that would have to be provided for between your
17 use of the property and the adjoining properties?
18 A . With the exception of the M-P zone, if there was a
19 determination that an alternate location within the
20 building envelope was appropriate, there might be a
21 requirement for landscaping separating one use from
22 another, but there is no specific requirement in any
23 of the zones for buffers between uses .
24 Q And the buffer zone would only be applicable in the
25 M-P zone?
71
1 A If appropriate.
2 Q And could the parking areas , the parking area that
3 you are providing, generally calculated in terms of --
4 included in your setbacks?
5 A Yes. The 400 square feet per space and plus the ten
6 percent for fudge factor would include all of the
7 requirements that would typically apply.
8 Q So. I can park right up to the edge of my property
9 line.
10 A In some zones there is a minimum setback from the
11 street right-of-way -- I 'm sorry. In all zones there
12 is a minimum of five-foot setback, landscape setback
13 from a public street to a parking lot. In the M-P
14 and I believe the H-1 zone there is a ten-foot
15 landscape setback requirement.
16 Q Is that from the streets?
17 A From the street property line.
18 Q Not from sideline boundaries or rear boundaries?
19 A No.
20 Q So I could do nothing there except put in
21 landscaping.
22 A That 's correct.
23 Q Now, the 50,000 to 52 ,000 foot figure that you gave
24 me generally related or generally would have included
25 the setback requirements?
72
1 A Yes .
2 Q So if I am going out to look for properties in these .
3 areas and I want to build a 6 ,000 square foot
4 building with 400 seats , I know I am going to need --
5 I have to find an acre and a quarter somewhere,
6 roughly?
7 A Approximately.
8 Q Can we go off the record for a minute?
9 (Discussion off the record)
10 BY MR. BURNS:
11 Q Mr. Clemens , the zoning classification, the
} 12 particular zoning use for adult motion picture
13 theater did not exist prior to the enactment of 3526
14 within the City of Renton, did it?
15 A No.
16 Q So it is a new use classification, is it not , that
17 was created by this Ordinance?
18 A It is a distinction between two types of motion
19 picture theaters .
20 Q And that distinction did not exist prior to enactment
21 of the Ordinance, did it?
22 A That 's correct.
23 Q I take it that it is from documents that have been
24 filed by the City's attorneys that they are
r J 25, contending that the use for an adult motion picture
1 I
f _ _
73
1 theater is a permitted use within the B-1 zone; are
2 you familiar with that contention?
3 A Yes , I am.
4 Q Now, I have reviewed your zoning code and I believe
5 that Section 4-711 sets forth the uses that are
6 allowed in the B-1 zone, does it not?
7 A Yes, it does.
8 Q . Could you direct me where in that section you find
9 that an adult motion picture theater is a permitted
10 use within the B-1 business district?
11 A It is not specifically set forth; however, the City
12 has interpreted, since long prior to my coming to the
13 City, that commencing with B-1 district , a theater
14 use and many other uses that are not specifically set
15 forth in the B-i district are allowed as being uses
16 similar to the uses specified in the B-1 district.
17 Q So it is not specifically set forth, you acknowledge
18 that ; that a theater use nor an adult theater use is
19 particularly set forth as a permitted use in the B-1
20 business district?
21 A No, it is not.
22 Q Under which of these many classifications , if any, do
23 you fit those uses or is it some other policy that
24 has created an unwritten use?
25 A The City in its interpretation requirements looks
74
1 at the district as a whole to establish the types of
2 uses that are allowed, and in taking the district as
3 a whole, the City, by past practice, has established
4 that theaters , motels and hotels , which are not
5 specified within the zoning particularly, are uses
6 which are allowed in the zoning classification as
7 being similar to the whole array of uses that are
8 established in the -- that section of the code.
9 Q So I take it from your testimony that you do not
10 contend that a theater use or adult theater use falls
11 within any of the delineated classifications under
12 Section 4-711 but rather by way of past practice and
13 general character of the City has administratively
14 determined it is an appropriate use for that
15 classification?
16 A That 's correct .
17 Q Now, is there any policy or statement or writing
18 which sets forth this determination by the City that ,
19 first , theaters are permitted within the B-] zone?
20 A I am not aware of any such written determination.
21 Q In your capacity as assistant planner or associate
22 planner, senior planner, acting planning director,
23 now policy development director , if such a writing
24 existed, would you he aware of it generally speaking?
•
2S A I would think so.
IJ
75
1 Q Is there any writing that exists by the City of
2 Renton or any policy that is set forth in writing
3 that sets forth that an adult motion picture theater
4 is a permitted use within the B-] zone?
5 A I am not aware of any such written statement .
6 Q So if I were to come to town and look at your zoning
7 code, it would not tell me on its face and there is
8 no writing that I could ask for that would tell me
9 that a theater' or an adult motion picture theater was
10 a permitted use in the B-1 zone; is that correct?
11 MR. BARBER: Objection, asked and answered.
12 BY MR. BURNS:
13 Q Is that correct?
14 A . The -- there would he no written document that we
15 could hand you;, however, if you requested an .
16 interpretation in writing from us , we would answer
17 affirmatively to both the theater use and adult
18 motion picture theater use with the exclusion of the
19 locational criteria for an adult motion picture
20 theater.
21 Q We are understanding each other just fine.
22 Now, I want you to assume for the purposes
23 of the next series of questions that I am going to
24 ask you that the City has not made that
25 determination; that a motion picture theater is a
76
1 permitted use in the B-1 zone. If a motion picture
2 theater wanted -- and I take it from reviewing the
3 criteria also for a M-P zone, that a motion picture
4 theater or an adult motion picture theater is not a
5 permitted use in writing, included within the
6 designated permitted uses , is it?
7 A The M-P zone.
8 Q Yes.
9 A That is correct , sir.
10 Q And the answer would be the same for the L-1 zone?
11 A Yes .
12 Q And for the H-1 zone?
13 A Yes.
14 Q And the reason I take it that you indicate that those
15 uses are included within the zones is by reason of
16 the fact that any use that 's permitted in a B-1 zone
17 is also permitted in these zones .
18 A That 's correct .
19 Q Now, assuming for the purposes of my next series of
20 questions that the theater or adult motion picture
21 theater is not a permitted use in the B-1 zone, what
' 22 would be the proper zoning procedure to get or to use
23 a parcel of property located in a M-P zone as a
24 theater; would that he by special permit , conditional
` , 25 use or variance?
1
77
1 MR. BARBER: Object to the form of the
2 question.
3 MR. BURNS: Do you understand my question?
4 A Yes. If a person desired to construct any type of
5 motion picture theater within the M-P zone, the
6 criteria would be application to the City for site
7 plan approval within the allowed uses in the M-P zone
8 district.
9 BY MR. BURNS:
. 10 Q Now, if a motion picture theater use were not an
11 allowed use because we have a dispute as to whether
12 it is an allowed use or not and I want you to assume
13 it is not an allowed use--
14 A Okay.
15 Q -- would, in order to build that building or
16 structure or you develop it for that use as a theater
17 or adult motion picture theater , would you he
18 required to get a conditional use permit , a special
19 permit or a variance?
20 • MR. BARBER: Object to the form of this
21 question also.
22 MR. BURNS: You understand it?
23 A • Under the assumption that the use was not allowed
24 within the district , I would think that the probable
25 form would be a conditional use permit .
78
1 BY MR. BURNS:
2 Q Now, who -- and you make that assumption based upon
3 your experience in these various capacities that you
4 have held in connection with zoning enforcement
5 within the City of Renton; is that correct?
6 A Yes .
7 Q Now, if your assumption -- who would, overrule you as
8 to your assumption as to the appropriate procedure?
9 A The appropriate procedure in a case where there is a
10 dispute over whether a use is or is not allowed is an
11 appeal to the land use hearing examiner.
12 Q So if I came in and, for instance, let 's assume that
13 my client came to town and he wanted to build a
14 theater in the M-P zone and he contended that he was
15 allowed to build it there as a matter of right ,
16 assuming that he met the other criteria for that
17 zone, and the City said no, you aren 't , that 's not
18 an appropriate use for that zone, his remedy would he
19 appeal to the land use hearing examiner; is that
20 correct?
21 MR. BARBER: Object again to the form of
, 22 the question. You may answer .
23 A The appeal would be to the examiner, that 's correct .
24 BY MR. BURNS:
25 Q And what provisions of your zoning code govern that
i— • , "
79
1 appeal process?
2 A The entirety of the ordinance which is Chapter 30 of
3 Title 4. It is a code that 's outside of the zoning
4 ordinance itself.
5 Q Do you have that here with you over there?
6 A Yes.
•
7 Q May I look at it?
8 MR. KELLOGG: Let 's go off the record for a
9 minute.
10 (Discussion off the record)?
11 A I believe the second section establishes the items
12 that the examiner is empowered to consider. It is a
13 whole list.
14 BY MR. BURNS:
15 Q Under. "duties"?
16 A Yeah.
17 Q Now, in our assumed example here, we have a dispute
18 as to whether a use is an appropriate use and my
19 client has appealed to the City hearing examiner and
20 he has had a hearing in conformity with the
21 procedures set forth by your city code and the
22 hearing examiner, in my example that we are going
23 through, decides in favor of the City, that it is not
24 an allowed use within that particular zone. Are you
25 with me?
1
80
J
1 A Yes .
2 Q Okay. My client still desires to proceed with his
3 project and build a theater. What would be his next
4 step in trying to accomplish that goal?
5 MR. BARBER: Object to the form;
6 speculation and assumes facts not in evidence.
7 Answer if you can.
8 A There are two possibilities : one is an .appeal. to
9 Superior Court' for a determination in Superior Court .
10 as to the correctness of the City's position.
11 Alternately, I am going to have to review the
12 conditional use section to see whether there is
U 13 sufficient flexibility.
14 (Discussion off the record)
15 A I am not sure whether there would be any alternate
16 approach within the City's code if the examiner
17 concluded that it was not a permitted use. The --
1.8 there is a possibility, depending on the specific
19 circumstances what zone it is in, that a conditional
20 use permit to allow a less restricted use in a more
21 restricted district could he possible, but failing
22 that , the only alternative would be to request the
23 City Council to amend the ordinance to set forth that
24 use specifically as permitted or conditional use.
1 , 25 BY MR. BURNS:
81
1 Q I see or ,I find in your zone code three different
2 kinds of possible avenues , one being the_ special
3 permit, the conditional use or the variance. In your
4 experience and based upon your position as the
5 enforcement officer for the zoning code, what is the
6 purpose and use of the special permit as it applies
7 to your zoning ordinance?
8 A The special permit provisions only apply to those
9 uses that are specifically set out in the code as
10 being permissible with a special permit .
11 Q Could you refer me to the section of your Ordinance
12 that you're referring to?
k ' 13 A Would be 4-722 , Paragraph B.
14 Q 4-722B talks about particular or gives the hearing
15 examiner power to issue special permits for such
16 uses . Which uses are those?
17 A • Those would be uses specified elsewhere in the
, 18 ordinance which particularly set forth that the
19 standards to be used are a special permit approval .
20 And there are numerous.
21. Q Can you identify -- well, let 's do it by
22 elimination. Is a motion picture theater or an adult
23 theater a use that is set forth anywhere in your
' 24 Ordinance that would he subject) to a special use •
r ' 25 permit?
!-J
82
1 A Not to the best of my knowledge. ,
2 Q So the use of a special permit would not he
3 applicable in any circumstances for a theater or
4 adult motion picture theater?
5 MR. BARBER: Object to the form of the
6 question.
7 A Not to the best of my knowledge.
8 BY MR. BURNS:
9 Q Now, what is the purpose of a conditional use permit?
1.0 A Conditional use permit is quite similar to a special
11 permit in -- at lease in terms of its form. Although
12 it does provide some additional latitude to allow
i 13 uses that fit into more intensive district 's , such as
14 . . industrial districts can be moved down to less
15 intensive districts , for instance a business
16 district. If the nature of that specific use and its
17 specific design is compatable with the more
18 restrictive zoning classification.
119 Q And in the example that we were using, it was your
20 testimony that this may be a possible approach in the
21 event that it was determined that a theater use was
122 not an appropriate use in the zone where I wanted to
23 build it , where my client wanted to build it .
24 A Yes . The . -- it is possible under the section that I
25 have just discussed to apply under that provision to .
83
1 move, say, a use allowed in a light industrial zone
2 down to a B-1 zone based upon its specific design.
3 And if your contention is it is not specified
4 anywhere in the code, I am not sure that section
5 would apply. I would have to think about it.
6 Q Okay. So if I understand what you're telling me,
7 that 's really moving a specified use, the conditional
8 use permit is used for moving a specified use from
9 one zone to a less intensive zone.
10 A Less intensive but more restrictive.
11 Q Okay. Now, what is the use of a variance as that
12 term is used in your zoning code?
13 . A The variance is intended to provide for the
14 modification. of specified standards . It is not
15 appropriate for modifying use. Variance is -- there
16 is no variance to a use. But there are variances to
17 specified standards within the Ordinance such as
18 height , setback, parking requirements and so on.
19 Q In your experience as an enforcer of the zoning code
20 of the City of Renton, have you ever come upon
21 occasions where somebody has wanted to put in a use
22 or put a property to a use that was not covered by
23 your zoning code?
24 A Yes .
25 Q And what procedures did you follow in arriving at an
A-J 84
1 administrative determination as to whether -- as to
2 what you do?
3 A What we have requested in every case that I am aware
4 of is a letter from the proponent illustrating what
5 the use is that they are intending, trying to give us
6 as much detail as possible as to its nature,
7 character extent , and we compare that to all of the ✓
8 standards applicable to each zoning classification.
9 Once we have determined whether a use fits or doesn't
10 fit, within a particular zone, we respond in writing
11 as to our conclusion and indicate whether we either
12 found that it was appropriate or inappropriate. And
13 establish that if they -- if the proponent found the
14 use or our determination inappropriate in their case,
15 that they do have appeal rights to the hearing
16 examiner for consideration.
17 Q In all those instances , did you designate to them
18 which zone their intended use would he appropriate?
19 A To the hest of my knowledge.
20 Q Or -- well , in the context of those cases that you
21 have worked on of that nature, have they requested
22 the use be in a particular area?
23 A Let me give you an example.
24 Q Okay.
25 A Typical case is a machine shop. Machine shops -- now
1I
85
1 maybe that 's not a perfect example, but it is close
2 • enough. Machine shop in a business zone. Typically
3 a machine shop would not he appropriate in a business
4 zone. It is basically a light industrial use. The
5 applicant may be able to provide us with specific
6 information about the nature of this machine shop
7 that it is of such a scale that it is appropriate in
8 the B-1 zone, very little in the way of mechanical
9 equipment and ,it does not fit in the L-1 zone but
10 appropriate in a B-1 zone and we would so indicate.
11 On the other hand, we might conclude that no, the use
12 you propose based upon the description that you have
13 given us is still a light industrial use and should
14 be located in a light industrial zone.
15 Q In the example you have given, is a machine shop use
16 a use that 's not covered anywhere in your zoning code?
17 A I was trying to recall after I gave it as an example.
18 No, it is not specifically set forth, although there
19 is a section that would be somewhat analogous in a
20 light manufacturing use, using power of specified
21 quantity.
22 Q In terms of making these decisions , are • -- when a use
23 is not a specified use, is there -- are there any
24 written criteria, any objective guidelines that you
25 go upon -- that you rely upon to make your decision
86
1 or do you rely upon an evaluation, a subjective
2 evaluation of the contemplated use and the
3 surrounding businesses?
4 A Primarily the criteria that we would look at is the
5 simlarity to similar uses in the code that are
6 specified in the code and good professional judgment .
7 That 's what we are trained for and paid to do.
8_ Q And when you say good professional judgment , what
9 factors are you applying?
10 A Typical health, safety and welfare concepts, the
11 general intensity of the use, principle that would
12 suggest whether a use does. or doesn't affect
13 adjoining uses, so on. Noise as an example.
14 Q Are the procedures for obtaining a conditional use
15 permit those that are contained within this Chapter
16 30 or Section 30 of Chapter 4?
17 A I believe the standards for application -- it is a
18 combination of Section 4-722 capital letter F, and
1.9 Chapter 30 of Title 4. We have prepared written
20 procedures that we would make available to any
, 21 applicant for a conditional use permit .
22 Q What are these written procedures that you have, what
23 do they consist of?
24 A They would specify the number of copies of the
r 25 application, affidavits of ownership, number of
87
1 copies of plans and what those plans should consist
2 of.
3 Q Are there any written criteria or objective standards
4 that are used or applied by the hearing examiner in
5 reaching his decision that are contained anywhere
6 other than in the words of the Ordinance in 720 - -
7 4-722(F) and in Chapter 30 of or Section 30 of
8 Chapter 4?
9 A The -- in addition to the criteria specified in both ,
'10 of those locations, the City's comprehensive plan
11 documents would also apply as outgrowths of sections
12 already specified here in the Ordinance itself.
13 Q. In particular, which sections of the comprehensive
14 plan?
15 A The comprehensive plan consists of a number of .
16 elements . The land use plan is the map which you
17 have previously discussed here today. There is
18 language setting forth goals and policies which were
, 19 adopted originally in 1965 and supplemented in 148o,
20 which would be utilized by the examiner in his
21 review. Depending on the specific type of use, he
22 might also review utility or transportation sections
' 23 of the comprehensive plan.
24 Q In particular, if we had -- if the hearing examiner
25 was considering a conditional use permit application
88
1 relative to a motion picture theater or an adult
2 motion picture .theater, can you. tell me which
' 3 portions of the comprehensive' plan would he
4 applicable?
5 A The -- under the assumption that a conditional use
6 permit application would be required, I would assume
7 that he would primarily look to the adopted policies
8 of the comprehensive plan, those are broken into
9 somewhere between 12 and 1.5 sections dealing with
10 • everything from residential uses to the environment
11 and a number of other issues. I would think that the
12 policies element of the document would he where he
13 would seek guidance.
14 Q The goals and policies of -- section of the
15 documents?
16 A That 's correct . .
17 Q Comprehensive plan available to anyone who wants a
18 copy of it?
19 A . Yes .
20 Q . Is there anything else that the hearing examiner
21 would look to for guidance in making a decision other
22 than the three areas that we have now identified,
23 Section 4-722(F) , Chapter 30 of -- Section 4 and the
24 goals and policies?
25 A Depending on the particular issue, he might review
89
1 other documents such as past precedent in the legal
2 area, definitions either in the common terms found in
3 the dictionary or in planning books or publications.
4
5 MR BURNS: Mr. Clemens , I think that 's all
6 I have for today. I would like to recess for the day
7 and continue tomorrow after I have had a chance to
8 review these documents and hopefully we will finish
9 up early in the morning. Is that okay with you,
10 Counsel?
11 MR. KELLOGG : You bet .
12
l (WHEREUPON, at 3 : 50 p.m. the deposition was
13 adjourned. Signature was reserved
14 (Exhibit No. 1 marked for identification)
15
16
17
18
19
20
21
22
23
24
25
1
UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT
OF WASHINGTON
PLAYTIME THEATERS, INC. , a 1
Washington corporation , and 1
KUKIO BAY PROPERTIES, INC. , )
a Washington corporation 1
)
Plaintiff, 1
)
vs . 1 No. C R7-59 H
1
THE CITY OF RENTON, and THE )
HONORABLE BARBARA Y. SHINPOCH, 1
as Mayor of the City of Renton 1
and EARL CLYMER, ROBERT HUGHES, 1
NANCY MATHEWS, JOHN REED, RANDY 1
ROCKHILL, RICHARD STREDICKE 1
and TOM TRIMM, as members of 1
the City Council of the City 1
of Renton; Served on DELORES 1
A. MEAD, City Clerk and 1
JIM BOURASA, as Acting Chief of )
Police of the City of Renton , 1
1
Defendants , I
1
jointly and severally, in their 1
representative capacities only )
DEPOSITION UPON ORAL EXAMINATION OF
DAVID R. CLEMENS, Volume II
Taken at Renton City Hall , Renton Washington
DATE TAKEN: March 4 , 1982
COURT REPORTER: PEGGY MITCHELL, RPR
BURTON, WILKERSON f, PHELPS, INC .
REGISTERED PROFESSIONAL REPORTERS
1206 BANK OF CALIFORNIA CENTER
SEATTLE, WASHINGTON 98164
Cc (206 ) 623-7178
(C: (:)
t
1 �
(iJ
A P P EAR ANC E S
For the Plaintiffs : JACK R. BURNS
Hubbard, Burns F, Meyer
10604 NE 38th Place
Kirkland, Washington 98033
For the Defendants : DANIEL KELLOGG
MARK E. BARBER
Warren F, Kellogg, P. S.
ion South Second Street
Renton, Washington 980;7
4
A:
- i -
1
INDEX
ATTORNEY EXAMINATION
Mr. Burns pg. 2
Mr. Barber pg. 72
Mr. Burns (Further) pg. 72
EXHIBITS
NO. DESCRIPTION MARKED
2 Man pg. 2
- i i -
2
c
1 RENTON, WASHINGTON; WEDNESDAY, MARCH 3 , 1.982
2 •
10:00 a.m.
3
4 DAVID R. CLEMENS having been duly sworn , was examined
5 and testified as folllows :
6
7 (Exhibit No. 2 marked for identification)
8
9 EXAMINATION
10 BY MR . BURNS:
11 Q Mr. Clemens , yesterday we were using a map on the
12 board which was a full-scale size zoning map which we
13 had marked at the end as Exhibit No. i I am handing
14 you now what 's been marked as Exhibit No. 2 and
15 which is a photocopy of a portion of Exhibit No. 1 .
16 Is that map which is now marked as Exhibit No. 2 a
1.7 duplicate of the map that we were using yesterday?
18 A It does appear to he .
19 Q And are the areas marked and identified by the
20 numbers 2 , 3 , 4 , and S and 6 and with the letters A
21 through E, are those numbers and letters in the same
22 location as they were on the map yesterday?
23 A They appear to he.
24 Q And now the areas that I have shaded in in red on
A: 25 this Exhibit No . 2 , are those correct approximations
I,-
1 of the areas which you testified yesterday were not
available for use as an adult motion picture theater?
A I think you have got it backwards . Not available?
4 Q Yes. That are shaded in in red.
5 A Oh, I 'm sorry. Okay. Yes , to the best of my
recollection.
7 Q Now, you testified yesterday that certain areas which
8 you had previously identified as being available were
9 no longer available; is that correct?
1
110 A Yes .
11 Q And those areas are marked in red on Exhibit No. 2 .
((I 12 with the exception of this area at the bottom which
'---� 13 has the C in it , the center of it ; is that correct?
14 A Yes, we had previously deleted that area .
15 Q Now, how come these areas are no longer available?
16 A In rereviewing the mapped documents that we prepared
17 in the course of preparing for the maps for the City
18 Attorneys office which we discussed yesterday, we
19 noted that the closing section of the Ordinance had
20 been improperly illustrated on the maps , and as a
21 result several properties which were previously
'22 thought to he available for adult entertainment uses
23 had to he deleted.
L24 Q What do you mean, the closing portions of the
F (: F25 Ordinance had been improperly illustrated?
ti
j 1
• 4
1 A Paragraph A of the code section indicates that the
2 dimensions that are specified in the Ordinance are
3 taken to the nearest point of any parcel . So that if
4 even a portion of a parcel is influenced by the
5 regulations restricting adult entertainment uses ,
6 the entire parcel is encompassed by that regulation.
17 As a result of that, several of the parcels ,
8 particularly the larger parcels which were touched,
9 say, on the side or only a portion of the property,
10 had to all be deleted.
11 Q Now, have you had a chance during the evening to
12 review the maps that you made relative to the exact
13 locations where an adult theater could locate?
14 A No, I did not review that .
15 Q So you are not able to add to your testimony of
16 yesterday relative to whether or not the areas that
17 are exhibited now on Exhibit 2 accurately describe
18 the exact boundaries of the areas in question?
119 A Not any more so than yesterday.
20 Q Mr. Clemens , our request for production of documents ,
21. Request No. 4, asks that all information, studies or
22 other documents in possession of the City of Renton
23 as agents , servants and/or attorneys that show
24 effects of adult businesses on property values in
25 neighborhoods of the City of Renton be produced as
A
J
1 well as all studies done by the City Planning
2 Department in preparation or the formulation of.
3 Ordinance No. 3526 . Now, yesterday I was given a
i4 packet of documents which has a label on it "Answer
5 • No. 3," and are the documents contained within this
; 6 packet labeled No. 3 , and I am handing you that
7 packet of documents , do those contain all documents
8 which are .in response to No. 3 which requires all •
9 studies done by the Planning Department planning
10 staff or used for, considered by the Planning
11 Department or staff in preparation or formulation of
: 12 ordinance No. 3526?
(- 1 13 MR. KELLOGG : Let 's go off the record for a
' 14 moment . Can we recess for a second?
' 15 • MR. BURNS: Sure.
16 (Short recess taken)
17 BY MR. BURNS:
18 Q My question , Mr. Clemens , was are those all the
19 studies? •
20 A The packet that you have provided to us is the answer
21 , to No. 3 to your request for production contains a
22 number of documents , some of which I was aware of and
23 \had previously evaluated at the time of the Ordinance
24 was prepared , and there are some other additional
25 documents which, to the best of my recollection, I
•
•
1
• i
41- 6
l had not previously seen.
2 Q Are there any documents that you did see prior to the
13 adoption of the Ordinance and considered which are
4 not in the packet?
5 A Not to the best of my recollection.
6 Q Then going --
7 MR. KELLOGG: Let 's go off the record
, 8 again, Jack.
9 (Discussion off the record)
10 A I don 't recall at this time what materials was in the
11. Planning Department 's working file on this subject .
ri12 Any of the documents which were in the file, as I
'13 understand it , would have been in the City Clerk 's
[ 14 files on this issue since they are the record keepers
15 for the City. So I can only presume that with the
16 exception of my own personal notes on meetings or
117 discussions that occurred, which were removed from
18 the file as a part of the culling of our files which
19 we do on a semiannual basis , are the only documents I
20 can think of that would not have been included here.
21 Q Just your personal notes may he missing,
22 A Yes .
23 Q The first document here is a copy of the Supreme
24 Court decision of State of Washington, Northend
t ' 25 Cinema vs . Seattle. Did you consider that document
%
7
J
1 prior to adoption of the Ordinance?
2 A Yes , I did.
3 Q There is a review of adult theater cases by Dona N.
4 Cloud; did you consider that document?
5 A Yes, I did.
6 Q There is a zoning and planning law report dated
7 December 19, 1977 which discusses the United States
8 Supreme Court , Young vs. American Mini Theaters ;did
1 9 you review that document?
10 A I believe that I did.
11 Q There is a memorandum to interested parties from
12 Richard W. Demig, city auditor about Marysville
' I
13 licensing ordinance; did you review that document?
14 A I don't recall whether I reviewed that document
15 specifically. I do recall discussion in the
16 proceedings that dealt with Marysville 's approach,
17 but I don 't recall specifically whether I reviewed
] R that document .
19 Q When you say discussions about the proceedings , what
1 20 do you mean or discussions in the proceedings?
21 A During the public meetings, which the Planning and
22 Development Committee held, there were discussions of
23 numerous cities ' approaches to the regulation of
24 adult entertainment uses , Marysville 's approaches was
( , 25 one of the ones that was discussed. �
8
1 Q This is apparently a Trial Brief of Plaintiff,
2 City of Des Moines vs. David W. Wilson in Des Moines
3 Municipal Court ; did you review that document?
4 A I don't believe that I did.
15 Q There is a planning advisory services bulletin report
' 6 No. 327 regulating sex businesses; did you review
' 7 that document?
; 8 A I don't recall specifically that I did.
19 Q Off the record.
10 (Discussion off the record)
11 BY MR. BURNS:
12 Q The next document appears to be another copy of
13 the December 1977 zoning and planning law report
14 relating to Young vs. American Mini Theaters .
' 15 A As I indicated, I believe that I reviewed that
' 16 report .
; 17 Q There appears to he a copy of Ordinance No. 1f5584
, 18 of the City of Seattle relating to the prohibition of
19 adult motion picture theaters in the CG and all more
20 intensive zones ; did you review that document?
21 A I believe that I did.
22 Q There is a reprint from the Municipal Research and
23 Service Association of Washington cities on the
24 review of adult theater cases by Dona Cloud which I
25 believe is duplication of a prior.
a
1
Q
1 A Yes, I believe I reviewed that report .
2 Q Appears to he a Seattle license code Ordinance 10934
3 which regulates adult entertainment studios ; did you
4 review that document?
15 A I don 't recall reviewing that particular document .
6 Q Some sort of ordinance from the City of Jacksonville
7 about making amendments to an ordinance for adult
8 entertainment facilities and activities .
9 A I don 't recall reviewing that one specifically.
110 Q There is an ordinance of the City of Colorado Springs
' 11 regulating the establishment and separation of adult
12 uses .
(-
13 A I . don 't recall that -- reviewing that document .
14 Q There is an ordinance of the City of Falls Church
15 regulating adult bookstores and adult motion picture
16 theaters .
17 A I am not positive about that one because I have
18 relatives in that general area and the topic of that
19 discussion had come up at a separate time, so I don 't
20 recall specifically whether I did or did not.
21 Q There appears to he adult entertainment business
1
22 ordinance contained on three pages , but I can 't
23 identify where it came from. Maybe if you can loot:
24 at that and see if you recall reviewing it?
25 A Appears to he from Sparks , Nevada would appear and I
j -
10
1 don 't recall reviewing this specific document .
2 Q There is an ordinance from Las Vegas , Nevada about
3 sexually oriented businesses.
4 A I don't recall reviewing that .
S Q There appears to he a synopsis of cases , legal cases
6 and legal principle, relating to the control or
7 regulation of adult businesses and/or merchandise.
8 A I am not positive on that document . I would guess
! 9 that I probably did review that particular document ,
40 but I can't tell you for certain the date.
'll Q County Council of the Prince George 's County
(s( :12 Maryland, a zoning bill , did you review that
43 document?
.14 A I don't specifically recall reviewing that one.
15 Q A San Diego, ,California adult entertainment ordinance
16 of some sort .
, 17 A I don't recall specifically that document .
118 Q And then finally there appears to he a cutout from
, 19 the Seattle Times April 11. , 1980, regarding adult
20 theater owner in Des Moines suing over a community
21 impact licensing ordinance.
22 A Okay. I am not certain whether I saw that document
23 or it came up in the testimony during one of the
24 Planning and Development Committee meetings , and I am
25 aware of the general content of that document .
C
sl ,
1
s '
11
J '
1 Q You aware that kind of ordinance has been found
2 unconstitutional?
3 A I am not certain that I am aware of that .
4 MR. KELLOGG: Off the record.
5 (Discussion off the record)
6 BY MR. BURNS:
7 Q Now Mr. Clemens , as I recall your testimony at the
8 hearing on a Temporary Restraining Order , you
, 9 indicated that you reviewed a summary of findings and
10 conclusions of the City of Seattle relative to the
11 adoption of their zoning ordinance for adult
112 theaters . Is that a fair summarization of your
13 testimony?
' 14 A That 's correct .
1S Q Which of these documents , if any, were you referring
16 to?
17 A In particular , the synopsis of the } ate uFfem
18 CA At 'on,>:a lUbM hie M p i e o_ A d s t he-a t e.
19 5,�e by Dona N. Clouc'_ sistant corporation counsel
20 for City of Seattle. Particularly was speaking to
21 those two documents .
22 Q So you're referring to the Supreme Court decision and
23 a discussion of legal cases by Dona Cloud relative
24 to the propriety of regulating adult businesses ; is
( I 25 that correct ?
i
12
1 A Yes . Her report also includes a summary of the
2 Seattle experience.
3 Q Did you ever look at the studies , the underlying
4 studies that were done by the Planning Department or
' 5 the Planning Commission in the City of Seattle
' 6 relative to the effects of adult businesses on
7 residential communities?
8 A Not prior to the adoption of the Ordinance.
9 Subsequently I have reviewed them as -- at the
10 request of our attorneys office and with regards to
11. this litigation.
12 Q So prior to that , you have never reviewed the studies
13 themselves or any summary or conclusion of the
i14 studies themselves other than in the context of these
15 two documents .
, 16 A That 's correct .
17 Q Now, I had asked and in request No. 6 for all crime
18 reports generated by the City of Renton police
19 department in the past five years relative to any and
' 20 all crimes associated with adult businesses together
21 with any and all crime reports relating to
22 prostitution and assault within the City of Renton.
23 The response that I received yesterday indicated that
24 there were none. By that should I take it that there
25 have been no arrests for assault or prostitution
13
11 within the City of Renton within the past five years?
2 MR. BARBER: Object to the form of the
3 question. Also there is no foundation. If I may,
4 Mr. Burns , I believe the response refers to your
5 request for production of documents to the City of
6 Renton; is that correct?
7 MR. BURNS: Right .
, 8 MR. BARBER: Well , our response to that
9 request for production of documents , of course, would
110 encompass city officials other than Mr. Clemens and
111 without a sufficient showing of foundation that Mr.
12 Clemens would have any knowledge in this area , I
' 13 don't think his testimony would he of any probative
14 value.
15 BY MR. BURNS:
16 Q Within the scope of your knowledge, can you tell me
17 whether it is fair to assume from this response that
18 there are - - there have been no arrests for
19 prostitution?
20 A I have no way of knowing.
21 Q Do you know of any arrests for prostitution? .
22 A I don't personally know of any. j
23 Q Do you know of any arrests for assault? \
24 A I am not aware of any police reports .
1: 25 Q Now, you testified I believe at the Temporary
•
•
14
1 Restraining Order hearing that you perceived two
12 adverse effects from adult businesses located within
3 the City of Renton, those being an increase in
4 prostitution and assaults . Is that an accurate
5 recollection of your testimony?
' 6 A I believe the testimony was that there would he an
7 increase in crime generally of the two types that you
8 have just described.
9 Q On what do you base your opinion that there would he
' 10 an increase in crime of those types?
: 11 A To the best of my recollection, there was discussion
' 12 at at least one of the policy or planning development
13 committee meetings at which there was testimony given
14 that crime of that type would be or could be expected
15 with the implementation of adult entertainment land
16 uses .
17 Q Did that testimony come from citizens or from a
18 police department member?
19 A I do not recall specifically.
20 Q Did you attempt to verify in any way that adult
21 businesses , the location of adult businesses , would
' 22 lead to an increase in the crimes of prostitution and
23 assault by checking with the police department in any
24 localities where adult businesses are located?
25 A No, I did not .
15
J
1 Q Did you check with the City of Tacoma in any way?
2 A No, I did not .
3 Q Or the City of Seattle?
4 A No.
5 Q Or the City of Bremerton?
6 A No.
7 Q City of Pascoe?
8 A No.
9 Q City of Spokane?
;10 A No.
11 Q So the Planning Department , through you, did nothing
' 12 to verify or substantiate the assertion that someone
�216(-
---J ' 13 made at a policy and planning committee meeting that
, 14 the location of adult businesses in the City of
' 15 Renton would lead to increase in the crimes of
16 assault and prostitution.
17 MR. BARBER: Object to the form of that
18 question.
19 A The only independent verification that we did was the
20 review of some of the documents that we have already
21 discussed, and to the best of my recollection at this
' 22 point, there was discussion of increased crime
23 activity that could be expected to\ he related to that
24 type of use.
25 /////
16
1 BY MR. BURNS:
2 Q Which documents did you review which indicated that?
3 MR. BARBER: Can we take a recess for a few
4 minutes while Mr. Clemens reads those through?
5 (Short recess taken)
6 A The two places that the -- first the State Supreme
7 Court 's synopsis and the synopsis from the Seattle
8 city attorneys office, both indicate that the
9 planning or the department of community developments
'10 report to the Planning Commission and ultimately the
, 11 City Council suggested there would be an increase in
12 crime with those types of uses . And I relied on that
' 13 information.
14 BY MR. BURNS:
15 Q You also indicated that you had discussions with
' 16 somebody. Who did you discuss it with?
17 A I don't recall any discussions prior to the
18 Ordinance. I have subsequently had discussions with
19 the City of Seattle.
20 Q But nothing prior to the Ordinance.
21 A Not to the best of my recollection.
22 Q So the only thing that you relied on there would he
23 an increase of the crimes of assault and prostitution
24 is the comments in the Northend Cinema vs . Seattle
(. ; 25 case?
V
•
17
1 A That 's correct .
2 Q Now, I think you also testified that there was some
3 concern that there would he an adverse effect on
' 4 property values . Is that correct?
5 A That 's correct .
16 Q Did you contact any businesses that were located next
i
7 to adult businesses anywhere in the State of
8 Washington to determine whether there had been an
9 adverse effect on property values?
'10 A No, I did not .
11 Q On what did you base your conclusion that there would
12 be an adverse effect on property values?
('*'
: 13 A Specifically, again, the same documents related to
' 14 the Northend Cinema case in the City of Seattle.
, 15 Secondarily, also some prior testimony that I had
16 received in my position with the City of Milpitas ,
17 California related to an adult bookstore case. There
18 was testimony given in that case that the uses in the
19 immediate vicinity of that adult bookstore were being
20 adversely affected by reduction in customer trade .
21 Q But you didn't undertake anywhere to make an
22 examination of that fact to underlie or did you at
23 that time . in Milpitas undertake any examination to
24 verify whether that assertion was correct or
l25 accurate?
+ n
18
1 A No, sir, I did not .
2 Q Did you do anything here to gather any empirical
'3 evidence to establish whether that assertion that
4 there would be an adverse effect on property values
5 was true or accurate?
6 A No, sir, I did not .
/ Q So you relied merely upon the assertion rather than on
8 any empirical evidence.
9 A That 's accurate.
10 Q Now, are there other adult type businesses in the
11 City of Renton other than adult motion picture
12 theater?
' adult motion picture theater
13 A I m not aware of even an a L t m o r ctur th at r
14 in the City of Renton.
15 Q Are there bars?
16 A Yes, there are.
117 Q Taverns?
18 A Yes .
19 Q And those are businesses that are limited to persons
'20 over 21 years of age?
21 A I believe that 's correct .
22 Q And do you have an estimate of how many bars and
23 taverns there are within the City?
124 A I don 't believe we have ever prepared an accurate
t 25 count . I would certainly say there are numerous .
t
19
_.J
1 Q When lou say numerous , can you give me a rough
2 estimate of numbers?
3 A Probably a dozen, give or take a dozen.
14 Q So anywhere from 12 to 24?
5 A That 's possible. As .I say, I don't believe we have
. 6 ever done an accurate study of how many.
17 Q Are there any locational restrictions on bars or
' 8 taverns?
' 9 A No. It is my understanding that the local
i0 municipalities are preempted by the states regulations .
11 Q Are there any adverse effects as a planner that you
'12 see that are associated with locating bars and taverns
i
13 in any areas of the City?
14 A As a planning professional , I have some difficulty with
15 bars and taverns in neighborhood shopping center types
' 16 of locations . They, as a land use activity, would tend
17 to he a use that is not similar in my view to a
18 neighborhood commercial activity, but would he more
19 consistent with a general business area or central
' 20 business district .
21. Q As a planning professional , what would he your
22 opinion as to an appropriate land use area for a
23 motion picture theater?
24 A Depending upon its scale, it might be appropriate in
r (: 25 a neighborhood shopping center , hut most likely in an
1-1
•
•
•
20
1 area where more general business activities occur.
j 2 Q As a land use professional , would it be a good
3 planning concept to locate a motion picture theater
4 in a heavy industry area?
5 A In general, I wouldn't find that inconsistent with
6 good land use practice.
7 Q Would you find it consistent to have a general
, 8 commercial kind of project like a motion picture theater
9 in amongst warehouses and railroad and things of that
110 nature?
11 A D e o e_ndtiing; pawn; he saps cirftirc I"oyeattitan ittivei3g t h e
12 Lv'e y appropriate. If it 's on a major arterial in an
13 industrial area, it would provide an excellent
1.4 opportunity for shared use of parking, different Ali
15 traffic pattern us•a•g'es wh ch would make better use
16 then n fop oar
17 Q From a land use point of view, generally would you
18 agree that a motion picture theater is a commercial
19 oriented kind of business?
1 20 A Yes , I think that 's a reasonable assumption.
21 Q From a planning point of view, where do commercial
22 businesses tend to locate?
23 A Generally speaking, in areas where there is other
24 commercial businesses generally of the same nature or
25 intensity.
21
J
1 Q And the purpose of locating in those areas is what?
' 2 A Compatibility of use, sharing of customer trade and
1
3 traffic, activities of that type.
4112
Q Now, the only distinction between a motion picture
I
5 theater and adult motion picture theater is defined by
6 Ordinance No. 3526 is the image on the screen, is it
7 not?
8 A I believe that ' s the case, yes .
9 Q And what operational characteristics as a land use
10 professional do you find different between an adult
1 11 motion picture theater and a motion picture theater,
12 period?
L 1
13 A The major difference would typically be the amount of
14 traffic and where that traffic was coming from.
15 Generally speaking, adult theater , because of the
16 fact they are not extensively located throughout the
I
17 general market area , would draw from a larger area
18 than a general audience theater .
19 Q And on what basis do you make that conclusion that
i
1
20 they would draw from a larger or different area than a
21. general release theater?
22 A Primarily on the basis of the Northend Cinema documents ,
23 which we previously discussed, and it appears consistent
24 in my own analysis of the availability of those types of
(. ' 25 theaters in the general market area.
l�
•J s _
22
,1 Q Are there any other operational characteristics of .
2 adult motion picture theater that you find different
3 from a regular or general release motion picture
4 theater?
5 A The other potential impact could he the manner in
' 6 which advertising signs are utilized on the structure
7 itself.
i8 Q Any other operational characteristics that you find
different between the two uses?
10 A Not that come immediately to mind.
ill Q Does the City of Renton have a sign code?
12 A Yes , it does .
13 Q And does that code regulate the size, kind and
14 quality of material that can be placed on various
15 businesses?
116 A Only dimensional criteria.
17 Q Does the City of Renton have a traffic code?
18 A I believe that it does .
19 Q And to your knowledge and belief, does the City of
'20 • Renton enforce that traffic code?
21 A I would assume that it does , if it has one.
22 Q And can you identify for me now any other operational
23 characteristics that you deem to he different between
24 an adult motion picture theater and a general release
25 motion picture theater , other than the two that you
t
i n
23
I
1 have identified, traffic and signing?
2 MR. BARBER: Object; it 's been asked and
3 answered.
4 A I can't think of any others .
5 BY MR. BURNS:
6 Q Is topless dancing a permitted use in or permitted
7 activity in the City of Renton?
8 A No, I believe it is not .
9 Q Didn't it used to be?
10 A It may have been prior to my coming to the City. I
11 am not familiar with the -- those regulations there in
12 the police code.
13 Q Are massage parlors a permitted use?
14 A I really don't know the answer to that . It is not
15 regulated by the zoning code, which I am familiar
16 with.
17 Q Do you know if there are any massage parlors in the
18 City?
19 A I frankly do not know.
20 Q Who is responsible for drafting this Ordinance , 3526?
21 A I believe that it was drafted by the City Attorneys
22 office following the discussions which we have
23 previously gone through.
24 Q At what point in this process was it drafted? Was it
(l 25 drafted before you got to the Planning Commission or
n I
24
j
1 was it drafted after it was referred hack to the
2 Council by the Planning and Development Committee? At
3 what point in time was it drafted?
j 4 A To the best of my knowledge, the Ordinance was
5 drafted after the Planning and Development
111 6 Committee's report was actually issued. I believe
7 that was contained in one of the documents that you
8 received.
9 Q I see from the minutes that I got that - - apparently on
110 March 5th or 6th of 1981, the planning development or I
111 think that was the date, maybe it was April -- on April
12 6th, 1981 , the Planning and Development Committee report
was referred to or the Planningand Development
13
14 Committee made its report to the City Council . The same
15 minutes reflect the matter was referred to Ways and •
i
16 Means for an ordinance. Is that the normal procedure?
17 A Yes , it is .
18 Q But I also see in those same minntcs that the
119 Ordinance had its first reading on that same day at
li
20 the same Council meeting. Is an ordinance read
I21 before its been drafted?
22 A No. The procedure that was used there is not
1 23 unusual . The -- in the case in question, the
24 Ordinance was being drafted at the direction of the
75 Planning and Development Committee for transmittal to
25
. 1 the Ways and Means Committee concurrently with the
2 transmittal of the committee's report to the Council ,
3 and the two were available simultaneonsly.
4 Q So the Ordinance was drafted sometime before the
' 5 committee 's report was made to the full Council ; is that
; 6 correct?
7 A That would be correct .
8 Q Did the Planning Department have any input into that
9 Ordinance?
1
10 A Not specific input into the precise wordage of the
i11 Ordinance. We did discuss on numerous occasions with
12 the committee what standards might he appropriate in
113 the Ordinance.
, 14 Q Now, I have been going over the affidavit that you
, 15 committed in opposition to the motion for a Temporary
16 Restraining Order , and it says at Page 2 that "I was
17 present at all meetings of the City Council and its
18 Planning and Development Committee." That appears to he
19 different than your testimony yesterday wherein you
20 indicated that you didn 't think you were at certain
21 meetings . Based on your present recollection, were you
22 present at all meetings of the City Council and its
23 Planning and Development Committee?
24 A I believe the statement that I made yesterday is the
25 best of my recollection is that I was not present at
26
1 the Council meeting where the second reading and
2 adoption of the Ordinance occurred.
3 Q So it would only he that last meeting.
4 A Yes .
IS Q Now, in your capacity as acting planning director
6 and senior planner and all those other capacities
7 that you held, were you responsible for preparing the
8 material that was presented to the City Council and to
9 the Planning and Development Committee?
10 A It depended upon the nature of the discussion before the
11 committee. If it was issues of planning policy and
'12 similar nature, we would typically prepare a memorandum
11.3 or he prepared to discuss in the committee meeting on
14 the floor a particular issue.
! 15 Q You have handed me a lot of reports and studies that --
16 some of which you looked at and some of which you didn 't
117 look at . Can you tell me which of these reports and
18 studies , if any, were actually given to members of the
19 Planning and Development Committee?
20 A I frankly don 't recall whether any of them were given
H21 to the committee.
22 Q On what did the committee then base its decision?
23 A The oral testimony of ourselves , the attorneys
24 office, the members of the public that spoke at the
25 public meetings .
27
11 Q Did the Council , any members of the Council , to your
2 knowledge, receive any of these reports?
3 A I don 't have independent knowledge of that .
4 Q So to your knowledge you don't know one way or another .
5 A I don't know either way.
6 Q You attended, I take it , the first City Council meeting
7 where the first reading was had.
8 A That 's correct . •
9 Q And I listened to a tape of that meeting this
10 morning. Was there, to your recollection, any
11 discussion or report made by your planning group to
((I 12 the City Council relative to this Ordinance?
1.3 A Not to. the best of my knowledge.
14 Q Did the City Council , to the best of your knowledge
115 and recollection , consider anything other than the
16 written report of the Planning and Development
17 Committee?
18 A Not to the best of my knowledge and that would he
19 standard practice.
20 Q Did the City Council as a whole hear any public
21 testimony, to the best of your recollection?
22 A I don't recall whether there was testimony on the
23 floor that night or not . I know there was discussion
24 among the members , but whether there was independent
25 testimony, I don 't recall at this time.
i r
' u
28
1 Q This Ordinance and all the empirical data that we have
2 gone through here appears that this started out as an
3 adult entertainment use Ordinance; is that correct ?
4 A The general topic was referred originally to the
5 planning development committee, that 's correct .
6 Q Based on your attendance at all these meetings , how
7 did it evolve that adult motion picture theaters were
8 singled out for special treatment as opposed to other
9 adult entertainment uses?
10 A i'y—recollectton was that a-s--the—discussion 'evolved; ,the
11 conclusion was there were basically two types of 1
12 activities which the City would have an interest in
13 regulating. The first was theaters , the second was
14 b,po3k�stoses And after extensive discussion among the
15 members of the committee, the conclusion was that the
I � .
I
16 4ult bookstore issue would be much more difficult cd
17 much more delicate to regal-a:te=an=dhey=has—e=on1X to
18 MET- ud-e=ax-ryLt—th-e-a.t=er s .
19 Q On what basis did they come to that conclusion?
20 A At least in part based upon the discussion provided by
21 the City Attorneys office as it relates to the
22 background of other cities ' ability and luck in the
23 courts .
24 Q Did they feel that was a general tenor of the
25 discussion; they felt that somehow bookstores had more
29
(,
1 of a first amendment protection than movie houses?
2 MR. BARBER: I object; calls for speculation.
3 A That may have been the case.
4 BY MR. BURNS:
5 Q Were any changes made to the Ordinance along the way
6 after it was drafted?
7 A Not to the best of my knowledge.
8 Q
In a memorandum submitted to the Court by counsel for
9 the City, they have said that the interpretation of the
1.0 Ordinance that adult motion picture theaters are allowed
11 as a matter of right in the B-1 zone is a well
12 publicized administrative view of the City of Renton --
13 or let me read the sentence in entirety. "That
14 interpretation is contrary to the well publicized
15 administrative view of the City of Renton that adult
16 movie picture theater is a permitted use of B-1 and more
17 intensive land use zoning classifications currently in
18 use with the City of Renton except to the extent that
19 the specific uses prohibited by the terms of said
20 Ordinance" and so forth and so on. Are you aware of any
21 well publicized administrative view of the City of
22 Renton that adult motion -- movie picture theater is a
23 permitted use within the B-1 zone?
24 A That has been the contention of our department since the
25 issue originally came up. It is , to the best of my
!_1
30
1 knowledge, everyone who has discussed the matter has
2 assumed that that was the case.
3 Q Well , when did the issue first come up, when this
4 litigation was started?
5 A No, sir.
6 Q It says well publicized administrative view. Has it
7 were been publicized, this administrative view?
8 A It has certainly been on the Council floor at least
9 once at the time that the Ordinance was originally
' 10 adopted.
11 Q Would that be the meeting of April 6th where it was
12 read for the first time?
'
13 A It could have been or it could have been prior to
14 that . I don't recall specifically.
15 Q Has there ever been any press release about this?
16 A Not to the best of my knowledge.
17 Q Has it ever been publicized as you understand that
18 term?
19 A I know that there were several articles in the Renton
20 or, I 'm sorry, ,in the Record Chronicle, the City's local
21 paper , which discussed the topic and it may have been
22 included in those topics , hut I can 't say specifically.
23 Q Now, I listened to a tape this morning of the meeting of
I `
24 April 6th, and one Council man asked the question "is
((l 25 there any place where these businesses can locate ," and
$
31
1 the Mayor , I think, deferred to somebody in the Planning
' 2 Department and somebody in the background said "yes ." Is
' 3 that the publication that you are talking about at the
4 Council meeting?
5 A It could have been.
6 Q Can you give me any specific or identify any specific
7 instance where the view that an adult motion picture may
8 locate in the B-1 and more intensive land use
9 classifications has been publicized other than what you
10 have already described?
11 A No.
12 Q You cannot give me a specific example today?
13 MR. BARBER: Objection; asked and answered.
14 A Other than what we have already discussed.
15 BY MR. BURNS:
16 Q We talked yesterday about a determination or a
17 hypothetical example where there was some contest as
18 to whether or not an adult motion picture theater would
19 be allowed in the B-1 zone, and do you recall that
20 hypothetical discussion that we had?
21 A There were several . I believe that I recall it .
' 22 Q And you indicated that if there were a dispute as to an
23 interpretation whether a use was a permitted use or not
24 permitted use, if the applicant felt aggrieved by that
25 dispute, with the administrative people here, he could
` 32
1 appeal that to a city hearing examiner. Do you recall
' 2 that testimony?
3 A Yes.
• 4 Q Now, that appeal to the administrative hearing examiner
5 would be pursuant to Chapter 30 of Title 4, if I
6 understood your testimony?
7 A That 's correct.
8 Q And the hearing examiner would exercise during that
9 process the discretion that is vested in him to make
10 determinations based upon the goals and policies and his
11 judgment of how those things relate to the particular
F 12 use in question; is that correct?
13 A That 's correct .
1
14 Q Now, those procedures provide specific procedures for
15 the hearing examiner to follow and they set down
16 guidelines and time periods within which he must act ,
J7 isn 't that correct?
18 A That ' s correct .
19 Q And I take it that both from that appeal of that kind of
'20 determination where there has been a dispute about an
121 administrative interpretation and also from the denial
22 of a conditional use permit , the appropriate appeal
23 would then he to the Ctty Council , is that your
' 24 understanding of the zoning procedures?
25 A No. In the case of administrativeappeal , the appeal
A
33
J ,
it of the examiner 's decision is to Superior Court .
2 Q Okay. Could you show me that portion of the- -
3 A I have got it here.
4 Q Which section is that?
5 A Would he Section 4-3011 capitol letter B, Paragraph 5.
6 Q May I see that?
7 A Sure. It is this paragraph here.
8 Q So the appeal from the administrative determination
9 would be to the hearing -- the Superior Court .
10 A That 's correct .
Ill Q Now, the appeal from a denial of a conditional use,
12 would that go to the City Council?
c 13 A To the City Council, that ' s correct .
14 Q In the provisions, these administrative provisions ,
15 is there any requirement that the City Council make
16 the decision within a certain period of time? The
17 applicable provision that I found , just to help you
18 out , was 3017 .
19 A There doesn't appear to he a specific time limit
20 established.
21
MR. BARBER: Move to strike the answer on
22 the basis it calls for a legal conclusion.
23 BY MR. BURNS:
24 Q To your knowledge, Mr. Clemens , was there anything
(6 25 other than the documents we have seen here today
4
a 1 4
34
C
, 1 considered by the Council or planning development
' 2 committee, if they considered what we have seen?
13 A Not to the best of my knowledge.
i4 Q Mr. Clemens , document Request No. 4 requested all
5 information, studies or other documents relative to
6 the effects of adult businesses on property values in
7 neighborhoods of the City of Renton. In response,
, 8 this packet of documents in an envelope entitled or
19 with a tag on it "Answer No. 4" were produced. To
10 the best of your knowledge, are those all the
11 documents that would be responsive to that request?
12 MR. BARBER: Again, subject to the same
Plaintiffs 'response
City's to the
13 limitation to the y
14 request for production, which may encompass staff of
15 the City of Renton other than Mr. Clemens .
16 MR. BURNS: I am presuming the City
17 produced everything and didn't hold hack at all .
18 MR. BARBER: The City complied with the
19 Federal Rules of Civil Procedure.
20 A To the best of my knowledge, these are the documents
21 that were presented.
122 BY MR. BURNS:
123 Q There are two packets of documents included in that
24 response. One being a letter, one being a three-page
'25 packet which is headed by a letter dated March 4 ,
35
J '
1 1981, to the Renton City Council from Robert L.
2 Anderson, accompanied by a two-page document which
3 contains a list of names and some locations . Could
4 you - - and other notations . These two pages , which is
5 a list of names, what is that, to your knowledge?
' 6 A To the best of my knowledge, this is a list of the
7 persons that 'testified -- at least it is a partial
, 8 list of the persons who testified at the MarchSth,
9 1980 meeting -- '81 . I lost a year. The public
10 meeting which was held by the Planning and
11 Development Committee to discuss this subject .
12 Q Do you know who prepared that list?
( 1
13 A I 'm not totally familiar with the handwriting, but
14 believe it was a member of the Council 's committee.
15 Q That would be the planning development committee, one
16 of the members of that committee?
17 A Yes, that 's correct .
, 1.8 Q Was there a sign-in sheet for the public; is that
19 typical procedure here in Renton?
20 A No, there was none and is not a typical procedure.
21. Q The next is a packet of notes which appears to
22 describe in a little more detail the testimony of
23 certain people. Are you familiar with that document ,
24 have you seen it before?
4: 25 A Yes , I have.
LJ
, I -
36
11 Q Who is the author of this document?
2 A The assistant city attorney, Mr. Kellogg.
3 Q And do you know when that document was prepared?
4 A I did not see it prepared. I can only conclude from
5 the notes at the top it was prepared at the meeting
, 6 or immediately subsequent to the meeting of March 5th,
7 1981 of the planning development committee.
8 Q Question No. 10 asks for all interdepartmental
9 memorandums , correspondence or other
10 communications between agents , servants , employees
11 and/or elected or appointed officials of the City of
12 Renton relative to Ordinance No. 3526 . I am handing you
came from an envelope 13 a packet of documents which with
14 the "Answer to No. 10" on a label on it and ask you to
115 review that and tell me if you know of any other
16 documents which would he responsive to this request
17 which are not included in that packet?
18 MR. BARBER: Again, I reiterate the
19 comments I made previously with regard to this
20 request for production from the plaintiff and not
21 items that were specifically sought by way of
22 subpoena duces tecum to Mr. Clemens .
1
23 \ A I am not familiar with any documents other than these.
24 BY MR. BURNS:
25 Q Mr. Clemens , the first document in this pile is a packet
1
37
1 that 's headed by large letters that say "notice
2 environmental declaration." Are you familiar with this
3 packet of documents?
4 A Yes, I am.
5 Q What 's the purpose of this packet of documents?
6 A The documents contained in that packet are the
7 environmental review that was prepared by the City in
8 response to the State Environmental Policy Act as it
9 relates to the Ordinance in question.
10 Q Is it typical to do these things before or after an
11 ordinance is enacted?
12 A Depending on the circumstances , they may occur either
13 way.
14 Q How is it normally done?
15 A I would say the most frequent is probably prior to.
16 Q What ' s the process that these things have to go
17 through to get done?
18 A The process involves a circulation to city departments
19 for their review, and you will note there are checklist
20 review sheets contained in that packet . Those review
21 checklists , along with the original environmental
22 checklist which is specified in the state regulations ,
23 is reviewed by the City's environmental review committee
24 and a declaration is prepared and sii'isequently
25 published .
41
38
1 Q Is the purpose or let me ask you, what is the purpose
2 of going through this whole procedure?
I3 A To determine whether the action could have a
14 significant adverse impact on the environment .
, 5 Q And is this material in the general and ordinary course
6 of things made available to a City Council or to any
7 committee thereof prior to their acting so they are
, 8 aware of any problems the City may foresee?
I9 A They are certainly available as public record. They
10 are typically not even discussed except in the case
ii where an environmental impact statement is prepared.
((i12 Q And are these prepared according to some state law?
13 A Yes, they are.
14 Q Do you happen to know what law that is?
15 A I can't give you the precise quote, but it is the State
16 Environmental Policy Act .
17 Q Now, if I read this right , this final declaration of
18 nonsignificance was prepared on April 15 or reviewed
19 on April 15th 1981 , which would have been a couple of
20 days after the enactment of Ordinance No. 3576 ; is that
21 correct?
22 A Yes , the review date is April the 15th. I don't
23 recall at this moment what the date of the adoption
24 was .
(1: 25 Q And in going through this , I see a number of checklists
a "
(71
39
which you talked about or review sheets with the heading
' 2 of the department that did it . And it has got a date at
3 the top "circulated 4-15-81." Is that the date it is
4 actually circulated?
: 5 A That would typically be the case.
6 Q And then down at the bottom it appears somebody signs it
7 and dates it again?
8 A That would -- appears to he the case, yes .
9 Q In the typical procedure, the date at the top, is that
10 the -- generally the date when it is first sent out and
11 the date at the bottom is the date of action by the
12 indicated entity or department?
13 A Yes . I would assume that 's the case.
14 Q Now, what use is made of these things once, you know,
115 say somebody comes back and they say there may he an
' 16 impact or there may he something wrong. What use is
' 17 made of these things?
; 18 A If there is a question that is raised during the appeal
19 period, the examiner initially would review those
' 20 documents and any testimony for and against .
21 Q During what sort of appeal period ; how would an
22 appeal period apply in adoption of an ordinance?
23 A The appeal period from any decision of the
24 environmental review committee is 14 days from the
25 publication of the notice that they have taken an
•
40
action.
2 Q Now, on April 15th, was Steve Munson an assistant
3 planner with your department?
i4 A Yes , he was .
5 Q And were you his superviser at that time?
' 6 A Yes , I was.
7 Q And on -- and he prepared the environmental checklist
, 8 review sheet for the Planning Department apparently;
9 would you agree that he did that?
10 A Yes, he did.
11 Q Now, he says in one of his conflicts that the or under
12 heading "land use conflicts ," that it appears he says
13 "possibly may be too restrictive to he practical" ; is
14 that what he said there?
15 A That appears to be what is stated on this sheet , yes.
46 Q Was that concern by the planning - - as expressed by him
17 on the Planning Department ever brought to the attention
18 of anyone?
19 A Yes , it was .
20 Q Whose attention was it brought to?
!21 A The environmental review committee.
22 Q And who makes up the environmental review committee?
23 A The environmental review committee consists of - - at
' 24 that time consisted of the acting planning director , the
25 building official and acting public works director .
41
_J
1 Q So you were on that committee?
2 A That 's correct .
3 Q And did you meet to consider this comment?
4 A Along with all of the other comments.
5 Q I don't really see any other comments going through
6 here. When did you meet?
7 A On I believe you stated it was the 15th of April .
8 Q And what discussion, if any, did you have about this
9 comment at the environmental review committee meeting?
110 A We discussed the intent of the Ordinance, what its
111 general application would be and concluded after
12 review that the Ordinance had no significant
(1 ,
13 environmental impact.
14 Q Did you discuss whether it was too restrictive to be
115 practical from a land use conflicts point of view?
16 A I don't specififully recall whether we evaluated that
17 precise comment .
18 Q Has that comment ever been evaluated?
19 A Yes , I believe it has .
20 Q When was it evaluated?
21 A It was evaluated in a broad sense at the time that the
22 Ordinance was adopted and more specifically since
23 this litigation has commenced.
24 Q And I take it that it is your -- strike that .
(I 25 Your affidavit dated January 27 , 1982 , at
A(I 42
1 the bottom of Page 3 indicates that "the testimony
2 presented to the committee consistently noted adverse
, 3 impact upon neighborhoods and businesses within the
4 City of Renton, in the event that adult entertainment
5 and land use was established in close proximity to
6 schools, churches , public or quasi public buildings ,
7 businesses and residential uses or zones ." What
8 particular adverse impact was noted, if any, upon a
9 school from the operational characteristics of an
10 adult motion picture theater?
111 A To the best of my recollection, at this time, the
12 comments that were made suggested that an adult
13 entertainment use in the vicinity of a school coul1
14 have an adverse impact on children either going or
15 coming from school and that , secondarily, that there
' 16 could be adverse impacts on the ability to teach
17 children in that environment .
18 Q What adverse impacts would there he on children? How
19 would the mere image on the screen inside the
20 building affect children?
21 A As I recall the concerns , the public testimony was
122 that the material could have an effect on the people
, 23 going and coming from the theater and that as a
24 result the children being educated could he
25 affected.
43
J I
1 Q How?
2 A I am not sure that I can answer that .
3 Q So there was a perceived adverse impact , hilt you
4 can't identify for me today exactly what that impact
5 would he.
6 A I think that 's correct .
' 7 Q Let me ask you the same question with respect to
8 churches . What adverse impact would the operational .
19 characteristics of an adult motion picture theater have
10 on churches?
11. A I believe that one of the characterizations made in
c- 12 the public testimony was that some parishioners might
u 13 choose not to attend churches in the vicinity of
1-4adult motion picture theaters .
15 Q But would wash -- was there any testimony the
16 location of an adult theater would adversely affect the
17 church other than some people may not want to po to
18 church?
19 A To the best of my recollection, that ' s the gist of
20 the testimony that was heard.
21 Q With respect to public or quasi public buildings ,
22 what effect , adverse effect , would the operational
23 characteristics of an adult motion picture theater `
,24 have on those kinds of uses?
F 1: ,25 A I believe in particular the comment related to public
44
1 parks and it followed the same general area of
2 concern as was related to schools.
3 Q And you can't identify what those impacts would he,
4 just that people were concerned.
5 A That 's correct .
6 Q Is it a fair assessment of what you're telling me
7 that the City and/or the legislative body perceived
8 that there may be problems , but they couldn 't
9 identify what those problems were specifically, but
10 they tried to cure them anyway?
11 MR. BARBER: Object to the form of the
12 question. Misstates the testimony of the witness and
13 calls. for speculation.
14 MR. BURNS: You can answer, if you can.
15 A I don't know what was in the Council 's head.
16 BY MR. BURNS:
17 Q We talked about the adverse impact on businesses , I
18 think, property values is one adverse impact that
19 businesses perceived; is that right?
20 A Yes .
21 Q Are there any other adverse impacts that you can
22 describe to me today that were considered at the time
23 the Ordinance was adopted that the operational
24 characteristics of an adult motion picture theater
25 would have on businesses ?
45
1 A I can 't recall any at this time.
2 Q And what operational characteristics of an adult
3 motion picture theater would adversely affect
4 residential zones or uses?
5 A I believe it was the same area of concern as with
6 schools and parks .
7 Q In other words, somebody perceived there may he
8 adverse impacts but couldn't identify what those
9 specific effects or adverse impacts would be?
10 A I can't restate them for you, no.
11 Q So there is no way for us to determine today exactly
1.2 what the governmental` purpose was in enacting this or
13 what evils the government entity was trying to cure;
14 is that accurate?
15 MR. BARBER: I object to the form of the
16 question; again, calls for speculation on the part of
17 the witness and also somewhat misstates this witness '
18 testimony.
19 BY MR. BURNS:
20 Q Can you identify with particularity today or is there
21 any way we can identify with particularity today the
22 evils which this Ordinance, 3526 , was aimed?
23 MR. BARBER: Object to thi's question, it is
24 vague and ambiguous what is meant by evils .
25 MR. BURNS: You can answer .
1_ 1
• 1 4 4
46
1 MR. KELLOGG: The question is over-broad,
2 Jack, and vague.
3 MR. BURNS: Let him answer it . I will get
4 an over-broad and over-vague answer.
5 A I don't know what the Council was specifically
6 thinking.
7 BY MR. BURNS:
8 Q What can you identify today or is there any way we
9 can identify today the specific adverse impacts on
10 schools , churches , children, that the legislative
11 entity, the Council , was trying to cure by the
12 enactment of Ordinance No. 3526?
((-
13 MR. BARBER: Object again; calls for
14 speculation from this witness as to what the
15 legislative body or Council had in mind.
16 A I don't know how I can answer it .
17 BY MR. BURNS:
18 Q Are you telling me you can't identify them?
19 MR. BARBER: Objection; that misstates Mr .
20 Clemens' testimony.
21 A I don't know -- I cannot specify what the Council was
22 thinking.
23 BY MR. BURNS:
24 Q Is there any document that we can look to or any
( ( 25 record that we can look to to determine the exact
,
4c, . 47
1 adverse impacts of adult uses on churches , schools ,
2 children and public parks and residential zones that
3 the Council was directing its attention to he?
4 A I do not know of any such document .
5 Q Or any record or any recording.
6 A Not to the best of my knowledge.
7 Q On Page 4 of your affidavit , you indicate that
' 8 several speakers noted that adult theaters and other
9 similar uses are not similar to other commercial
10 activities and their impact extends beyond the limits
11 of the immediate location. The fact that the impact
12 of a commercial activity may extend beyond the limits
13 of the immediate location i is notan unusual
14 occurrence, is it?
15 A Doesn't typically occur in a commercial area ,
16 although it could. The typical place where land use
17 impacts extend beyond would more generally be related
18 to more intensive uses , such as industrial uses .
19 Q You have a regional shopping center ; the impact goes
20 beyond the immediate location, doesn't it?
21 A Yes .
22 Q You have a general release theater like your Renton
23 Cinemas out here, that draws from a larger area than
24 the immediate area, doesn' t it?
'25 A Yes .
• r
(r- 48
1 Q Is that the kind of impact that you're talking about
2 or are you talking about some other kind of impact?
3 A In parts , speaking to physical impacts such as
4 traffic coming from outside of the general market
5 area of the City of Renton, but also expressing the
6 general concern, which we have discussed previously,
7 about secondary effect of adult entertainment uses on
8 other kinds of uses in the vicinity.
9 Q But you haven't been able to identify what those
10 secondary effects are with any particularity, other
11 than some concerns they may have effects; isn't that
4: 12 correct?
13 MR. BARBER: Objection.
14 MR. BURNS: You can answer .
15 MR. BARBER: To the form of the question..
16 And misstates testimony of the witness .
17 A I think you better restate it . T have lost it .
18 MR. BURNS: 1t'hy don 't it read it hack,
19 Peggy.
20 (Question read back)
21 A With the exception of the two that we previously
22 discussed of traffic and potential for -- three, I
23 guess ; traffic, potential for crime and potential
24 adverse of signing or advertising.
((- 25 /////
49
1.1
1 BY MR. BURNS:
, 2 Q So those are the three impacts that you're referring
3 to by that sentence on Page 4 of your affidavit .
4 MR. BARBER: Could we specifically refer to
5 the line, Mr . Burns?
6 MR. BURNS: The sentence that' s on - -
7 beginning at Line 5 and ending at Line 8. "Several
8 speakers noted,"--
9 A The three that I can identify at this time, based
10 upon my recollection, would be in that general area,
11 that 's correct .
12 BY MR. BURNS:
13 Q And at Line 15 , you talk about speakers commenting on
14 the adverse impacts of adult entertainment land uses
15 on property values within the business and
16 residential community. I take it from the your prior
1.7 testimony that you did no empirical studies , no
18 studies of any sort , you made no investigations of
19 any kind that would establish that adult
20 entertainment uses do have an adverse effect on
21 property values ; is that correct?
22 A Other than as previously testified to or reviewed of
23 the Seattle experience.
24 Q So your answer is no, you did not - - none of those
t25 things other than as ' previously testifie' to?
.
50
1 MR. BARBER: Objection as to the form of
2 the question. Misquotes the witness .
3 A I believe that 's correct .
4 BY MR. BURNS:
5 Q On Page 5 of your affidavit, beginning at Line 7 ,
6 you say "their conclusion was the public had
7 expressed sufficient concern in providing detailed
8 examples of the City of Seattle, Tacoma and other
9 cities to conclude that adult motion picture theaters
10 should be regulated within the City of Renton on the
O
11 basis of location." What detailed examples were
12 provided from the City of Seattle by the public?
13 A To the best of my recollection, one or possibly two,
14 I don't recall precisely at this time, parties that
15 lived in Seattle discussed with the Planning and
16 Development Committee the background of the events
1.7 that led to Seattle 's regulating ordinance.
18 Q What specific detailed examples were provided from
19 the City of Tacoma?
20 A Again, to the best of my recollection, the -- at the
21 time that our Ordinance was being drafted, the City
22 of Tacoma was in the midst of preparing a similar
23 " \ ordinance and testimony was given on the occurrences
24 in the City of Tacoma.
25 Q What occurrences in the City of Tacoma?
l
•
• •
•
51
1 A To the best of my recollection at this time, the
2 discussion was a general background of the problems
3 that led the City of Tacoma to consider legislation.
4 Q Was any testimony offered by anybody that -- from the
5 City of Tacoma about the particular problems that
6 they were having, if any, with adult businesses?
7 A To the best of my knowledge, no officials of the City
8 of Tacoma testified. There may have been persons
9 residing in the City of Tacoma that testified.
10 Q Can you recall with any particularity what they may
11 have said now about what was going on in Tacoma?
( 12 A Only to the extent that my recollection was that a
i` theater in a generallyresidential
13 general audience
14 commercial atmosphere had been changed to an adult
15 theater and that the neighbors and the community had
16 expressed sufficient concern that the Tacoma City
17 Council was reviewing the situation.
18 Q Was there any discussion that an adult motion picture
19 theater had, in Tacoma, had adverse impacts on the
20 neighborhood or the community?
21 A I can't specify any particular points that were
22 raised.
23 Q So your recollection of what happened in Tacoma was
24 something to the effect that people were expressing
4: 25 concern that the use of a particular general release
f .p L •
52
1 theater had changed from general release to adult
2 motion picture theaters?
3 MR. BARBER: Object to the form of the
4 question.
5 BY MR. BURNS:
6 Q Is that -- is that a summary of your recollection
7 today?
8 A As best I can recall it .
9 Q It says "and other cities ." What other cities did
10 they have specific detailed examples of?
11 A My recollection was that the City of Boston so-called
12 combat zone was raised as a discussion issue.
13 Q Is there anything in writing about that?
14 A Nothing that I am aware of, no.
15 Q How was it brought up?
16 A My recollection was that it -- one of the parties that
17 testified included reference to the Boston experience.
' 18 Q Did any official of the City of Tacoma do anything
19 that you know of to verify that there was any factual
20 basis for any of the assertions that were made by
21 anybody relative to the effects of adult uses upon
22 churches , schools , neighborhoods , residences or
23 anything?
24 A We never contacted - - I never contacted the City of
25 Tacoma, and I have no knowledge of what actions they
.
53
1 may have taken.
2 Q Do you know if anybody did anything to verify any of
3 the assertions that were made relative to the effects
4 of adult businesses?
5 A I don't know what others did. I did not beyond what
6 I have already testified to.
7 Q And you have no knowledge of what other people may
8. have done.
9 A That 's correct..
10 Q Do you know if there is any record, based on your
11 knowledge of the records of the City of Tacoma, of
12 what any other person may have done?
13 A I have no knowledge of any occurrence in the City of
14 Tacoma in the record system.
15 Q I mean the City of Renton. Do you have any knowledge
16 of any records that exist within the City of Renton
17 that may document what any other person did to verify
18 or find any empirical evidence to support any of the
19 assertions that you 're talking about?
[ 20 MR. BARBER: Object; it is vague. Answer.
21 A I have no independent knowledge of any additional
22 information that has not been presented here.
23 BY MR. BURNS:
24 Q Line 21. of Page 5 , you have "based upon the comments ,
25 recommendations and debate on the floor of the
_J
• •
r '
54
1 committee, the City Council adopted the proposed
2 Ordinance on April 23 , 1981." What debate are you
3 talking about , where did it occur and in front of
4 whom did it occur?
, 5 A The Planning and Development Committee held several
6 meetings , as I believe I testified previously, I
7 don't recall the precise number. At each of those
8 meetings, which was a public meeting in each case,
9 the committee discussed both among itself and with
10 the staff present the subject and the result of those
11 discussions was the committee's report which you have
12 copies of and the decision of the Council .
13 Q So we are clear, there is no record of those
14 discussions or debate that exist today?
15 A Not to my knowledge.
16 Q And you have described as fully as you can your
17 recollection of what went on at those meetings and
18 the concerns that were expressed.
19 A To the best of my recollection.
20 Q On Page 6 of your affidavit , talking about your map
21 here, which is exhibit or - - well , talking about the
22 map that was attached to your affidavit , you say that
23 "as illustrated on the attached map, there is
24 approximately 400 acres of land within the City of
25 Renton which does not fall within the locational
55
1 regulations ." With respect to that statement , you
2 have now changed that to indicate that these areas on
3 Exhibit 2 hatched in red are also not available; is
4 that right?
5 A That 's correct .
6 Q Now, you go on to say "with two exceptions the
7 property in question is undeveloped." Could you
8 locate on Exhibit No. 2 or describe for me where
9 those two exceptions are?
10 A The two exceptions that I believe' I was speaking to
' 11 in that case were the Longacres Racetrack and the
12 Boeing facility, which is not illustrated on map
illustrated on Exhibit No. 1 we
13 No. 2 , but was
14 previously discussed.
15 Q So it was your contention that but for the Longacres
16 Racetrack and but for the Boeing facility, all the
17 property was undeveloped; is that what you were
1.8 saying?
19 A That ' s correct .
20 Q Now, you know, do you know, that there is a Cole
21 Business Center in Area 5 of the map?
22 A Cole Business owns property within Area No. 5 . I
23 don 't recall specifically whether they have
24 development on that property.
25 Q Do you know that there is a Benaroya Business Park
4r- 56
1 that 's been completed in Area No. 5?
2 A Yes.
3 Q So that is also a developed area.
4 A I do not recall specifically, but I believe the --
5 that particular location is not within the area that
6 the Ordinance regulations do not apply.
7 Q Are you -- what are you telling me about Benaroya
8 Business Park; you don't think it is located here
9 where I am pointing within the -- which is in Area 5
10 or that this part of Area 5 is also not within the
11 locational regulations?
e` 12 A My recollection is that the Benaroya Business Park is
13 not included in areas which would he allowable under
14 the Ordinance for an adult theater.
15 Q Could you show me where you believe the Benaroya
16 Business Park is on this map?
17 A It was approximately the point you were previously
18 illustrating.
19 Q That 's where I am pointing right now?
20 A Yes .
21 Q And let me -- and you are saying that the Benaroya
22 Business Park is not available for use as an adult
23 motion picture theater?
24 A To the best of my recollection at this time, that ' s
( (- :25 correct .
57
1 Q So would we have to carve out another area within
2 Area S that is not available and mark it with red
3 hatchings in order to have this map accurately
4 reflect the available area?
5 A I believe that would be a correct statement. I don't
6 recall specifically how the parcels of the Benaroya
' 7 Business Park are divided and that would have an
8 effect on whether its entirety or only a portion is
9 affected.
, 10 Q Have you prepared a map or any drawing that shows the
11 •Benaroya Business Park and determined whether or not
12 it is in or out of Area 5 as an available location?
13 A I have prepared a map at the request of the City
14 Attorneys office which meets the criteria of the
15 Ordinance.
16 Q Is the Benaroya Business Park, based on the map that
17 you have prepared, included or excluded from the
18 criteria of the Ordinance, and by included or excluded
19 I mean is it an area where you can locate an adult
20 motion picture theater or not locate an adult motion
' 21 picture theater?
22 A I can't state with specificity. My recollection is
23 incomplete as to whether the entire area is deleted
24 from the area available for adult motion pictures ,
25 but definitely a portion is deleted.
1�
. I .
58
1 Q Would that deleted portion be encompassed within the
2 red hatched area that I am pointing to just to the
3 west of the letter B or would it he further to the
4 east?
5 A I can't tell you where that line would he based upon
6 my present recollection.
7 Q Are you telling me now, though, that there is an
8 additional area within Area 5 that is not marked
9 which is unavailable for use as an adult motion
10 picture theater?
11 A There is --
12 MR. BARBER: I object on the ground it 's
13 been asked and answered.
14 MR. BURNS: I want to find out what --
15 where I can put one, and I think he is telling me
16 there is another area where I can't put one. And you
17 people have all the answers to that and I would like
18 to find out where it is .
19 A The point that I was making was that the -- there may
20 be additional area which is affected by the
21 Ordinance. I cannot tell you with specificity at
22 this time where that is .
23 BY MR. BURNS:
24 Q How do I find that out , Mr. Clemens , where I can and
25 can 't put an adult motion picture theater?
i
59
1 MR. BARBER: Object. That 's been asked and
2 answered before.
3 A The process that we utilized was to obtain a copy of
4 a map showing the property lines within the City of
5 Renton, identified the zoning and uses specified in
6 the Ordinance as being protected uses and inscribed
7 circles around those parcels . That 's the process
8 that any planning, architectural or engineering
9 professional could accomplish.
10 BY MR. BURNS:
11 Q If I were an unrelated party coming in off. the
,12 street , unrelated to this lawsuit, and asking to
i
13 locate an adult motion picture theater somewhere in
14 the City of Renton, where can I go, would the City
15 give me that information?
16 A I would say that typically we would ask the question
,17 in reverse. We would say where would You like to
18 locate and then we would inscribe circles around the
19 location suggested to determine whether it meets the
20 Ordinance criteria. If it does , we would indicate
21 so; if it does not , we would indicate it does not .
22 Q So if I came in and I would have to acquire sites by
23 a process of elimination, I would have to say to you
24 will this site work and you will tell me no, and
25 assuming that it didn't meet the locational
6(1
1 requirements and then I would have to guess and go
2 find another site and come hack to you?
3 MR. BARBER: Object to the form of the
4 question.
5 A Our first suggestions would be to suggest to you that
6 you hire a land use engineering or architectural
7 professional to evaluate the Ordinance and its
8 criteria and locate a potential site for you, at
9 which time we would evaluate that potential site as I
10 had stated, starting from the site and working out
11 rather than the reverse.
12 BY MR. BURNS:
-- testimonyin front
13 Q Has the City now, I recall the
14 of the City Council or I heard a tape recording of
15 the City Council meeting of April 6th, and the
16 question was asked by one of the City Councilmen,
17 have you identified areas where an adult theater
18 could locate, and the question or the answer was
19 yes . Do you recall that happening at the meeting of
20 April 6th?
21 A Yes , I do.
22 Q And at that time had you identified the areas where
23 an adult motion picture theater could locate?
24 A We had identified the general areas that would apply,
25 hut we had not applied precision to that analysis .
61
J
1 Q And you have now, I take it, applied precision to
2 that analysis and that precise analysis is in the
3 hands of your attorneys?
4 A That 's correct .
5 Q And your attorneys are refusing to make that
6 available to me or allow you to make it available to
7 me; is that correct?
8 MR. BARBER: Object to that question. You
9 don 't have to answer.
10 MR. BURNS: Are you refusing to make it
11 available to me, counsel.
12 13 MR. BARBER: We have already stated our
objection that it is work product.
14 MR. KELLOGG : Counsel , he just stated how
15 you can determine it for yourself.
16 MR. BURNS: We are going to try this case
17 by guess or by golly and try to keep secrets .
18 BY MR. BURNS:
19 Q On what basis would we determine whether the Benaroya
20 Business Park is in or out?
21 MR. BARBER: Object to the question. It 's
22 been answered by Mr. Clemens
23 MR. BURNS: I haven't asked that one vet .
24 BY MR. BURNS:
25 Q How am I suppose to determine, based on what I see on
Li
62
1 this map, whether it is in or out ?
2 MR. BARBER: Same objection.
3 A The process would he to identify the zoning
4 classifications and protected uses and inscribe
5 circles around those uses .
6 BY MR. BURNS:
7 Q Have you identified any protected uses within the
8 areas that are marked here as including the
9 circumference of Area 5?
10 A Yes .
11. Q And could you describe for me all those protected
12 uses that you have found within or near that area?
le-family
13 A There are , I believe, more than one single-family
14 residence and a school , I believe it is Talbot Hill
15 Elementary School , which applies in this general
16 area.
17 Q Could you locate for me on this drawing where the
18 residences you have located are?
19 A I can't precisely. They are located fronting
20 Southwest 43rd Street and the school is off the man
21 to the east .
22 Q Any other protected uses that you have been able to
23 locate in that area?
24 A My recollection is is that there is also P- 1 zoning
25 east of the Valley Freeway, east of the map that is
/:- 63
1 before me, which is a protected use.
2 Q That 's this zoning over here?
3 A That 's correct.
4 Q The P-1 zoning would require a thousand foot distance
5 from the easterly edge of Area 5, would it not?
6 A That 's correct .
7 Q The residential areas included along Southwest 43rd
8 would require a thousand feet ; is that right?
9 A That 's correct .
10 Q And this blue line that I am pointing to which has a
, 11 terminus point of B on our map, Exhibit No. 2 , is the
12 area included within that generally encompass that
(
13 thousand-foot clearance from those residences?
14 A I am not sure whether it is precisly scaled, but
15 that 's the general area involved.
16 Q Now, what of the locational requirements of the
17 Ordinance may affect the Benaroya Business Park?
18 A Its proximity to the single-family residences .
19 Q Along Southwest 43rd?
20 A That 's correct .
21 Q Now, if I read this Ordinance in Section B correctly,
22 if any portion of the Benaroya Business Park parcel
23 is located within a thousand feet of one of those
24 residences, none of the parcel could he used for an
25 adult motion picture theater?
64
11 A That is correct .
2 Q So that would be the appropriate interpretation
3 to apply to this Ordinance.
4 A That's our interpretation.
5 Q Have you made any determination whether any portion
6 of parcel or of the Benaroya Business Park property
7 is located within a thousand feet of residences?
8 A At least a portion of the Benaroya Business Park
9 ownership is within a thousand feet .
10 Q Are you telling me that the Benaroya Business Park
'11 may be in one or more parcels?
12 A That may be the case.
13 Q
And at least as to that parcel, even though it is
14 under joint ownership and used for a common purpose,
15 would not be able to be used for an adult motion
16 picture theater?
17 A I am not sure I understand the question.
18 Q The Benaroya Business Park owns two parcels of land
19 out there, the Benaroya Business Company owns two
20 different tax assessors parcels of property out
21 there. If -- hut they have constructed one project
22 on those two parcels of land. If any part of the
23 Benaroya Business Park which has one use on two
24 separate assessors parcels is within the thousand-
(( 25 foot restriction, is the entire Benaroya Business
9
65
1 Park excluded from uses of land as an adult motion
2 picture theater?
3 A We have determined that separate tax parcels would he
4 considered separate parcels for the purposes of this
5 Ordinance.
6 Q It is like pulling teeth.
7 MR. BARBER: Do you have much more to go,
8 Jack?
9 MR. BURNS: You guys are making it
1p difficult . I, am trying here. I was about done , hut
11 now we have opened up some other areas . I will try
12 to get done here rather quickly.
13 MR. BARBER: I thought we were being very
14 cooperative.
15 MR. BURNS: I bet you did.
16 MR. KELLOGG: We have been trying our
17 hardest , Jack.
18 BY MR. BURNS:
19 Q How did you go about making this administrative
20 determination that tax parcels is the operative
21 criteria rather than the property parcel on which the
22 proposed use is located?
23 A The only available records which the City has in its
24 possession which establishes the ownership or
25 salability of property are the assessor ' s tax
1 1
66
1 records, and on that basis we have used the
2 assessor 's tax parcels as parcels as defined by that
3 Ordinance.
4 Q Now, could you describe for me why the area marked 1l
5 is not available as use -- as a potential use?
6 A I don't know whether the presice shape of that is
7 correct ; however, it is those uses that are within
8 one mile or parcels , tax parcels within one mile of
9 Talbot Hill Elementary School are eliminated.
10 Q If that 's -- and I take it Talbot Hill Elementary is
11 out here somewhere?
12 A Yes .
13 Q Why is there this gap in here then• why doesn't it
14 extend as deep as parcels D and C do?
15 A There are numerous parcels that have been separated
16 by Burlington Northern into separate tax parcels in
17 that area , and as I previously noted, I am not sure
18 of the precise shape , but there are parcels which are
19 in and some that are out of the restriction zone.
20 Q You go on to say in your affidavit that "most of the
21 parcels of property within the 400 acres is
22 appropriately zoned for adult theater use.
23 Furthermore , pursuant to the comprehensive plan , all
24 of the locations are designated as being appropriate
25 for commercial activities thus paving the way for
67
1 rezoning of those properties which are not presently
2 zoned for adult theater uses ." Which of these
3 properties are not presently zoned for adult theater
4 uses?
5 A There may be some parcels that are currently zoned: G,
6 which is a general classification, it is a single-
. 7 family zone, which are shown in the comprehensive.
8 plan for -- for, I believe industrial park use that
9 could be rezoned to industrial park, and industrial
10 park zoning classification would allow any type of
11 theater .
12 Q Which areas are those on the map Exhibit 2?
13 A The potential is there may he area within the
14 vicinity of Area 5 and the vicinity of Area No. 2
15 which have G zoning potential for rezoning.
16 Q
Within Area 5 that has potential for rezoning. Are
17 those areas within Area 5 that you are talking about ,
18 are they presently excluded from an area where an
19 adult motion picture theater could locate as shown by
20 the red hatching on the map?
21 A I don't recall with precision at this time.
22 Q How do you go about getting a. rezone, assuming that
73 rezone is an avenue we would have to pursue if we
24 found an available location?
25 A Application would be made to the building and zoning
` n `
.
6R
1 department which would be referred to the land use
2 hearing examiner for report and recommendation to the
3 Council for adoption.
4 Q Are there any objective criteria or is there a
, 5 standard that he would use or is it a subjective,
6 discretionary determination by him?
7 A The criteria established in the Ordinance in my view
8 is essentially objective criteria.
9 Q Is there any discretion to deny a rezone?
10 A Yes , I believe there would be discretion.
11 Q What kind of discretion, how would it operate?
12 A If the use was found to he in conflict with the
13 comprehensive plan or policies of the City, the
14 . potential -- there is a potential that the use could
45 be either modified or denied.
16 Q If you don't like the decision of the hearing
17 examiner, where do you go in a rezone situation?
18 A The appeal of a decision of the examiner on a rezone
19 is to the City Council .
20 Q And once again, would the procedure apply that there
21 is no specified time limit within which the City
22 Council must act on a rezone appeal?
23 A Not to the best of my recollection.
24 Q There is not county-wide zoning within King County,
25 is there?
. 4 ,
69
1 A I don 't know what you mean by county-wide.
2 Q There isn't one zoning that applies to all of King
3 County; each municipality and the county can zone
4 independently, isn't that correct?
5 A Yes .
6 Q So there is no overall -- well , you answered the
7 question.
8 Now, you say on the last page of your
9 affidavit that "in any -event , adult entertainment
10 uses are widely available within the City of Seattle
11 and King County generally."
12 Could you describe for me the location of
13 any adult theater within King County that is not
14 within the City of Seattle that you're aware of?
15 A I am not specifically aware of any theaters outside
16 of the City of Seattle. There are other adult
17 entertainment uses in the general area of the Sea-Tac
18 Airport .
19 Q What other kind of adult uses?
20 A My recollection from pieces that I have seen in the
21 newspaper at various times suggest there were massage
22 parlors and similar types of uses .
23 Q But those uses aren' t regulated by your adult zoning
24 ordinance, are they?
11] 25 A No, that ' s correct .
70
(rk
1 Q So those uses could locate within Renton; is that
2 correct?
3 A Subject to any regulations that are not -= that I am
4 not familiar with that are outside the zoning
5 regulations .
6 Q Let me ask you this: could a live burlesque theater
7 locate in the City of Renton now?
8 A I am not sure how you define burlesque.
9 Q Well , let me say -- let me define it for you and tell
10 me if you can locate here. Have a stage show with
11 ladies and/or men who came out on the stage and took
12 off all their clothes and performed in an artistic
any manner, would that be subject to a y regulation of
14 the City of Renton?
15 A Not any zoning regulations . I do not know of whether
16 other regulations of the City might apply.
17 Q Would the location of an adult bookstore that sold
18 videotape movies which are identical to those shown
19 in an adult movie theater be subject to any zoning
20 regulation of the City of Renton that would restrict
21 their location?
22 A If you were speaking strictly to sale of the
23 material , I do not believe so.
24 Q So I could come anywhere into the City or somebody
25 could come anywhere into the City and open up a store
,
ir
71
1 and sell the same sort of material that is projected
2 onto a motion picture screen at an adult motion
3 picture theater and they would not he subject to a
4 zoning regulation; is that correct?
5 MR. BARBER: Objection; asked and answered,
6 I believe.
7 A As long as we are speaking only to sale of those
8 materials , I believe that 's a correct statement.
9 BY MR. BURNS:
10 Q So could I operate a panarama parlor, a peep show
11 place in the City of Renton and not be subject to the
12 regulation of Ordinance 3526?
13 A I would need to review in detail the definitions , but
14 my immediate reaction would be that it would not he
15 an allowable use except as prescribed by the
16 locational criteria of the Ordinance.
17 Q So I can do a lot of things in this town , but I can't
18 show a motion picture. '
19 MR. BARBER: Objection; it is argumentative.
20 MR. BURNS: I don 't have any other
21 questions . Thank you, Mr. Clemens . You have been
22 patient with me.
23 (Discussion off the record)
24 MR. BARBER: I have just a few brief
`: 25 questions , Jack.
�
72
1 EXAMINATION
2 BY MR. BARBER:
3 Q Mr. Clemens , yesterday you testified with regard to a
4 meeting where assistant city attorney Mr. Kellogg had
5 appeared and discussed the topic of -- surrounding
6 the Ordinance that was subsequently enacted as
7 No. 3526. Do you recall specifically if Mr. Kellogg
8 read from the confidential memorandum which you have
9 reviewed before that hearing?
10 A I can't recall with specificity whether he did or
11 not .
12 Q Do you recall if the topic that was discussed at the
inthe
13 hearing was the same topic as discussed
14 confidential memorandum?
15 A The topics were the same general subject matter.
16 Q Do you have any recollection at any time if
17 Mr . Kellogg ever quoted at any time from that
18 confidential memorandum that von reviewed before the
19 meeting?
20 A I don't recall at this time any specific instance, no.
21 MR. BARBER: Nothing further.
22 FURTHER EXAMINATION
23 BY MR. BURNS:
24 Q Mr . Clemens , you don ' t recall whether he quoted or
25 whether he didn 't quote or do you recall that he
73
1 didn't quote?
2 A I don't recall specifically either way.
3 Q So he may have and he may not have.
4 A I believe that 's correct .
5 (Discussion off the record. )
6 BY MR. BURNS:
7 Q How are you compensated by the City of Renton,
8 Mr. Clemens ; on an hourly, monthly or salary basis?
9 A Salary basis .
10 Q Are you subject to civil service or are you appointed
11 and serve at the discretion of somebody?
12 A Serve at the discretion of the Mayor.
13 Q You are not subject to civil service?
14 A No, I am not.
15 MR. BURNS: That 's all .
16 (Discussion off the record)
17 (WHEREUPON, at 12 :30 p.m. , the
deposition was concluded.
18 Signature was reserved . )
19
20
21.
22
23
24
4: 25
f
r r r
74
1 A -F F I D A V I T
2 STATE OF WASHINGTON )
) ss
3 COUNTY OF KING )
4 I have read my within deposition, and the same
5 is true and accurate, save and except for changes and/or
6 corrections , if any, as indicated by me on the CORRECTIONS
7 flyleaf page hereof.
8
9
10
bAVID R. CLEMENS
11
12
13
14 SUBSCRIBED AND SWORN to, before me, this
15 day of , 1982 .
16
17
NOTARY PUBLIC in and for the
18 State of Washington, residing
at
19
20
21
22
23
24
25
•
+ r
75
J '
CERTIFICATE
2 STATE OF WASHINGTON)
) ss
' 3 COUNTY OF KING )
4 I , the undersigned Notary Public in and for the
5 State of Washington, do hereby certify:
6 That the annexed and foregoing deposition of
7 each witness named herein was taken stenographically
8 before me and reduced to typewriting under my direction;
9 I further certify that each said witness
10 examined, read and signed his deposition after the same
11 was transcribed, unless indicated in the record that the
'12 parties and each witness waive the signing;
13 I further certify that all objections made at
14 the time of said examination to my qualifications or the
15 manner of taking each deposition, or to the conduct of any
16 party, have been noted by me upon each said deposition;
17 I further certify that I am not a relative or
18 employee or attorney or counsel of any of the parties to
19 said action, or a relative or employee of any such
20 attorney or counsel , and that I am not financially
21 interested in the said action or the outcome thereof;
22 I further certify that each witness before
23 examination was by me duly swornto testify the truth, the
24 whole truth and nothing hut the truth;
A: 25 I further certify that the deposition, as
I
t +
76
1 transcribed, is a full, true and correct transcript of the
2 testimony, including questions and answers , and all
3 objections, motions and exceptions of counsel made and
4 taken at the time of the foregoing examination;
5 I further certify that I am sealing the
6 deposition in an envelope with the title of the above
7 cause thereon, and marked "Deposition" with the name of
8 each witness , and promptly delivering the same to the
9 Clerk of the above-entitled Court ;
10 IN WITNESS WHEREOF, I have hereunto set my hand
11 and affixed my official seal this _ day of.
' 12 19 .
13
114
15 Notary Public in the
State of Washington, residing
16 at Seattle.
1.7
18
19
20
21
22
23
24
25
1
David R. Clemens
1 :h 3 & 4, 1982
BURTON', W.I.LKERSON L iELPS , INC.
1206 Bank of California
Seattle , WA 98164
PLEASE MAKE ALL CHANGES OR CORRECTIONS ON THIS SHEET , SHOWING PAGE
LINE AND REASON , IF ANY , FOR NOTARY ' S INSERTION INTO THE ORIGINAL
DEPOSITION. SIGN THIS SHEET : SIGN DEPOSITION BEFORE NOTARY PUBLIC
AT END ON LINE PROVIDED: AND RETURN THE ORIGINAL DEPOSITION T)0' THE
ABOVE ADDRESS FOR FILING WITH THE CLERK OF THE COURT.
PAGE LINE CORRECTION AND REASON
VOLUME I
11 25 correct spelling is Blaylock
15 2 should be Renton instead of Redmond
24 12 should be "review by counsel" instead
of City Council
51 14 correct name is Koll Business Center
instead of Cole
53 21 • "and federal agency" should be deleted
61 14 should be "requirements of parking"
instead of marking
84 7 should read character, extent,
VOLUME II
55 20 should be "Koll" instead of Cole
See: Wash . Reports 34A, Rule 30 (e)
USCA 28, Rule 30 ( e) / '
( Signature here and on deposition
• V Eft• .L!_
74
1 AFFIDAVIT
2 STATE OF WASHINGTON )
) ss
3 COUNTY OF KING )
4 I have read my within deposition, and the same
5 is true and accurate, save and except for changes and/or
6 corrections , if any, as indicated by me on the CORRECTIONS
7 flyleaf page hereof.
8
9
10
VID R. MENS
11
12
r
13
14 SUBSCRIBED AND SWORN to, before me, this .26
15 day of , C 2 , 1982.
16
17 ��
NOTARY PUB1 C in and for the
18 State ,of Washington, residing
at
19
20
21-
22
23 {
24
r( 2 5
•i
1 ` ,
PLAYTIME THEATERS, INC. )
yet al. , )
)
Plaintiffs, ) NO. C82-59M
vs. ) NOTICE. OF FILING
)
1THE CITY OF RENTON, et al. , )
Defendants. )
)
TO: Daniel Kellogg
WARREN & KELLOGG
100 South 2nd St .
Renton , WA 98057
PLEASE TAKE NOTICE that on March 30 , 1982
the following original deposition (s) was/were filed with the
Clerk of the Court: David R. Clemens , Vol. I & II
BY: / /
Pecr1 Mitchell, RPR
BURTON, WILKERSON & PHELPS, INC.
Registered Professional Reporters
818 Smith Tower
Seattle, Washington 98104
U){g@EEIVig-:-. (206) 623-7178
`})A 1 -
APR11982
WARREN&KELLOGG
By
{
David R. Clemens
(:0 M ch 3 & 4 , 1982
BURTON, W.ZLKERSON & PHELPS. , I.NC.
1206 Bank of California
Seattle , WA 98164
PLEASE MAKE ALL CHANGES OR CORRECTIONS ON THIS SHEET , SHOWING PAGE
LINE AND REASON , IF ANY , ' FOR NOTARY ' S INSERTION INTO THE ORIGINAL
DEPOSITION . SIGN THIS SHEET :, SIGN DEPOSITION BEFORE NOTARY "PUBLIC
AT END ON LINE PROVIDED : AND RETURN THE ORIGINAL DEPOSITION T10- THE
ABOVE ADDRESS FOR FILING WITH THE CLERK OF THE COURT .
PAGE LINE CORRECTION AND REASON
VOLUME I
11 ' 25 correct spelling is Blaylock
15 ; • 2 should be Renton instead of Redmond
24 12 should be "review by counsel" instead
of City Council
51 ' 14 correct name is Koll Business Center
instead of Cole
53 21 "and federal agency" should be -deleted
61 ! 14 should be "requirements of parking"
instead of marking
84 7 should read character, extent, •
VOLUME II •
55 20 should be "Koll" instead of Cole.
.
See: Wash . Reports "A , Rule" 30 ,(eY'
USCA 28, Rule ( e) • 4 �_
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